EXCLUSIVE: In a RARE development, CBFC passes De De Pyaar De 2 with ZERO cuts

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The Central Board of Film Certification (CBFC) is known to impose several cuts or ask for replacements and modifications in scenes or dialogues that they find inappropriate or objectionable. Even clean family entertainers have gone through such censorship. Hence, it’ll be a pleasant surprise for our readers to know that De De Pyaar De 2 has proved to be an exception. Bollywood Hungama has learned that the upcoming Ajay Devgn-R Madhavan-Rakul Preet Singh starrer has not got a single visual or audio cut. The film has been passed as it is by the Examining Committee of the CBFC. The film has received a U/A 13+ certificate and the process was completed on November 6. The length of the film, as mentioned on the censor certificate, is 147.10 minutes. In other words, De De Pyaar De 2 is 2 hours, 27 minutes and 10 seconds long. It releases in cinemas on November 14. Past experience De De Pyaar De 2 is a sequel to the Ajay Devgn-Tabu-Rakul Preet Singh starrer De De Pyaar De (2019), which suff...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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