Goebbels and the Führer review – private life of propagandist shows grotesque heart of Nazism

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Joachim Lang’s bleak film shows a preening Goebbels and a careworn Hitler as they battle to convince the German public, and themselves, they will win the war In an appropriate spirit of cynicism and bleakness, German director Joachim Lang has made a film about the private life of Nazi propagandist Joseph Goebbels, the Hexenmeister or chief sorcerer of lies, and his always strained relationship with Hitler. Robert Stadlober plays the preening and self-pitying Goebbels and Fritz Karl is a careworn Hitler. Franziska Weisz plays Goebbels’s wife Magda, who at first resented his infidelities with showbusiness starlets but for the sake of the Fatherland submitted to the public image of a good Nazi wife and mother of six adorable children – whom Joseph and Magda finally murdered in the bunker before killing themselves. In its subversive, austerely satirical way, the film feels almost like a B-side to Oliver Hirschbiegel’s Downfall from 2004, and Lang has perhaps even inhaled, just a little,...
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‘It will always be less hellish than the reality’: why cinema keeps returning to the Holocaust

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Three new films attempt to address the Holocaust. But can cinema ever hope to adequately confront humanity’s darkest chapter?

Cinema has a troubled relationship with the Holocaust. It is repeatedly drawn to the subject, which seems to offer a shortcut to moral gravity, emotional depth and the highest possible stakes – elements every storyteller yearns for – and yet there is so much that can go wrong.

For one thing, the very act of depicting the horror of the Nazi murder of 6 million Jews risks minimising it. To pick one crude example, no matter how extreme a diet an actor might undertake, they can never resemble the Muselmänner, the walking skeletons who populated the death camps. Whatever can be shown on screen will always be less hellish than the reality.

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