Ranbir Kapoor starrer Ramayana trailer to launch Worldwide on July 24

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The makers of Namit Malhotra’s Ramayana have officially announced that the film’s trailer will premiere worldwide on July 24, 2026. Positioned as one of the biggest cinematic projects inspired by Indian mythology, the film aims to bring one of the country’s most celebrated epics to audiences across the globe. Earlier, the makers unveiled the Rama glimpse, offering viewers a first look at the film’s visual scale and interpretation of the timeless epic. The preview generated significant buzz and heightened anticipation for the project. With the trailer release date now confirmed, excitement surrounding the film has grown even further. Planned as a two-part theatrical event, Ramayana: Part One seeks to present the revered story on a grand cinematic canvas through large-scale visuals, emotional storytelling, and advanced visual effects. The upcoming trailer is expected to offer audiences a deeper look into the world created by the filmmakers.   View this post on Instagram   A...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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