John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

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Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers , Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of f...
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‘It will always be less hellish than the reality’: why cinema keeps returning to the Holocaust

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Three new films attempt to address the Holocaust. But can cinema ever hope to adequately confront humanity’s darkest chapter?

Cinema has a troubled relationship with the Holocaust. It is repeatedly drawn to the subject, which seems to offer a shortcut to moral gravity, emotional depth and the highest possible stakes – elements every storyteller yearns for – and yet there is so much that can go wrong.

For one thing, the very act of depicting the horror of the Nazi murder of 6 million Jews risks minimising it. To pick one crude example, no matter how extreme a diet an actor might undertake, they can never resemble the Muselmänner, the walking skeletons who populated the death camps. Whatever can be shown on screen will always be less hellish than the reality.

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