EXCLUSIVE: Kumar Mangat Pathak CONFIRMS Jaideep Ahlawat's entry in Drishyam 3: "We have got a BETTER actor than Akshaye Khanna and most importantly, we have got a better person than Akshaye"

Sometime back, Bollywood Hungama broke the internet as it exclusively spoke to Kumar Mangat Pathak over Drishyam 3’s casting. The reputed producer complained of Akshaye’s unprofessionalism and also revealed that he plans to sue the Dhurandhar actor. He also confirmed that Jaideep Ahlawat has replaced Akshaye. Kumar Mangat Pathak told Bollywood Hungama, “Drishyam is a very big brand. It doesn’t matter whether he is in the film or not. Now, Jaideep Ahlawat has replaced him. By the grace of God, we have got a better actor than Akshaye and most importantly, we have got a better person than Akshaye as well. I had produced one of the first films of Jaideep's career, Aakrosh (2010).” The producer then said, “I have suffered losses because of Akshaye Khanna’s behaviour. I am going to take legal action. I have already sent him a legal notice; he’s yet to reply to it.” Kumar Mangat Pathak revealed, “When Akshaye heard the script in his Alibaug farmhouse, he liked it so much that he told u...

‘I am all for strangeness’: Tilda Swinton on artistic integrity, acting and the afterlife

The Oscar-winning Scottish actor answers questions from Observer readers and famous fans including Pedro Almodóvar, Wes Anderson and Elton John

Tilda Swinton has been posing in different costumes for the Observer’s photographer and, as I arrive, has just changed into tartan trousers, saucy two-tone shoes and is standing perfectly still as a hairdresser attends to a blond quiff that makes her look like an incredible exotic bird – or a dandy hooligan, although her face looks too seraphic to mutate into aggro. What you see almost at once is that Swinton is giving 100% to the task at hand while being obligingly considerate to everyone around her. The mix of professionalism with warmth disarms, especially when you might have expected a superstar loftiness.

For Swinton is a superstar – ranked by the New York Times as one of the greatest actors of the 21st century. Original, distinctive and questing, she has played everything from a distraught mother in Lynne Ramsay’s We Need to Talk about Kevin (2011) to the ancient, querulous Madame D in Wes Anderson’s The Grand Budapest Hotel (2014) and the White Witch in the Narnia series (2005-2010). She was in Almodóvar’s short The Human Voice (2020) and is about to star in his next full-length feature (details still under wraps). She is a chameleon yet always herself. She has won an Academy award, a Bafta, been nominated for three Golden Globes and, having just turned 63, is still seen as a fashion icon of androgynous beauty with an unchanging profile – like a figurehead on the prow of a ship. What a difference there must be, I’m thinking as I watch her in front of the camera, between her “real” life in the Scottish Highlands by the sea and all this London razzmatazz.

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