Rajkummar Rao, Sanya Malhotra starrer Toaster gets release date; Netflix to drop quirky dark comedy on April 15

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Netflix has announced its upcoming dark comedy Toaster, a film that turns an everyday object into the centre of an increasingly chaotic chain of events. Set to premiere on April 15, 2026, the film promises a quirky and unpredictable narrative that begins with a seemingly trivial situation—a wedding gift that refuses to be forgotten after the wedding itself is called off. Directed by Vivek Das Chaudhary, Toaster marks a significant milestone for Patralekhaa, who steps into production with her banner Kampa Film. The project brings together Rajkummar Rao and Sanya Malhotra in leading roles, supported by a vibrant ensemble that includes Archana Puran Singh, Abhishek Banerjee, Farah Khan, Upendra Limaye, Vinod Rawat, Jitendra Joshi and Seema Pahwa. The film also sees Rajkummar Rao returning to the comedy genre, a space where he has previously earned audience appreciation for his comic timing. With Toaster, he is set to headline a story that blends relatable situations with escalating absu...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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