SCOOP: Did Sunny Kaushal replace Saif Ali Khan in Ramesh Taurani's daughter Sneha Taurani's film last minute?

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In a surprising turn of events, Saif Ali Khan has reportedly walked out of filmmaker Sneha Taurani’s upcoming project, just days before the film’s shoot was scheduled to begin. The actor, who had officially committed to the project and even attended its mahurat ceremony on October 27, 2025, has now opted out, leaving the makers and producers scrambling for a replacement. A source close to the development revealed, “He didn’t feel it was the right film for him to do,” though the decision came much later than expected, creating last-minute challenges for the team. The film was being produced by Ramesh Taurani, one of Bollywood’s most established producers, who has earlier collaborated with Saif on blockbusters like Race, Race 2, and BhootPolice (2021). He even did Kya Kehna produced by Ramesh Taurani in 2000, the two go back a long way. Reportedly, Ramesh Taurani wasted no time and has now cast Sunny Kaushal in the role originally meant for Saif. Kaushal reunites with director Sneha T...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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