Bafta 2026 film awards longlists hope to avoid #BaftasSoWhite diversity criticism

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With strong showings for Ryan Coogler’s Sinners and target hit for 50% female directors, criticism that has dogged the prizes in recent years may have been headed off For now, the Bafta film awards appears to have headed off further criticism over its long-running diversity crisis after revealing its longlists on Friday. Despite Bafta overhauling its awards voting system in 2020 after claims of “systemic racism” , outrage re-emerged in 2023 after no people of colour won awards . The longlists, which are an intermediate stage on the way to the final nominations with each category determined by different mixes of membership voting and jury selection, suggest that some progress is being made. Continue reading... from Film | The Guardian https://ift.tt/ws6nORV via IFTTT
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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