Spirit first look unveiled: Sandeep Reddy Vanga drops special New Year treat for Prabhas fans

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The much-anticipated Pan-India film Spirit, bringing together director Sandeep Reddy Vanga and Prabhas for the first time, has officially kicked off 2026 with a major reveal. As the clock struck midnight welcoming the New Year, the makers unveiled the first look of the film, instantly sending fans into a frenzy and reaffirming the project’s status as one of the most talked-about upcoming releases. Spirit has been under the spotlight ever since its announcement, largely due to the powerful combination of Prabhas and Vanga, both known for delivering intense, high-impact cinema. The first-look reveal at the turn of the year was a calculated promotional move, and one that Vanga has successfully employed in the past. Ahead of the reveal, the filmmaker teased audiences on social media on December 31 by writing, “People… A few hours more for SPIRIT – First Poster,” sparking widespread excitement and speculation. Interestingly, this strategy mirrors the promotional approach Vanga used years ...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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