The Morrigan review – spirit of pagan demon queen unleashed in Irish burial chamber horror

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Archaeologists blunder into an ancient and unwittingly release a vengeful monster – with predictable and conventional results In Irish folklore, the Morrígan is a powerful goddess of death and war. This horror movie imagines her as an actual historical figure: a pagan queen massacred with her followers by Christians. A quick scene at the start of the film shows the dirty deed. The Morrígan’s rage against misogyny has screamed down through the centuries – so it’s a shame the film frames her not as a feminist icon but a highly conventional horror movie nemesis; a malign vengeful female to be crushed and destroyed. There is nothing to punch the air about in the end. Saffron Burrows plays an archaeologist called Fiona who has been repeatedly passed over for tenure at her US university. When Fiona presents her radical theory that the myth of the Morrígan may have a basis in real life, her slippery colleague Jonathan (Jonathan Forbes) is made the lead on the dig. Fiona is forced to bring al...
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Fear, fangs and frying pans: here’s what I learned by watching 13 horror movies in 48 hours

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London’s Frightfest shows everything from slasher flicks to arty experiments, though I wasn’t prepared for the number of deaths by kitchen utensils

I’m not sure at what point I realised I was losing my grip. Perhaps it was the moment in existential French psychodrama Pandemonium where a recently deceased motorist finds himself being introduced to hell by a 7ft-tall mega-demon; or it could have been the copious vomiting scene in Cobwebs, which was the third copious vomiting scene I’d witnessed in 24 hours. Either way, by the time I got to the third day of Frightfest, I realised it was time to go home – even though, for the crowds of gore devotees gathered outside the cinema behind me, this was just the halfway point.

Now in its 24th year, Frightfest offers both new movies (often getting their world premiere) and classic chillers, taking in the whole gamut of the genre from straight-up slasher flicks to bizarre artsy experiments. Over five days more than 70 films are shown on several screens, and there is a wonderful community feel: people dressed in Evil Dead and Cannibal Holocaust T-shirts mix amiably with cos-players decked out as mad scientists and vampires.

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