‘Move fast, break stuff’: how tech bros became Hollywood’s go-to baddie in 2025

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From Stanley Tucci’s imperious tech titan to Lex Luthor’s distractingly hot CEO and Elon Musk-esque blowhards, films this year took us inside the billionaire mindset Between the slash-and-burn US government reboot led by a dank meme fan and the relentless pushing of AI by venture capital-backed blowhards, 2025 has felt like peak obnoxious tech bro. Fittingly, jargon-spouting, self-regarding digital visionaries also became Hollywood’s go-to baddies this year in everything from blockbusters to slapstick spoofs. Spare a thought for the overworked props departments tasked with mocking up fake Forbes magazine covers heralding yet another smirking white guy as “Master of the Metaverse” or whatever. With such market saturation, the risk is that all these delusional dudes blend into one smarmy morass. It felt reasonable to expect that Stanley Tucci might sprinkle a little prosciutto on The Electric State , Netflix’s no-expense-spared alt-history robot fantasia. As Ethan Skate – creator of t...
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Arthur’s Whisky review – Diane Keaton and Lulu in enjoyable body-change comedy

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A magic potion de-ages three women in an enjoyably middling drama-comedy with Patricia Hodge alongside Keaton and Lulu

Viciously anodyne but not entirely unamusing, this older-folk-skewed comedy puts a gentle spin on a well-worn device, the magical-body transformation. In some genteel corner of England, retirees Joan and Arthur are leading a life of quiet resignation. She does gardening and whatnot; he potters with inventions in his shed. One night, his latest concoction, a formula mixed with whisky that will de-age a person back to the body she or he had in her or his early 20s, actually works. Arthur goes outside to holler triumphantly during a storm and gets struck by lightning, leaving Joan a widow.

After the funeral, Joan (Patricia Hodge) and her two best friends, crafty divorcee Linda (Diane Keaton) and baking-obsessive Susan (Lulu), get stuck into the whisky/youthifying brew and wake up looking like the lithe young women they once were, played by three new actors: Esme Lonsdale as young Joan, Genevieve Gaunt as young Linda and Hannah Howland as young Susan. After a predictable bout of screaming and working out that the effect doesn’t last more than six hours, they soon start to enjoy feeling stronger and healthier. (There’s a funny gag that has Linda just repeatedly getting out of a chair and sitting down again, burbling with delight in finding it doesn’t hurt.)

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