INSIDE Anshula Kapoor's "surprise" Mehendi ceremony planned by Janhvi and Khushi Kapoor!

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For Anshula Kapoor, her mehendi was as much about meaning as it was about celebration. Hosted at home by sisters Janhvi Kapoor and Khushi Kapoor, the intimate gathering brought together close family and friends for an afternoon centred on love, tradition and togetherness, with every detail thoughtfully planned as a surprise for the bride-to-be. The occasion also marked a personal tribute to the family she is stepping into. For the ceremony, Anshula chose a bespoke teal blue lehenga by Arpita Mehta, inspired by Gujarat's rich Patola textile tradition while incorporating the designer's signature mirror work. The ensemble also marks Arpita Mehta's very first Patola-inspired bridal lehenga. Sharing the inspiration behind her look, Anshula wrote: "For my mehendi, I wanted my outfit to honour the family I was stepping into. This incredible teal blue lehenga by @arpitamehtaofficial is inspired by the rich legacy of Patola, while beautifully incorporating her signature mirror...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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