REVEALED: Kiara Advani’s character Kavya in Hrithik Roshan-Jr NTR starrer War 2 is the daughter of Colonel Luthra played by Ashutosh Rana

The trailer of the biggest Hindi film of 2025, War 2, was finally unveiled earlier in the day. Unlike promos of other big-scale films, it doesn’t follow the set template. Most of the dialogues are in the form of voiceovers. Also, as reported by Bollywood Hungama earlier, it has a duration of less than 3 minutes (2 minutes and 35 seconds). As expected, it further touches upon the face-off between Hrithik Roshan and Jr NTR. But if you observe closely, it also gives out a clue about the character of Kiara Advani. In the teaser of War 2, which was unveiled on May 20, 2025, Kiara Advani’s bikini-clad avatar stole the show, though she appeared for a mere two seconds. But in the trailer, she gets a lot of relevance. The trailer hints that she is the love interest of Hrithik’s cool spy character, Kabir. But she’s not just an arm candy in the film. She also gets a chance to do action and that also stands out in the trailer. However, one quick shot that is significant is whe...

Best films of 2023 in the UK: No 4 – 20 Days in Mariupol

Filmed as Russia invaded Ukraine’s port city, Mstyslav Chernov’s documentary is gruelling, compelling and vital

Mstyslav Chernov’s horrifying eyewitness documentary 20 Days in Mariupol is about Vladimir Putin’s brutal siege of the Ukrainian port city, from February to May 2022, resulting in more than 20,000 deaths. It is effectively the director’s cut: the gruelling unexpurgated text of this Associated Press journalist’s original video reports from within the city for western news outlets. They were, even in their packaged version, gruellingly tough – and Chernov’s images of mass graves did a very great deal, even in edited form, to galvanise western opinion and to subdue dissenting thoughts that supporting Zelenskiy wasn’t worth it and that Nato had provoked the Russians.

But the full material is wrenching: this film is really a broadcast from hell on earth. Chernov shows in unflinching detail the shattered bodies of men, women and children, and even more unbearably shows the agony of loved ones sobbing over the corpses: a blaze of emotional pain almost obscene in its directness. And Chernov and his photographer Evgeniy Maloletka are themselves part of the story. Their subjects are always reacting to their appearance: sometimes they angrily tell the film-makers to go away. But sometimes, and with almost the same kind of despairing rage, they tell them to stay, to record what they are going through, to be a witness to the horror. Ukrainian troops at one stage rescue Chernov and Maloletka from a hospital in which they had been trapped by snipers. Their capture by Russian personnel would undoubtedly have been a counter-propaganda coup for Putin.

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