BREAKING: Preity Mukhundhan to make her Bollywood debut in Naagzilla; only 7 days of shooting left for Kartik Aaryan's fantasy comedy

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Bollywood Hungama has been at the forefront in delivering exclusive news about one of the most-awaited films of 2026, Naagzilla, starring Kartik Aaryan. We are now back with another interesting piece of information – the talented actress Preity Mukhundhan, who has made a mark down South, will be launched in Bollywood with this promising flick. A source told Bollywood Hungama, "Preity Mukhundhan fits the role perfectly and the makers are quite happy to have her on board. She’ll be seen in a hilarious role and her character contributes tremendously to the narrative. She’s also excited about the role as she’ll get a chance to exhibit a different side of her to the audience.” Preity made her debut in the 2024 Telugu horror comedy Om Bheem Bush, followed by her Tamil debut in Star. Naagzilla is produced by Karan Johar’s Dharma Productions and Mahaveer Jain’s Mahaveer Jain Films. The fantasy comedy features Kartik as a shape-shifting naag and, reportedly, Ravi Kishan essays the role ...
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After 10 years, I'm stepping down as the Observer's film critic. Here are my top films from the decade | Mark Kermode

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As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey

This week, I filed my final column as chief film critic for the Observer. I’m stepping down after exactly 10 years in the role, making way for the brilliant Wendy Ide to take over the reins and put her own inimitable stamp on the paper. A longstanding colleague and friend, Wendy is an exceptional critic and I look forward to reading her insightful and elegant reviews in these pages for years to come. In the meantime, looking back at my own experiences over the past decade, I’m struck by how much the moviegoing landscape has changed.

When I took over from the great Philip French in September 2013, Kathryn Bigelow was still the only woman to have won the Oscar for best director, having made history when she triumphed with her tense war drama The Hurt Locker in 2010. The Academy Awards have, of course, always been inherently ridiculous (remember: Citizen Kane didn’t win best picture, but Driving Miss Daisy did). For better or worse, however, this very American shindig tells us something about the way the mainstream film industry views itself. And since the first Oscars ceremony back in 1929, the Academy has overwhelmingly celebrated and prioritised white male film-makers. Yet in the past 10 years, things have at least begun to shift in encouraging ways.

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