SCOOP: Batwara’s special promo, featuring Sunny Deol and Karan Deol, expected to be unveiled on Father’s Day

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About two months remain before the release of Batwara, and the film's team is gearing up in full force to unveil the much-anticipated teaser. Recently, it was reported that the asset will be launched on June 15. Bollywood Hungama has now learned that the makers are putting together another interesting promo, which will also be out this month itself. A source told Bollywood Hungama, “Batwara stars Preity Zinta, Shabana Azmi and Ali Fazal, and it also features Sunny’s son, Karan Deol. This is the first time that the father and son will share screen space, and they have an interesting dynamic in the film. The makers wanted to present the same to the audience. Hence, a special promo is being designed to highlight their bond.” The source continued, “Father’s Day will be celebrated on June 21. Hence, the team of Batwara 1947 felt that it would be an apt day to bring the father-son asset out. A final call will be taken in the coming week, but as of now, the Father’s Day asset plan is on....
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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