Mrunal Thakur joins EBG Group as ambassador for Carlton Wellness platform

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EBG Group, a fast-growing Indian conglomerate with diversified interests spanning mobility, health, realty, lifestyle, food, services, technology, and education, today announced the onboarding of acclaimed Indian actor Mrunal Thakur as brand ambassador for its project, Carlton Wellness. The association marks a key milestone in EBG Group’s vision to build India’s most credible, regulated, and premium wellness-hospitality ecosystem. Effective from FY 2025–26, the partnership will see Mrunal Thakur headline Carlton Wellness’s brand films, digital storytelling initiatives, experiential wellness campaigns, flagship property launches, and brand programs, to be rolled out in a phased manner across India. Commenting on the announcement, Dr Irfan Khan, Chairman & Founder, EBG Group, said, “Mrunal Thakur was chosen for her authentic alignment with wellness, balance, and mindful living. Known for her modern grace, discipline, emotional strength, and understated luxury, she embodies values th...
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Best films of 2023 in the UK: No 4 – 20 Days in Mariupol

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Filmed as Russia invaded Ukraine’s port city, Mstyslav Chernov’s documentary is gruelling, compelling and vital

Mstyslav Chernov’s horrifying eyewitness documentary 20 Days in Mariupol is about Vladimir Putin’s brutal siege of the Ukrainian port city, from February to May 2022, resulting in more than 20,000 deaths. It is effectively the director’s cut: the gruelling unexpurgated text of this Associated Press journalist’s original video reports from within the city for western news outlets. They were, even in their packaged version, gruellingly tough – and Chernov’s images of mass graves did a very great deal, even in edited form, to galvanise western opinion and to subdue dissenting thoughts that supporting Zelenskiy wasn’t worth it and that Nato had provoked the Russians.

But the full material is wrenching: this film is really a broadcast from hell on earth. Chernov shows in unflinching detail the shattered bodies of men, women and children, and even more unbearably shows the agony of loved ones sobbing over the corpses: a blaze of emotional pain almost obscene in its directness. And Chernov and his photographer Evgeniy Maloletka are themselves part of the story. Their subjects are always reacting to their appearance: sometimes they angrily tell the film-makers to go away. But sometimes, and with almost the same kind of despairing rage, they tell them to stay, to record what they are going through, to be a witness to the horror. Ukrainian troops at one stage rescue Chernov and Maloletka from a hospital in which they had been trapped by snipers. Their capture by Russian personnel would undoubtedly have been a counter-propaganda coup for Putin.

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