SCOOP: Salman Khan aims to return to Eid with Dil Raju and Vamshi's action entertainer in 2027

Eid is synonymous with Salman Khan, as over the years, the superstar has played a major role in making the festival a lucrative period. While today, actors are reaping the benefits of the date, once upon a time, it was never considered to be a festive window for Hindi films. It's Wanted followed by Dabangg that changed the tide for the same. This year is going without a Salman Khan release, but reliable sources inform that the superstar is aiming at the festive period of Eid for his next feature film. "Salman Khan is in talks with Dil Raju and Vamshi Padilpally to plan their schedules in a way that an Eid 2027 release becomes a reality. The producer - director duo is contemplating the option, and plan to get back to Salman with a plan soon," revealed a source to Bollywood Hungama. The source further informs that the film in question is an action-packed entertainer with a strong emotional core. "It's a pure commercial entertainer with Salman Khan playing to the ...

Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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