Post your questions for Martin Clunes

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His credits range from Men Behaving Badly to Wuthering Heights, and now he’s playing Huw Edwards. What would you dearly love to know about the actor and documentary presenter? It’s delightful that Martin Clunes has won so many plaudits for his performance in this year’s Wuthering Heights, alongside Margot Robbie’s Cathy and Jacob Elordi’s Heathcliff. He plays Cathy’s drunk but generous, cruel yet humorous father in a part that could easily have drifted into the background. But he makes such an impression that the Guardian’s Peter Bradshaw reckons he “ pretty much pinches the whole film ”. It’s not as if Clunes hasn’t brushed shoulders with the Hollywood A-list before. You might remember him as Richard Burbage, opposite Gwyneth Paltrow, Joseph Fiennes and Judi Dench, in 1998’s Shakespeare in Love – a role with added resonance given that his father, Alec Clunes, who died when Clunes was eight, was a distinguished Shakespearean actor. Other roles include 1992’s Carry On Columbus (the la...
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Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

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Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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