Delhi High Court restrains Ilaiyaraaja from streaming songs from 134 films in copyright case filed by Saregama

In a significant development in a long-running copyright dispute, the Delhi High Court has passed an interim order in favour of music label Saregama India Ltd., restraining legendary composer Ilaiyaraaja from broadcasting or communicating songs from 134 films until further orders. The order was passed by Justice Tushar Rao Gedela, who observed that while Ilaiyaraaja continues to hold rights over his original musical compositions, those rights do not automatically extend to the sound recordings incorporated into cinematograph films. According to the court, the copyright in such sound recordings rests with the producer and, where assigned, with Saregama. As per the court's observations, Ilaiyaraaja's rights under the Copyright Act are limited to the musical work itself, which refers to the composition independent of the lyrics and the sound recording. The court noted that these rights cannot be interpreted as ownership over the complete film soundtrack. The dispute arose after S...

Nandor Fodor and the Talking Mongoose review – mysterious mammal in period hoax yarn

Peculiar true story of 1930s media sensation becomes an even odder, laboriously serious drama featuring Simon Pegg with Freudian facial hair

Here is a peculiar film based on a peculiar real-life case: the “talking mongoose” hoax that became a newspaper sensation in the 1930s, the crop circle story of its day. The Irvings, a farming family in the Isle of Man, claimed there was a mongoose called Gef in their farmhouse that could speak – although no independent observer ever saw the creature, but only heard its bizarre voice in the walls or under the floorboards. The obvious explanation was close at hand: the daughter of the family made no secret of being a talented ventriloquist.

Despite this, it amused the press to maintain a deadpan attitude to the possibility of “Gef” being real, and there was no shortage of credulous and excitable spiritualists who were excited by the idea. One was the Hungarian-born paranormal investigator Nandor Fodor who came to Man, convinced that Gef was not a con trick precisely, but a manifestation of group hysteria. He is played here with commitment and sincerity by Simon Pegg, sporting tailoring and facial hair like a young Sigmund Freud. Writer-director Adam Sigal imagines an assistant for him: Anne, played by Minnie Driver.

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