Chickenhare and the Secret of the Groundhog review – time-travel fun for plucky hybrid critters

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A half-chicken half-hare, a skunk and a tortoise go in search of a 3,000-year-old groundhog in this wholesome animation with a surprisingly complex plot Although this animated feature doesn’t have a title as utterly awesome as its predecessor, Chickenhare and the Hamster of Darkness , it’s still a perfectly adequate 90-ish minutes of creamy pastel-coloured picaresque entertainment. It feels like it’s skewed in the direction of younger viewers given the simple character designs, general wholesomeness and easy-on-the-jokes tone, but the plot is surprisingly complicated. The lead character is named Chickenhare because of course he is half-chicken half-hare, although in practice he looks more like a hare than a chicken other than a tuft of feathers on the crown of his head. He is best friends with a skunk named Meg, equipped with the awesome power of stink and who is very butch-coded with her waistcoat, faux-hawk and tomboy characteristics; there is also a tortoise named Abe, who as you mi...
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Nandor Fodor and the Talking Mongoose review – mysterious mammal in period hoax yarn

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Peculiar true story of 1930s media sensation becomes an even odder, laboriously serious drama featuring Simon Pegg with Freudian facial hair

Here is a peculiar film based on a peculiar real-life case: the “talking mongoose” hoax that became a newspaper sensation in the 1930s, the crop circle story of its day. The Irvings, a farming family in the Isle of Man, claimed there was a mongoose called Gef in their farmhouse that could speak – although no independent observer ever saw the creature, but only heard its bizarre voice in the walls or under the floorboards. The obvious explanation was close at hand: the daughter of the family made no secret of being a talented ventriloquist.

Despite this, it amused the press to maintain a deadpan attitude to the possibility of “Gef” being real, and there was no shortage of credulous and excitable spiritualists who were excited by the idea. One was the Hungarian-born paranormal investigator Nandor Fodor who came to Man, convinced that Gef was not a con trick precisely, but a manifestation of group hysteria. He is played here with commitment and sincerity by Simon Pegg, sporting tailoring and facial hair like a young Sigmund Freud. Writer-director Adam Sigal imagines an assistant for him: Anne, played by Minnie Driver.

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