‘Nobody would forgive me if I told the truth’: new film about pacifist turned Nazi collaborator divides France

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In Les Rayons et les Ombres, Jean Dujardin plays a real-life press baron partying during the horrors of the second world war. Director Xavier Giannoli discusses bringing this still sensitive topic to light Xavier Giannoli’s new film Les Rayons et les Ombres (Rays and Shadows) is told from the postwar perspective of Corinne Luchaire, a French actor who was once hailed as “the new Garbo” but grew too close to the Nazis during the German occupation years. As Luchaire records her thoughts on a borrowed tape recorder, she struggles to reconcile her unfaltering devotion to her father, the once-powerful press baron Jean, with his 1946 execution for treason. Her wilful blindness collapses as the Jewish director who helped launch her career visits her cramped flat. When Corinne, played by newcomer Nastya Golubeva Carax, enquires after his sister, he reveals that she died in a concentration camp. “I didn’t know,” murmurs Corinne, only to be met with the devastating reply: “Did you even try to ...
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‘My films are all problematic children’: director Yorgos Lanthimos on Poor Things, shame and his creative soulmate Emma Stone

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The ​outlandish ​new film from the celebrated Greek director of The Favourite and The Lobster​ is already one of the most talked-about movies of 2024. ​He discusses ​adapting Alasdair Gray’s novel and what makes him laugh​

Greek director Yorgos Lanthimos and American actor Emma Stone are quite the collaborative powerhouse. Since working together on dark period comedy The Favourite (2018), which earned 10 Oscar nominations and seven Bafta wins, they have made the short film Bleat and the Oscar-tipped feature Poor Things , and shot another feature, currently entitled Kind of Kindness. Their working relationship is clearly nothing if not productive.

In Poor Things, which has been described as a “twisted science-fiction romantic comedy” (and that doesn’t get close to quite how strange it is), Stone plays Bella Baxter – a reborn 19th-century woman, living under the paternalistic care of Frankenstein-like surgeon Godwin Baxter (a makeup-laden Willem Dafoe), whom she calls “God” and who appears to have gifted her with the rapidly developing brain of a baby. While critics have struggled to define the film’s more outlandish elements (the Chicago Sun-Times called it “beautifully garish… unabashedly raunchy”, while Empire went with the rather less prosaic “absolutely batshit, utterly filthy”), Stone says simply that it’s a story about a woman “who doesn’t have to deal with shame”.

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