BREAKING: Max Marketing to present Zee Studios’ Marathi blockbuster Dasavatar in Malayalam, a first in Indian Cinema

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In a groundbreaking move that redefines regional film exchange in India, Max Marketing has made cinematic history. The company will be presenting Zee Studios’ recent Marathi blockbuster Dasavatar for the first time ever in Malayalam cinemas — without dubbing the film into any major national language like Hindi or English. This marks a historic first in Indian cinema — where a regional film will be released directly in another regional language market, not as a Hindi or pan-India version, but as a culturally rooted cinematic experience intended for another linguistic audience. Directed by Subodh Khanolkar and produced by Ocean Film Company and Ocean Art House, Dasavatar will hit Malayalam cinema screens on November 21, 2025. This unprecedented initiative bridges India’s vibrant regional film industries in a way never attempted before. For decades, cross-regional film releases have almost always passed through a national filter — either dubbed in Hindi or adapted for pan-India audienc...
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Best films of 2023 in the UK: No 4 – 20 Days in Mariupol

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Filmed as Russia invaded Ukraine’s port city, Mstyslav Chernov’s documentary is gruelling, compelling and vital

Mstyslav Chernov’s horrifying eyewitness documentary 20 Days in Mariupol is about Vladimir Putin’s brutal siege of the Ukrainian port city, from February to May 2022, resulting in more than 20,000 deaths. It is effectively the director’s cut: the gruelling unexpurgated text of this Associated Press journalist’s original video reports from within the city for western news outlets. They were, even in their packaged version, gruellingly tough – and Chernov’s images of mass graves did a very great deal, even in edited form, to galvanise western opinion and to subdue dissenting thoughts that supporting Zelenskiy wasn’t worth it and that Nato had provoked the Russians.

But the full material is wrenching: this film is really a broadcast from hell on earth. Chernov shows in unflinching detail the shattered bodies of men, women and children, and even more unbearably shows the agony of loved ones sobbing over the corpses: a blaze of emotional pain almost obscene in its directness. And Chernov and his photographer Evgeniy Maloletka are themselves part of the story. Their subjects are always reacting to their appearance: sometimes they angrily tell the film-makers to go away. But sometimes, and with almost the same kind of despairing rage, they tell them to stay, to record what they are going through, to be a witness to the horror. Ukrainian troops at one stage rescue Chernov and Maloletka from a hospital in which they had been trapped by snipers. Their capture by Russian personnel would undoubtedly have been a counter-propaganda coup for Putin.

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