Rajkummar Rao to lead Maddock Films’ Prahaar – The Ujjwal Nikam Story; to release on August 7, 2026

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Producer Dinesh Vijan and actor Rajkummar Rao are set to collaborate once again for Prahaar – The Ujjwal Nikam Story, a new drama inspired by events that left a lasting impact on the nation. The film is scheduled to release in cinemas on August 7, 2026. Directed by Avinash Arun, the project will see Rajkummar Rao in the lead role. The cast also includes Wamiqa Gabbi, Sikander Kher, and Jaideep Ahlawat in pivotal roles. The film is being produced under the banner of Maddock Films. While the makers have kept plot details under wraps, the title indicates that the film will draw inspiration from the life and work of Ujjwal Nikam, one of India's most prominent public prosecutors. The announcement describes the film as a hard-hitting drama inspired by incidents that shaped public discourse and captured national attention. The project marks another chapter in the long-standing creative partnership between Rajkummar Rao and Maddock Films. Over the years, the actor has become one of the st...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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