Luke Hemsworth: ‘I have to be very specific about which brother I am. But it still gets confusing’

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The star on his famous acting family, wrestling Chris and Liam, the best advice from Anthony Hopkins and being traumatised by The Exorcist Get our weekend culture and lifestyle email In Beast, your new film about an MMA fighter, you play Gabriel: a dirtbag guy with a dirtbag goatee. Did you base him off any dirtbags you’ve met? Oh, that’s all me. I’m channelling my inner dirtbag. He has some inadequacy issues. He’s like a used car salesman; he looks fair and feels foul. But there are parts of me in him – I’m wearing my own snake skin boots for the whole film. I ended up actually keeping one of his suits, which I might have worn to a couple of premieres, which is pretty funny! [Laughs] Continue reading... from Film | The Guardian https://ift.tt/twlXANL via IFTTT
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The Virgin Suicides review – Sofia Coppola’s debut rereleased with solemn trigger-warning

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Sunlit suburban calm masks the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie

Nearly a quarter of a century ago, Sofia Coppola made her feature directing debut with this adaptation of the literary sensation of its day: Jeffrey Eugenides’s novel about five teen sisters in 70s suburban Michigan who take their own lives. Now it is rereleased with a solemn trigger-warning disclaimer at the beginning about certain historic attitudes which might now cause offence; these are unspecified, but appears to mean the entire premise of the film, up there in the title, but which is treated more circumspectly nowadays in the context of new ideas around self-harm and “suicidal ideation”.

This was a movie which mystified as many as it entranced, and it would be honest of me to admit that I didn’t quite understand it back in 2000, and maybe don’t quite now. But I can perhaps appreciate with more clarity its artistry and poise and the confident way Coppola allows her film to be serenely mysterious and almost affectless in its sunlit suburban calm, a reticence which appears to mask the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie.

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