Spirit first look unveiled: Sandeep Reddy Vanga drops special New Year treat for Prabhas fans

The much-anticipated Pan-India film Spirit, bringing together director Sandeep Reddy Vanga and Prabhas for the first time, has officially kicked off 2026 with a major reveal. As the clock struck midnight welcoming the New Year, the makers unveiled the first look of the film, instantly sending fans into a frenzy and reaffirming the project’s status as one of the most talked-about upcoming releases. Spirit has been under the spotlight ever since its announcement, largely due to the powerful combination of Prabhas and Vanga, both known for delivering intense, high-impact cinema. The first-look reveal at the turn of the year was a calculated promotional move, and one that Vanga has successfully employed in the past. Ahead of the reveal, the filmmaker teased audiences on social media on December 31 by writing, “People… A few hours more for SPIRIT – First Poster,” sparking widespread excitement and speculation. Interestingly, this strategy mirrors the promotional approach Vanga used years ...

The Virgin Suicides review – Sofia Coppola’s debut rereleased with solemn trigger-warning

Sunlit suburban calm masks the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie

Nearly a quarter of a century ago, Sofia Coppola made her feature directing debut with this adaptation of the literary sensation of its day: Jeffrey Eugenides’s novel about five teen sisters in 70s suburban Michigan who take their own lives. Now it is rereleased with a solemn trigger-warning disclaimer at the beginning about certain historic attitudes which might now cause offence; these are unspecified, but appears to mean the entire premise of the film, up there in the title, but which is treated more circumspectly nowadays in the context of new ideas around self-harm and “suicidal ideation”.

This was a movie which mystified as many as it entranced, and it would be honest of me to admit that I didn’t quite understand it back in 2000, and maybe don’t quite now. But I can perhaps appreciate with more clarity its artistry and poise and the confident way Coppola allows her film to be serenely mysterious and almost affectless in its sunlit suburban calm, a reticence which appears to mask the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie.

Continue reading...

from Film | The Guardian https://ift.tt/SKskdiC
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton