Govinda announces comeback with self-produced film Roopa; says, “People kept saying, ‘Now he won’t appear in films anymore’”

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Veteran Bollywood star Govinda is all set to return to the big screen with a brand-new project. The actor recently hosted a press conference to officially announce his comeback film, Roopa, marking his return to cinema after a prolonged gap. At the event, Govinda unveiled the first poster of the film, introduced newcomer Rani Swarankar as the leading lady, and revealed that he is also producing the project. Once among the biggest superstars of the 1990s, Govinda has largely stayed away from films in recent years after a string of releases failed to leave an impact at the box office. However, the actor appeared confident and optimistic as he spoke about embarking on a fresh journey with Roopa. Opening up about the challenges he has faced over the years and his determination to keep moving forward, Govinda said, “Maybe it was destiny that I was written off so many times. People kept saying, ‘Now he won’t appear in films anymore.’ But I always started again. I pray to God that this film ...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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