Salman Khan vs Neighbour: Bombay HC suggests removal of social media posts over Panvel property dispute

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The Bombay High Court on Thursday observed that access to social media does not give individuals the right to publish content that may defame others, whether they are private citizens or public figures. The observation came during the hearing of a dispute involving actor Salman Khan and his neighbour, Ketan Kakkad, over a property matter in Panvel. A single-judge bench of Justice Sharmila Deshmukh was hearing an appeal filed by Salman Khan. The actor has challenged a civil court order that refused to grant him interim relief in a defamation suit against Kakkad. During the proceedings, the Court indicated that parties should avoid taking their disputes to social media platforms and instead seek remedies through appropriate legal forums. The Court also suggested that Kakkad consider removing tweets and YouTube videos related to the dispute. The Bench expressed concern over the continued circulation of such content online. It observed that valuable judicial time should not be spent exami...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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