Cornerstone announces CXA, a ‘new-age entertainment and talent agency’ led by Bunty Sajdeh and Prarthana Ajmani

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Cornerstone, one of India’s leading brand and talent management companies, and Armour Entertainment, led by Prarthana Ajmani, have announced a strategic partnership, marking a new phase in the long-term plans of both agencies. As part of the alliance, Bollywood actor Tiger Shroff has been signed as the first talent. The collaboration points to a renewed focus on the evolving entertainment and talent ecosystem at a time of industry change. It reflects a joint effort by Bunty Sajdeh and Prarthana Ajmani to create a streamlined and integrated setup, with an emphasis on structure, long-term growth and consistent talent development across platforms. Together, Cornerstone and Armour combine their respective strengths. Cornerstone’s experience in developing and positioning talent across sports and entertainment complements Armour Entertainment’s management approach, supported by Prarthana Ajmani’s industry experience and professional network built over years of working with leading actors. ...
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Best films of 2023 in the UK: No 4 – 20 Days in Mariupol

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Filmed as Russia invaded Ukraine’s port city, Mstyslav Chernov’s documentary is gruelling, compelling and vital

Mstyslav Chernov’s horrifying eyewitness documentary 20 Days in Mariupol is about Vladimir Putin’s brutal siege of the Ukrainian port city, from February to May 2022, resulting in more than 20,000 deaths. It is effectively the director’s cut: the gruelling unexpurgated text of this Associated Press journalist’s original video reports from within the city for western news outlets. They were, even in their packaged version, gruellingly tough – and Chernov’s images of mass graves did a very great deal, even in edited form, to galvanise western opinion and to subdue dissenting thoughts that supporting Zelenskiy wasn’t worth it and that Nato had provoked the Russians.

But the full material is wrenching: this film is really a broadcast from hell on earth. Chernov shows in unflinching detail the shattered bodies of men, women and children, and even more unbearably shows the agony of loved ones sobbing over the corpses: a blaze of emotional pain almost obscene in its directness. And Chernov and his photographer Evgeniy Maloletka are themselves part of the story. Their subjects are always reacting to their appearance: sometimes they angrily tell the film-makers to go away. But sometimes, and with almost the same kind of despairing rage, they tell them to stay, to record what they are going through, to be a witness to the horror. Ukrainian troops at one stage rescue Chernov and Maloletka from a hospital in which they had been trapped by snipers. Their capture by Russian personnel would undoubtedly have been a counter-propaganda coup for Putin.

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