Ronit Roy warns fans about online impostor using his name to target women and asking for money; says, “Cops are coming for you”

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Actor Ronit Roy has issued a strong public warning after discovering that an unidentified individual has allegedly been misusing his identity online to contact people, particularly women, and asking for money. The actor took to social media to alert fans and followers about the scam while also sharing screenshots and details connected to the alleged impostor. In a detailed note posted online, Ronit Roy revealed that the individual had allegedly been reaching out to people using his name and even attempting to take bookings fraudulently. Sharing specifics about the accounts involved, the actor wrote, “WARNING!!!! It has come to my notice that someone has been using my name and reaching out to people, especially girls and asking for money. This person has been trying to take bookings in my name. The number involved is a Zangi number 3318085685 The email id being used is ronitroybookings@hotmail.com. Everyone be careful. As for the perpetrator....."cops are coming for you”.” The act...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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