20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

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Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...
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Fear, fangs and frying pans: here’s what I learned by watching 13 horror movies in 48 hours

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London’s Frightfest shows everything from slasher flicks to arty experiments, though I wasn’t prepared for the number of deaths by kitchen utensils

I’m not sure at what point I realised I was losing my grip. Perhaps it was the moment in existential French psychodrama Pandemonium where a recently deceased motorist finds himself being introduced to hell by a 7ft-tall mega-demon; or it could have been the copious vomiting scene in Cobwebs, which was the third copious vomiting scene I’d witnessed in 24 hours. Either way, by the time I got to the third day of Frightfest, I realised it was time to go home – even though, for the crowds of gore devotees gathered outside the cinema behind me, this was just the halfway point.

Now in its 24th year, Frightfest offers both new movies (often getting their world premiere) and classic chillers, taking in the whole gamut of the genre from straight-up slasher flicks to bizarre artsy experiments. Over five days more than 70 films are shown on several screens, and there is a wonderful community feel: people dressed in Evil Dead and Cannibal Holocaust T-shirts mix amiably with cos-players decked out as mad scientists and vampires.

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