EXCLUSIVE: Vishal Bhardwaj reveals why Aamir Khan has been thanked in O'Romeo: “His suggestion changed so many things for me; wanted to thank Aamir from the BOTTOM of my heart”

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Shahid Kapoor’s O'Romeo is having a decent run at the box office and is enjoying a good word of mouth. Moviegoers, who ventured out to see the film on the big screen, were surprised to see the mention of Aamir Khan in the opening disclaimer. Many expected that the superstar might have a cameo in the crime drama. However, Aamir is not present in the film and this made many moviegoers curious about his connection to O'Romeo. Bollywood Hungama has learned the reason behind the special thanks to Aamir. Director Vishal Bhardwaj exclusively told us, “Aamir wanted to hear the script of O'Romeo. And when he heard it, he gave me this idea, that someone should be killed at a crucial point in the film.” Vishal Bhardwaj further revealed, “Killing the lawyer Anjum Ansari (Resh Lamba) in the restaurant was his idea. This is the reason why I thanked him. This suggestion changed so many things for me. Because from there, the protagonist, Ustara (Shahid Kapoor) gets attracted towards the ...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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