EXCLUSIVE: CBFC blurs condom brand names in Hai Jawani Toh Ishq Hona Hai; visually edits shots with names of Ben Stokes, Jos Butler

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IPL has ended and the flow of releases will now begin in full force this Friday, June 5. The first major Bollywood release of the season is Hai Jawani Toh Ishq Hona Hai and it has generated excitement due to its fun-filled trailers, songs, casting and also because it is directed by the veteran filmmaker, David Dhawan. The makers completed the censor process last week, well in time; in this article, Bollywood Hungama will exclusively focus on the cuts given to the comic caper. The Central Board of Film Certification (CBFC) passed Hai Jawani Toh Ishq Hona Hai with a U/A 16+ certificate. However, the makers asked for several modifications. At four places, the CBFC’s Examining Committee (EC) asked for a word to be replaced with an appropriate term. A visual of a vulgar hand gesture was also asked to be replaced. Then, the name of the condom brand was blurred while the word indicating the flavour names was asked to be muted. A shot featuring the names of Jos Butler and Ben Stokes was visua...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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