‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut

The formidable actor talks about the challenge of finding meaty characters, tough times in the US – and co-starring with her dad’s hero Kenneth Branagh in The Cherry Orchard It’s lunchtime in Stratford-upon-Avon and Helen Hunt has 30 minutes to spare. She’s preparing for her Royal Shakespeare Company debut and is taking time out to speak to me via Zoom, just her head and shoulders, with what looks like a sleek-surfaced kitchen in the backdrop. Hunt is all sleek surfaces herself: polite smiles, even tones and an inscrutability so strained it makes me wonder what might be bubbling underneath. Hunt is starring alongside Kenneth Branagh and Bill Pullman in a new version of The Cherry Orchard. She plays Madame Ranevskaya, the Russian aristocrat and matriarch who returns home to find her family estate in jeopardy. The play, like so many of Chekhov’s, is about the apathy of the elite class in the dying days of the Russian empire. So why this play, for her, and why now? Continue reading... ...

Nandor Fodor and the Talking Mongoose review – mysterious mammal in period hoax yarn

Peculiar true story of 1930s media sensation becomes an even odder, laboriously serious drama featuring Simon Pegg with Freudian facial hair

Here is a peculiar film based on a peculiar real-life case: the “talking mongoose” hoax that became a newspaper sensation in the 1930s, the crop circle story of its day. The Irvings, a farming family in the Isle of Man, claimed there was a mongoose called Gef in their farmhouse that could speak – although no independent observer ever saw the creature, but only heard its bizarre voice in the walls or under the floorboards. The obvious explanation was close at hand: the daughter of the family made no secret of being a talented ventriloquist.

Despite this, it amused the press to maintain a deadpan attitude to the possibility of “Gef” being real, and there was no shortage of credulous and excitable spiritualists who were excited by the idea. One was the Hungarian-born paranormal investigator Nandor Fodor who came to Man, convinced that Gef was not a con trick precisely, but a manifestation of group hysteria. He is played here with commitment and sincerity by Simon Pegg, sporting tailoring and facial hair like a young Sigmund Freud. Writer-director Adam Sigal imagines an assistant for him: Anne, played by Minnie Driver.

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