Wake in Fright understood the horrors of Australian booze culture. 50 years on, nothing’s changed | Joseph Earp

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As a sober Australian man, I’ve battled the bottle and I’ve battled the boys. As Ted Kotcheff’s 1971 film knows, there’s no victory in either Get our weekend culture and lifestyle email Wake in Fright, the 1971 film-cum-anthropological study by Ted Kotcheff understands Australian men, it understands Australia’s drinking culture, and it understands the way those two things intersect – which is to say it understands games. Dick-measuring contests, arm-wrestling bouts, two-up, binge-drinking: Australian masculinity is a series of ongoing games with the promise that if you complete all of these contests you will be the winner – the mannest man. Of course, it’s an illusion: Australian men never really escape the playground rules of the handball court, which turn a swathe of casual interactions into high-stakes opportunities to prove ourselves. Continue reading... from Film | The Guardian https://ift.tt/jlNBdR4 via IFTTT
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Arthur’s Whisky review – Diane Keaton and Lulu in enjoyable body-change comedy

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A magic potion de-ages three women in an enjoyably middling drama-comedy with Patricia Hodge alongside Keaton and Lulu

Viciously anodyne but not entirely unamusing, this older-folk-skewed comedy puts a gentle spin on a well-worn device, the magical-body transformation. In some genteel corner of England, retirees Joan and Arthur are leading a life of quiet resignation. She does gardening and whatnot; he potters with inventions in his shed. One night, his latest concoction, a formula mixed with whisky that will de-age a person back to the body she or he had in her or his early 20s, actually works. Arthur goes outside to holler triumphantly during a storm and gets struck by lightning, leaving Joan a widow.

After the funeral, Joan (Patricia Hodge) and her two best friends, crafty divorcee Linda (Diane Keaton) and baking-obsessive Susan (Lulu), get stuck into the whisky/youthifying brew and wake up looking like the lithe young women they once were, played by three new actors: Esme Lonsdale as young Joan, Genevieve Gaunt as young Linda and Hannah Howland as young Susan. After a predictable bout of screaming and working out that the effect doesn’t last more than six hours, they soon start to enjoy feeling stronger and healthier. (There’s a funny gag that has Linda just repeatedly getting out of a chair and sitting down again, burbling with delight in finding it doesn’t hurt.)

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