Saiee M Manjrekar begins shooting for new romantic drama in Italy; official announcement expected soon

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Saiee M Manjrekar has reportedly commenced work on yet another project, adding to her growing slate of films across multiple industries. The actress is currently in Italy, where she has begun shooting for what is being described as a romantic drama, although an official announcement regarding the film is still awaited. According to sources, Saiee has travelled to the picturesque European country to begin the first schedule of the yet-untitled project. The film is said to be helmed by a debutant director and is expected to be extensively shot across scenic locations in Italy, with the story unfolding against a summer backdrop. While the makers have remained tight-lipped about the project, the development has sparked curiosity among fans eager to know more about the actress' next outing. Details regarding the film's cast, title and production banner are currently under wraps, with an official announcement expected in the coming days. A source close to the development shared, ...
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‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

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The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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