PM Narendra Modi wishes Asha Bhosle a speedy recovery after hospitalisation

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Prime Minister Narendra Modi has extended his wishes for the recovery of veteran playback singer Asha Bhosle following news of her recent hospitalisation. The 92-year-old singer is currently undergoing treatment for exhaustion and a chest infection, according to a statement shared earlier by her granddaughter Zanai Bhosle. Taking to X, the Prime Minister expressed concern about her health and conveyed his support. He wrote: “Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery.” Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery. — Narendra Modi (@narendramodi) April 12, 2026 His message comes amid widespread concern from across the film and music fraternity after initial reports about the singer’s hospitalisation surfaced earlier in the day. The clarification from her family later confirmed that she is receiving treatment for exhaustion...
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The Virgin Suicides review – Sofia Coppola’s debut rereleased with solemn trigger-warning

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Sunlit suburban calm masks the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie

Nearly a quarter of a century ago, Sofia Coppola made her feature directing debut with this adaptation of the literary sensation of its day: Jeffrey Eugenides’s novel about five teen sisters in 70s suburban Michigan who take their own lives. Now it is rereleased with a solemn trigger-warning disclaimer at the beginning about certain historic attitudes which might now cause offence; these are unspecified, but appears to mean the entire premise of the film, up there in the title, but which is treated more circumspectly nowadays in the context of new ideas around self-harm and “suicidal ideation”.

This was a movie which mystified as many as it entranced, and it would be honest of me to admit that I didn’t quite understand it back in 2000, and maybe don’t quite now. But I can perhaps appreciate with more clarity its artistry and poise and the confident way Coppola allows her film to be serenely mysterious and almost affectless in its sunlit suburban calm, a reticence which appears to mask the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie.

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