Jaideep Ahlawat replaces Akshaye Khanna in Ajay Devgn starrer Drishyam 3

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The much-anticipated third instalment of the Drishyam franchise appears to be undergoing a significant casting shake-up. If industry buzz is to be believed, Akshaye Khanna has exited Drishyam 3, and the makers have roped in Jaideep Ahlawat as his replacement in the Ajay Devgn-led thriller. Not too long ago, reports had hinted at possible issues between Akshaye Khanna and the makers of Drishyam 3. While there was no official confirmation at the time, the latest developments suggest that the actor has indeed stepped away from the project. Reports now claim that Jaideep Ahlawat, who has been receiving widespread appreciation for his performances in Pataal Lok Season 2 and The Family Man Season 3, has been finalised to take his place. Akshaye Khanna has been enjoying a strong resurgence at the box office, thanks to back-to-back projects where he portrayed layered, grey characters. He was recently seen as Aurangzeb in Chhaava and followed it up with a pivotal role in the recently released...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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