My Memory Is Full of Ghosts review – deeply moving visual hymn for the bombed-out Syrian city of Homs

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Anas Zawahri’s documentary lays heart-wrenching testimony over languorous shots of bullet-ridden ruins and deserted streets The western Syrian city of Homs is only a husk of its former self. Previously a major industrial centre, the region became a key battleground between 2011 and 2014, for Bashar al-Assad’s army and rebel forces. Amid the immense bloodshed, hundreds of thousands of civilians were either displaced or trapped inside their own homes. Filmed in the summer of 2023, this deeply moving documentary from Palestinian-born and Syria-based film-maker Anas Zawahri maps out the collective trauma and sorrow that continue to linger, even after the shooting has stopped. Unfolding in languorous, largely static shots of bombed rubble, hollowed-out buildings, and deserted streets, the film lays bare the startling extent of wartime brutality. A sense of stillness and stagnancy hangs in the air, and almost every wall is riddled with bullet holes, urban scars that mirror the psychological ...
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Arthur’s Whisky review – Diane Keaton and Lulu in enjoyable body-change comedy

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A magic potion de-ages three women in an enjoyably middling drama-comedy with Patricia Hodge alongside Keaton and Lulu

Viciously anodyne but not entirely unamusing, this older-folk-skewed comedy puts a gentle spin on a well-worn device, the magical-body transformation. In some genteel corner of England, retirees Joan and Arthur are leading a life of quiet resignation. She does gardening and whatnot; he potters with inventions in his shed. One night, his latest concoction, a formula mixed with whisky that will de-age a person back to the body she or he had in her or his early 20s, actually works. Arthur goes outside to holler triumphantly during a storm and gets struck by lightning, leaving Joan a widow.

After the funeral, Joan (Patricia Hodge) and her two best friends, crafty divorcee Linda (Diane Keaton) and baking-obsessive Susan (Lulu), get stuck into the whisky/youthifying brew and wake up looking like the lithe young women they once were, played by three new actors: Esme Lonsdale as young Joan, Genevieve Gaunt as young Linda and Hannah Howland as young Susan. After a predictable bout of screaming and working out that the effect doesn’t last more than six hours, they soon start to enjoy feeling stronger and healthier. (There’s a funny gag that has Linda just repeatedly getting out of a chair and sitting down again, burbling with delight in finding it doesn’t hurt.)

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