Ahaan Panday CONFIRMS next film with Ali Abbas Zafar: “It’s being led by three people under the age of 30”

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Ahaan Panday used the stage at the NDTV Indian of the Year 2025 to confirm his next film, revealing that he will soon be collaborating with filmmaker Ali Abbas Zafar. Fresh off the success of his Bollywood debut Saiyaara, the actor spoke candidly about the project during a brief interaction with the host after accepting his award. Confirming the development, Ahaan said, “It’s an Ali Abbas Zafar film. I don’t know if I should say too much. All I can say is it will start rolling very soon, in the next couple of months. It’s an action film. It’s being led by three people under the age of 30. It has been something that’s not been done for a very long time. For the rest, the audience will have to wait for it.” While he refrained from sharing further details, the confirmation put an end to months of speculation around his next project. Buzz around Ahaan’s follow-up to Saiyaara first surfaced in October this year. Reports suggest that Sharvari will play the female lead, with Bobby Deol expe...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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