Shraddha Kapoor renews Juhu apartment lease at Rs 6 lakhs per month: Report

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Bollywood actress Shraddha Kapoor has renewed the lease for an apartment in Mumbai’s Juhu locality, with a starting monthly rent of Rs. 6 lakhs, according to property registration documents reviewed by Square Yards on the website of the Inspector General of Registration (IGR) at https://ift.tt/1Bn20eE. The renewal deal was officially registered in February 2026. Juhu is regarded as one of Mumbai’s most prestigious and sought-after real estate destinations, known for its premium residential environment and strong investment appeal. The locality features a blend of luxury apartments, sea-facing bungalows, and exclusive gated developments, attracting affluent homebuyers, celebrities, and long-term investors. Juhu enjoys excellent connectivity via the Western Express Highway, JVPD roads, and proximity to the domestic and international terminals of Chhatrapati Shivaji Maharaj International Airport, along with easy access to key commercial hubs such as Bandra Kurla Complex, Andheri, and San...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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