Bone Keeper review – there’s a critter in the caves in serviceable Brit horror

An unconvincing group of friends is briskly picked off one-by-one while searching for a beastie that hitched a ride to Earth on a meteorite You get the measure early on of the tentacled predator in this British horror film when it makes mincemeat out of a hairy tough-guy Neanderthal. The movie opens with some punching-above-its budget special effects explaining the origins of the flesh-eater, which crash landed on Earth with a meteorite. Like Neil Marshall’s The Descent, it’s a creature that makes its home in caves – though unlike the earlier movie, Bone Keeper lacks a sense of sweat-trickling-down-your-back claustrophobia, despite a couple of good scares. Sarah Alexandra Marks plays Olivia, whose journalist grandfather vanished in the 1970s while investigating reports of a creature in a cave somewhere in the UK. Now years later, Olivia’s mother has disappeared while searching for him. So Olivia heads to the caves with a group of mates, who feel as if they’ve been dreamed up in a 20-...

Time Addicts review – drug-fuelled, time-travelling fairytale in Melbourne

A mission to steal a bag full of crystal meth sparks an enjoyable labyrinthine sci-fi adventure for two bickering addicts

Denise (Freya Tingley) and Johnny (Charles Grounds) are drug buddies living in present-day Melbourne. When they’re not getting high, they spend their time mooching about, bickering, and arguing about whether some of the fancier words Johnny uses are real. (Funnily enough, most of the time they are.) They are what the cops might uncharitably describe as no-hopers.

In what turns out to be a labyrinthine time-travelling plot, one day, the dirty duo’s regular drug dealer, Kane (Joshua Morton), sends them on a mission to a dilapidated house to steal a bag full of crystal meth, a chore that will clear their debt to him. Kane warns them not to try the supply, but of course garrulous Johnny does and within seconds he evaporates with a snap and whoosh of wind right before Denise’s face. In an edit, he finds himself in the same house but 25 years or so in the past, when the home was in better nick and occupied by jumpy former undercover cop Tracey (Elise Jansen). In the present, meanwhile, Denise meets her future self who is also using the time-travel meth and has come back to give her a warning. The rest of the movie skips back and forth, using the same location and four actors, until it gradually reveals the fundamental relationships between the characters and periods.

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