Vidya Balan joins Rajinikanth starrer Jailer 2, makers eye Independence Day 2026 release: Report

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Vidya Balan has joined the cast of Jailer 2, adding a significant new dimension to the much-anticipated sequel to Rajinikanth’s 2023 blockbuster. Directed once again by Nelson Dilipkumar and produced by Sun Pictures, the film is shaping up to be a larger and more narratively driven follow-up to one of Kollywood’s biggest recent successes. According to a source close to the production quoted by Pinkvilla, Vidya Balan was approached with the script and was immediately drawn to both the story and the depth of her character. The source revealed that the actor was impressed by the complexity of the role, which is said to be central to the plot and responsible for a major turning point in the film. Described as a strong, layered character, her part is expected to bring emotional weight and narrative depth to the sequel, marking her return to a high-profile commercial entertainer. Vidya Balan’s inclusion is being seen as a move that pushes Jailer 2 beyond scale and spectacle, strengthening ...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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