‘People who commit heinous crimes can be victims’: Michael Mann on the provocative power of Manhunter at 40

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As a stunning 4K restoration arrives in theaters, the director and cast reflect on creating the disturbing descent into a criminal underworld Michael Mann has shown time and again in films like Thief , Heat , Miami Vice and Public Enemies that he is one of American film’s greatest explorers of the underworld. “It’s like a kind of cultural anthropology,” Mann tells me from his office in Los Angeles. “If you make films, you get to do that in a different place with a different subject every few years. For me, the exploration is the high.” With its unsettling atmosphere and soaring beauty, Mann’s 1986 film Manhunter reimagined how a thriller could look, sound and feel in an early high point for the director. To commemorate its 40th anniversary Manhunter: The Final Cut , a 4K restoration and director’s cut with three minutes of new footage, will see a theatrical release in New York and Los Angeles this weekend with a nationwide US rollout to follow. Continue reading... from Film | The ...
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Arthur’s Whisky review – Diane Keaton and Lulu in enjoyable body-change comedy

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A magic potion de-ages three women in an enjoyably middling drama-comedy with Patricia Hodge alongside Keaton and Lulu

Viciously anodyne but not entirely unamusing, this older-folk-skewed comedy puts a gentle spin on a well-worn device, the magical-body transformation. In some genteel corner of England, retirees Joan and Arthur are leading a life of quiet resignation. She does gardening and whatnot; he potters with inventions in his shed. One night, his latest concoction, a formula mixed with whisky that will de-age a person back to the body she or he had in her or his early 20s, actually works. Arthur goes outside to holler triumphantly during a storm and gets struck by lightning, leaving Joan a widow.

After the funeral, Joan (Patricia Hodge) and her two best friends, crafty divorcee Linda (Diane Keaton) and baking-obsessive Susan (Lulu), get stuck into the whisky/youthifying brew and wake up looking like the lithe young women they once were, played by three new actors: Esme Lonsdale as young Joan, Genevieve Gaunt as young Linda and Hannah Howland as young Susan. After a predictable bout of screaming and working out that the effect doesn’t last more than six hours, they soon start to enjoy feeling stronger and healthier. (There’s a funny gag that has Linda just repeatedly getting out of a chair and sitting down again, burbling with delight in finding it doesn’t hurt.)

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