EXCLUSIVE: Ajay Devgn's Drishyam 3 won't mirror Malayalam version; Ravi Basrur joins Ajay Devgn's October 2 release

A few days ago, news came in that the shoot of the Hindi version of Drishyam 3 was completed, and now the team of the film is gearing up for its October 2 release. The original Malayalam version was released last month, on May 21, and many are wondering whether the Hindi version will be similar to it. A trade source told Bollywood Hungama, “Drishyam (2015) and Drishyam 2 (2022) in Hindi were quite similar to the original films. But the Hindi Drishyam 3 will be an exception. The makers have drastically altered the plot and twists. At the same time, they have made sure that it does justice to the world of Drishyam.” The source also said, “The makers are also excited with the new additions. It is said that Jaideep Ahlawat and Prakash Raj have put up great acts. At the same time, Ajay Devgn, Tabu, Shriya Saran and others have once again delivered fine performances.” In a recent exclusive interview with Bollywood Hungama, director Abhishek Pathak had revealed that while both versions of Dr...

‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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