SCOOP: Aamir Khan opts out of Ashneer Grover biopic over creative differences; Rahul Mody and Shraddha Kapoor on hunt for a new actor

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Earlier in the year, there were reports about Aamir Khan teaming up with debutant director Rahul Mody for a film based on the life of controversial start-up king, Ashneer Grover. The news spread like wildfire, leading to all sorts of conversations in the digital world. Soon after, it was revealed that Shraddha Kapoor will play the female lead in the film alongside Aamir and it would go on floors in March 2027, once Aamir is done shooting for a period-drama with Ashutosh Gowarikar. But the latest we learnt that Aamir Khan has decided to opt out of the Ashneer Grover film due to creative differences. "Aamir is fascinated by the world of start-ups, and was keen to get into the zone with the Ashneer Grover biopic. He sat on the script and developed it to the best of his sensibilities. But eventually, he ended up having creative differences with Rahul Mody, leading to the duo parting ways," a source told Bollywood Hungama. The source also informs that Rahul Mody and Shraddha Kapo...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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