Archana Puran Singh reveals why she hid her marriage for 4 years

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Indian actress and television personality Archana Puran Singh has revealed that she kept her marriage to actor Parmeet Sethi a secret for nearly four years, citing industry pressures that once discouraged married women from pursuing acting careers. Archana, known for her work in several iconic Bollywood films, married Parmeet Sethi in 1992. However, she chose not to make the marriage public at the time. Speaking recently, the actress said that during that phase in the film industry, marriage was often seen as a setback for female actors, leading to fewer opportunities. She described this mindset as a “nonsense trend” and said it played a major role in her decision to keep her marital status private while continuing to work. She also shared that the secrecy around the marriage was influenced by several personal and social challenges. Parmeet was younger than her, which contributed to resistance from family members, and there was disapproval from both sides regarding the relationship. ...
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‘My films are all problematic children’: director Yorgos Lanthimos on Poor Things, shame and his creative soulmate Emma Stone

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The ​outlandish ​new film from the celebrated Greek director of The Favourite and The Lobster​ is already one of the most talked-about movies of 2024. ​He discusses ​adapting Alasdair Gray’s novel and what makes him laugh​

Greek director Yorgos Lanthimos and American actor Emma Stone are quite the collaborative powerhouse. Since working together on dark period comedy The Favourite (2018), which earned 10 Oscar nominations and seven Bafta wins, they have made the short film Bleat and the Oscar-tipped feature Poor Things , and shot another feature, currently entitled Kind of Kindness. Their working relationship is clearly nothing if not productive.

In Poor Things, which has been described as a “twisted science-fiction romantic comedy” (and that doesn’t get close to quite how strange it is), Stone plays Bella Baxter – a reborn 19th-century woman, living under the paternalistic care of Frankenstein-like surgeon Godwin Baxter (a makeup-laden Willem Dafoe), whom she calls “God” and who appears to have gifted her with the rapidly developing brain of a baby. While critics have struggled to define the film’s more outlandish elements (the Chicago Sun-Times called it “beautifully garish… unabashedly raunchy”, while Empire went with the rather less prosaic “absolutely batshit, utterly filthy”), Stone says simply that it’s a story about a woman “who doesn’t have to deal with shame”.

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