BREAKING: Reliance Industries Ltd moves Bombay High Court to halt release of Carry On Jatta 4

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The upcoming Punjabi film Carry On Jatta 4 has landed in legal trouble ahead of its scheduled theatrical release on June 26, 2026. According to a report in the May 23, 2026 issue of Atul Mohan’s Complete Cinema magazine, Reliance Industries Ltd. has approached the Bombay High Court seeking to restrain the release of the much-awaited comedy entertainer. As per the article, the matter reportedly arises from a contractual dispute linked to a tripartite arrangement involving Reliance Industries Ltd., Panorama Studios International Ltd. and Humble Motion Pictures. The dispute has now reached the court, with Reliance seeking urgent protection in connection with the film’s rights and release. The matter came up before Justice Abhay Ahuja, who permitted Reliance to correct certain procedural defects in its commercial plaint. The court also granted Reliance liberty to approach the Vacation Court for appropriate relief. During the hearing, the defence raised objections to the maintainability of...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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