‘Move fast, break stuff’: how tech bros became Hollywood’s go-to baddie in 2025

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From Stanley Tucci’s imperious tech titan to Lex Luthor’s distractingly hot CEO and Elon Musk-esque blowhards, films this year took us inside the billionaire mindset Between the slash-and-burn US government reboot led by a dank meme fan and the relentless pushing of AI by venture capital-backed blowhards, 2025 has felt like peak obnoxious tech bro. Fittingly, jargon-spouting, self-regarding digital visionaries also became Hollywood’s go-to baddies this year in everything from blockbusters to slapstick spoofs. Spare a thought for the overworked props departments tasked with mocking up fake Forbes magazine covers heralding yet another smirking white guy as “Master of the Metaverse” or whatever. With such market saturation, the risk is that all these delusional dudes blend into one smarmy morass. It felt reasonable to expect that Stanley Tucci might sprinkle a little prosciutto on The Electric State , Netflix’s no-expense-spared alt-history robot fantasia. As Ethan Skate – creator of t...
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Fear, fangs and frying pans: here’s what I learned by watching 13 horror movies in 48 hours

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London’s Frightfest shows everything from slasher flicks to arty experiments, though I wasn’t prepared for the number of deaths by kitchen utensils

I’m not sure at what point I realised I was losing my grip. Perhaps it was the moment in existential French psychodrama Pandemonium where a recently deceased motorist finds himself being introduced to hell by a 7ft-tall mega-demon; or it could have been the copious vomiting scene in Cobwebs, which was the third copious vomiting scene I’d witnessed in 24 hours. Either way, by the time I got to the third day of Frightfest, I realised it was time to go home – even though, for the crowds of gore devotees gathered outside the cinema behind me, this was just the halfway point.

Now in its 24th year, Frightfest offers both new movies (often getting their world premiere) and classic chillers, taking in the whole gamut of the genre from straight-up slasher flicks to bizarre artsy experiments. Over five days more than 70 films are shown on several screens, and there is a wonderful community feel: people dressed in Evil Dead and Cannibal Holocaust T-shirts mix amiably with cos-players decked out as mad scientists and vampires.

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