Janhvi Kapoor calls out oversexualisation: “Zooming into body parts without consent is invasive”

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Actor Janhvi Kapoor has spoken candidly about being oversexualised in the public eye, addressing concerns around consent, paparazzi culture, and the growing misuse of digital content. During a conversation on the Raj Shamani Podcast, the actress shared how such experiences have shaped her personal and professional decisions. Recalling a recent interaction with paparazzi, Kapoor said, “I actually had a conversation with paparazzi recently. I told them—this is bad for us, it feels invasive and non-consensual. Even if we dress a certain way, we’re not expecting someone to zoom in on specific body parts. And more than us, it reflects badly on them—that they’re commodifying a woman’s body for money and views.” While she noted that the photographers appeared receptive, Kapoor acknowledged the issue runs deeper. “They seemed receptive, but the issue is larger—it’s about consumption. Globally, content that objectifies women is the most consumed. That’s why it keeps getting circulated. Since ...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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