EXCLUSIVE: Ali Fazal's fierce new poster from Mirzapur: The Movie raises anticipation ahead of teaser launch

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Ahead of the teaser launch tomorrow, the makers have just dropped a striking new poster featuring Ali Fazal, from the much-awaited Mirzapur: The Movie, and it is everything fans have been waiting for. With the teaser set to drop tomorrow, the buzz around the film has officially hit fever pitch. The poster showcases Ali Fazal in his iconic avatar, radiating intensity and power. With a fierce expression and commanding presence, the character's look hints at the high-stakes drama, revenge, and power battles that have become synonymous with the Mirzapur franchise. While the poster offers no clues about the storyline, it successfully reignites excitement among fans eager to witness the return of one of the most loved characters from the Mirzapur universe. The visual serves as a reminder that the battle for power is far from over and that the world of Mirzapur is gearing up for an even grander cinematic experience. As excitement builds, all eyes are now on the teaser, which promises to ...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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