Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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Time Addicts review – drug-fuelled, time-travelling fairytale in Melbourne

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A mission to steal a bag full of crystal meth sparks an enjoyable labyrinthine sci-fi adventure for two bickering addicts

Denise (Freya Tingley) and Johnny (Charles Grounds) are drug buddies living in present-day Melbourne. When they’re not getting high, they spend their time mooching about, bickering, and arguing about whether some of the fancier words Johnny uses are real. (Funnily enough, most of the time they are.) They are what the cops might uncharitably describe as no-hopers.

In what turns out to be a labyrinthine time-travelling plot, one day, the dirty duo’s regular drug dealer, Kane (Joshua Morton), sends them on a mission to a dilapidated house to steal a bag full of crystal meth, a chore that will clear their debt to him. Kane warns them not to try the supply, but of course garrulous Johnny does and within seconds he evaporates with a snap and whoosh of wind right before Denise’s face. In an edit, he finds himself in the same house but 25 years or so in the past, when the home was in better nick and occupied by jumpy former undercover cop Tracey (Elise Jansen). In the present, meanwhile, Denise meets her future self who is also using the time-travel meth and has come back to give her a warning. The rest of the movie skips back and forth, using the same location and four actors, until it gradually reveals the fundamental relationships between the characters and periods.

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