Dhurandhar The Revenge faces legal heat; plea seeks ban on the film’s release ahead of Tamil Nadu elections

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In a significant development ahead of the upcoming Tamil Nadu Assembly elections, a plea has been raised before the Madras High Court seeking a ban on the recently released film Dhurandhar The Revenge in the state. The matter was mentioned urgently on Monday, March 23, with concerns that the film’s politically charged narrative could influence voters during the crucial election period. Advocate Sheela brought the issue before a bench comprising Chief Justice SA Dharmadhikari and Justice G Arul Murugan. The counsel argued that the film contains strong political undertones and may impact voter sentiment, especially with elections scheduled to take place on April 23, 2026. Highlighting the timing of the release, the advocate pointed out that the Model Code of Conduct is currently in force following the March 15 announcement by the Election Commission of India. She urged the court to restrain the screening of the film in Tamil Nadu until the completion of polling, suggesting that its exh...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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