Haunted – Echoes Of The Past lands in legal storm ahead of June 12 release; public notice cautions industry against release, streaming and monetisation amid NCLT status quo order

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A public notice issued by CA Bharati Manoj Daga, Resolution Professional of Hare Krishna Media Tech Pvt. Ltd., in the May 9, 2026 issue of Atul Mohan’s Complete Cinema magazine, cautioned the Indian film trade and industry against proceeding with the release, distribution, exhibition, streaming, promotion or commercial exploitation of the upcoming film Haunted – Echoes Of The Past, which is scheduled for a release on June 12, 2026. Directed by Vikram Bhatt, the horror film stars Mimoh Chakraborty in the lead. As per Zauba Corp, Vikram Bhatt and his daughter Krishna Bhatt are the directors of Hare Krishna Media Tech Pvt Ltd while the former's wife Shwetambari Bhatt is mentioned as an additional director in the company. The notice, issued regarding proceedings before the Hon’ble National Company Law Tribunal (NCLT), Mumbai Bench, refers to the matter involving CA Bharati Daga, Resolution Professional of Hare Krishna Media Tech Pvt. Ltd., versus Vikram Bhatt and others. According to ...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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