SCOOP: Kartik Aaryan and Luv Ranjan's next to go on floors in October 2026

Kartik Aaryan is among the busiest actors of B-Town, signing on for films left, right, and centre. While he is presently juggling between Anurag Basu's next film and Kabir Khan's directorial, we have exclusive scoop that Kartik and Luv Ranjan have been meeting off late to strategise on their next collaboration after the historic success of Pyaar Ka Punchnama Franchise and Sonu Ke Titu Ki Sweety. Reliable sources confirm that Kartik Aaryan has given a go-ahead to Luv Ranjan's next film, and it will go on floors towards the end of 2026. "Luv Ranjan has been keen to partner with Kartik Aaryan for a while now, and the duo have been jamming on multiple subjects over the last 6 months. After multiple rounds of discussions, they have finally locked in on an exciting idea, which falls right in the world of the Punchnama franchise. Kartik has okayed the script and has tentatively allotted dates from the end of 2026, starting in October," a source shared with Bollywood Hun...

Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

Continue reading...

from Film | The Guardian https://ift.tt/s4zS18y
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”