Ranveer Singh's debut film, Band Baaja Baaraat, to re-release on January 16, 2026, amid Dhurandhar wave

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PVR INOX, in association with Yash Raj Films, will re-release Band Baaja Baaraat on January 16, 2026—15 years after its original release on December 10, 2010. Directed by Maneesh Sharma, the film marked the debut of Ranveer Singh and starred Anushka Sharma in a sparkling story of ambition, love, and friendship, set against the vibrant world of Delhi weddings. Produced by Yash Raj Films, Band Baaja Baaraat went on to become a cultural phenomenon, earning both critical acclaim and immense audience love for its youthful, infectious energy, memorable music, and refreshingly new storytelling. Band Baaja Baaraat reimagined both romance and friendship by situating its protagonists within the frenetic, lived-in world of Delhi weddings. Deeply rooted in local culture and everyday reality, the film had quietly reset the rules of the modern Bollywood love story. It captured an aspirational, entrepreneurial India—young, ambitious, and unapologetically middle-class—with rare warmth and authenticit...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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