‘A towering piece of monoculture’: how The Odyssey discourse has dominated this summer

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Christopher Nolan’s smash hit epic has continued to excite and enrage everyone from rightwingers to academics, an old-fashioned throwback to a uniting big-screen event Peter Bradshaw reviews The Odyssey The Odyssey: jaw-dropping action, dark magic and dolphin cameos – discuss with spoilers Go woke, get rich: why rightwing hate campaigns don’t affect the box office If a high-profile academic is reviewing a movie for the London Review of Books , that movie in question must be making some kind of mark on some kind of culture. And if people are actually reading a movie review in the London Review of Books, and writing thinkpieces in disagreement or favor of said movie or its review, that movie may actually be a cultural phenomenon. Normally, volume of discourse about a movie should not be mistaken for a sign that people are actually seeing it. Sometimes online factions just have a bored fixation not shared by the rest of the world. But Christopher Nolan ’s The Odyssey has some major recei...
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Fear, fangs and frying pans: here’s what I learned by watching 13 horror movies in 48 hours

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London’s Frightfest shows everything from slasher flicks to arty experiments, though I wasn’t prepared for the number of deaths by kitchen utensils

I’m not sure at what point I realised I was losing my grip. Perhaps it was the moment in existential French psychodrama Pandemonium where a recently deceased motorist finds himself being introduced to hell by a 7ft-tall mega-demon; or it could have been the copious vomiting scene in Cobwebs, which was the third copious vomiting scene I’d witnessed in 24 hours. Either way, by the time I got to the third day of Frightfest, I realised it was time to go home – even though, for the crowds of gore devotees gathered outside the cinema behind me, this was just the halfway point.

Now in its 24th year, Frightfest offers both new movies (often getting their world premiere) and classic chillers, taking in the whole gamut of the genre from straight-up slasher flicks to bizarre artsy experiments. Over five days more than 70 films are shown on several screens, and there is a wonderful community feel: people dressed in Evil Dead and Cannibal Holocaust T-shirts mix amiably with cos-players decked out as mad scientists and vampires.

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