Amul Topical pays heartfelt tribute to Asha Bhosle: “Sabka dil chura liya aapne”

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Amul, the iconic Indian dairy brand known for its insightful topicals, has paid a heartfelt tribute to the legendary playback singer Asha Bhosle following her sad demise on April 12, 2026. The tribute, shared on social media, beautifully encapsulates the singer's immense contribution to Indian music and her universal appeal. Amul Topical for Asha Bhosle The topical features an illustration of two versions of Asha Bhosle, each representing a different facet of her legendary career. On the left, she is seen as the quintessential stage performer, with her hand raised in her signature dramatic pose and a microphone in her hand. On the right, she is depicted as the dedicated studio singer, reading from a music sheet in front of a recording microphone. The topicals perfectly captures the essence of her versatility and her ability to touch hearts both on stage and in the studio. The caption for the topical, in Hindi, reads: "Sabka dil chura liya aapne," which translates to ...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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