Manoj Bajpayee replaces Govinda in Bhagam Bhag 2: Report

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Bhagam Bhag 2, the sequel to one of Bollywood’s enduring comedies, has seen a notable change in its cast as production advances toward a scheduled start. Reports emerging from industry sources indicate that Manoj Bajpayee will join stars Akshay Kumar and Paresh Rawal for the follow-up, while original cast member Govinda is not expected to return. The original Bhagam Bhag (2006) featured Akshay Kumar, Govinda and Paresh Rawal in memorable comic roles and became a cult favourite over the years. As the sequel moves closer to production, the casting list is shifting. According toa report by Variety India, acclaimed actor Manoj Bajpayee is set to take on a significant role alongside Kumar and Rawal. Govinda, who played one of the lead comic roles in the first film, is reportedly not part of the new instalment. The report noted that discussions with him did not materialise into a confirmed role for Bhagam Bhag 2, and the casting change marks a departure from early expectations. The sequel...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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