SCOOP: Aamir Khan's next with Rajkumar Hirani hits a roadblock; Perfectionist asks for script to be rewritten

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Aamir Khan and Rajkumar Hirani's reunion on the Dadasaheb Phalke biopic created a stir like never before. And why not? Two stalwarts are teaming up for the third time after cults like 3 Idiots and PK. But we have some disappointing news for all the fans of this duo. According to very reliable sources close to the actor, the Dadasaheb Phalke Biopic has been put on hold. A source informed Bollywood Hungama on anonymity, "Aamir Khan heard the script of Dadasaheb Phalke from Rajkumar Hirani and Abhijat Joshi. He felt that the script didn't have enough elements to make for a theatrical watch. He expected Raju and Abhijat to have a typical approach of mixing laughter with emotion and drama. But the script was devoid of comedy. This raised a doubt in the mind of Aamir, and he requested Raju to rewrite the script and come back." The source tells us further, "Raju and Abhijat were shocked by Aamir's reaction, and are now figuring out what to do next. The film, which...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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