Akshay Kumar teams up with Vipul Shah for alien action thriller Samuk; Hollywood creature and action experts join project

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Actor Akshay Kumar is set to headline a new large-scale sci-fi action thriller titled Samuk, directed by Kanishk Varma and produced by Vipul Amrutlal Shah. Positioned as an ambitious alien survival thriller, the film is currently in development and is expected to go on floors soon. The project marks Akshay Kumar’s return to a full-scale action role and will reportedly combine elements of survival horror, military realism, and alien thriller storytelling. The makers are also bringing together an international technical team with experience across several Hollywood franchise films. Speaking about the project, producer Vipul Shah said, “We always try to challenge ourselves with different genres, and Samuk is something Indian cinema hasn’t attempted before. Our aim is to create a world-class alien thriller for audiences.” Director Kanishk Varma, known for projects such as Sanak and Inside Edge, revealed that the idea for the film emerged from his interest in survival thrillers and elite s...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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