Alia Bhatt, Kareena Kapoor Khan, Janhvi Kapoor, Kiara Advani, and Bhumi Pednekkar show how to ace the corset look

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Corsets have often brought a sense of regal charm to the fore when it comes to fashion that blends tradition with sophistication. And our Bollywood divas have shown just how to pull traditional corset looks, especially in golden. Take a look: Kareena Kapoor Khan: Kareena Kapoor Khan stunned in a handwoven silver tissue saree with a golden corset, featuring detailed embellishments that nearly define the outfit’s mood. Letting the outfit speak for itself, the actress layers her look with selective silver jewellery and a statement bindi.   View this post on Instagram   A post shared by Rhea Kapoor (@rheakapoor) Bhumi Satish Pednekkar: Bhumi Satish Pednekkar looks straight out of an Egyptian frame, dressed in a golden outfit by Ekaya Banaras, featuring a body-hugging matching corset. The Daldal star lets her ensemble steal the spotlight while she fuels her look with statement, heavy jewellery pieces.   View this post on Instagram   A post shared by Bhumi Satish Ped...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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