EXCLUSIVE: Viineet Kumar Siingh, Saurabh Shukla join Manoj Bajpayee, Rajkummar Rao for Shoojit Sircar’s MYTHO-HUMOUR film

Shoojit Sircar has carved a niche for himself with his films like Vicky Donor (2012), Piku (2015), October (2024), Sardar Udham (2021) and the recently released flick, I Want To Talk (2024). Bollywood Hungama has now learned some exciting information about his next film, which is going to be the first-ever mytho-humour entertainer. A source told Bollywood Hungama, “It marks Shoojit Sircar’s much-awaited return to humour. The acclaimed filmmaker, known for bringing warmth, wit and sharp observation to films such as Vicky Donor and Piku, is now stepping into an entirely new space with his first-ever Mytho Humour entertainer.” In industry circles, the project has begun to make noise, for all the right reasons. The source said, “A massive, elaborate set is being constructed by Sardar Udham’s National Award-winning production designer, Mansi Dhruv Mehta. Inspired by a key chapter from the Mahabharat, the world being built blends mythology with a contemporary and satirical lens.” Adding t...

Napoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic

Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.

Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

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