Anees Bazmee CONFIRMS reunion with Akshay Kumar after 15 years; details inside!

Filmmaker Anees Bazmee has officially confirmed that he is reuniting with Akshay Kumar after a gap of 15 years. While speculation around their collaboration had been circulating for some time, Bazmee put an end to the rumours by revealing that the duo is working on a new comedy project. Speaking to Mid-Day, Bazmee shared that the script for the film is nearing completion. “It is a comedy. I am writing the script right now, it’s almost complete. If everything goes as planned, we will start shooting soon,” he said. The film is currently untitled, and while reports had suggested that it could be a remake of the Telugu action-comedy Sankranthiki Vasthunam, Bazmee chose not to comment on those claims. The director, however, spoke warmly about his long-standing relationship with Akshay Kumar. Reflecting on their bond, Bazmee said there has always been mutual respect between them. “There is mutual love and respect between us. When I told him about this film, he was more than happy,” he adde...

‘My films are all problematic children’: director Yorgos Lanthimos on Poor Things, shame and his creative soulmate Emma Stone

The ​outlandish ​new film from the celebrated Greek director of The Favourite and The Lobster​ is already one of the most talked-about movies of 2024. ​He discusses ​adapting Alasdair Gray’s novel and what makes him laugh​

Greek director Yorgos Lanthimos and American actor Emma Stone are quite the collaborative powerhouse. Since working together on dark period comedy The Favourite (2018), which earned 10 Oscar nominations and seven Bafta wins, they have made the short film Bleat and the Oscar-tipped feature Poor Things , and shot another feature, currently entitled Kind of Kindness. Their working relationship is clearly nothing if not productive.

In Poor Things, which has been described as a “twisted science-fiction romantic comedy” (and that doesn’t get close to quite how strange it is), Stone plays Bella Baxter – a reborn 19th-century woman, living under the paternalistic care of Frankenstein-like surgeon Godwin Baxter (a makeup-laden Willem Dafoe), whom she calls “God” and who appears to have gifted her with the rapidly developing brain of a baby. While critics have struggled to define the film’s more outlandish elements (the Chicago Sun-Times called it “beautifully garish… unabashedly raunchy”, while Empire went with the rather less prosaic “absolutely batshit, utterly filthy”), Stone says simply that it’s a story about a woman “who doesn’t have to deal with shame”.

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