Janhvi Kapoor charged Rs. 8 crores to act with Ram Charan in Peddi 

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In the midst of all the controversy around her character and its portrayal in the Buchi Babu-directed Peddi, Bollywood Hungama has exclusively learnt that Janhvi Kapoor drew her biggest pay cheque for the film. According to reliable trade sources, the actress was paid a sum of Rs. 8 crores for the part of female lead alongside Ram Charan. "This is the biggest pay cheque of her career, and she was a thorough professional on the sets of Peddi. She was paid Rs. 5 crores for Devara, and this is a jump of about 50 per cent from Devara. With back-to-back success in the Telugu film industry with Devara and Peddi, Janhvi is considered to be the woman with a golden leg in the fraternity, commanding a 100 per cent success ratio," a trade source informed Bollywood Hungama. The source further added that Janhvi will next be seen in Atlee-directed Raka alongside Allu Arjun. In Hindi, she will next be seen in Lag Ja Gale with Tiger Shroff and Lakshya. "Janhvi is offered multiple proje...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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