Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...

And Then Come the Nightjars review – farmer and vet at centre of drama of rural life

This screen adaptation of Bea Roberts’s play has a compelling concept but yields disappointing results

Based on a play – a painfully obvious fact given the stiltedness of the dialogue – by Bea Roberts, this small-scale British drama revolves almost entirely around two characters who are followed over a number of years. The early scenes, set in 2001, establish the affectionate friendship between Devon dairy farmer Michael (David Fielder), recently widowed and judging by the beard eligible for a pension soon, and local veterinarian Jeff (Nigel Hastings), a younger man with a budding drink problem.

When foot-and-mouth disease reaches their neck of the moors, Jeff is compelled to put down Michael’s entire herd according to governmental guidelines. Michael tries to resist with an unloaded shotgun and some choice curse words aimed at the ministerial enforcers who accompany Jeff, but there’s no stopping the forces of change. As the years pass, agriculture itself comes under threat in a rural economy increasingly skewing towards offering hospitality for wealthy visitors who want to capture sunsets on Instagram rather than see where their meat and milk comes from.

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