Singer-Composer Leslee Lewis makes Bollywood playback comeback after 26 years

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Veteran singer-composer Leslee Lewis is set to make a comeback as a playback singer in Hindi cinema after a gap of 26 years, marking a significant moment in his long musical journey. Known for shaping India’s Indi-pop movement in the 1990s, Lewis is returning with the song Zorr Ka Dhakka, which will mark his re-entry into Bollywood playback singing. Lewis rose to national fame as part of the iconic duo Colonial Cousins alongside Hariharan. Their fusion of Indian classical and Western pop in the mid-1990s helped redefine the independent music scene in India and earned them international recognition, including the MTV Asia Viewer’s Choice Award and the Billboard Viewer’s Choice Award. Speaking about his return, Lewis shared his excitement about reconnecting with Bollywood after decades. “I was relevant then and I’m still relevant now,” he said while discussing his comeback and his continued passion for music. He added that singing for a composition by another musician after so many yea...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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