SCOOP: Allu Arjun to play 4 distinct roles in Atlee’s next - grandfather, father, and two sons!

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After the historic success of Pushpa 2, Allu Arjun is collaborating with Atlee on a never seen before epic film tentatively titled AA22 x A6. The film has got a solid ensemble cast on board with Allu Arjun, Deepika Padukone, Rashmika Mandanna, Janhvi Kapoor, and Mrunal Thakur. The film is the most discussed of Indian Cinema, as the filmmaker has promised a global film, with visuals like never before. And our news is going to make it all the more exciting for fans. While there is constant speculation about Allu Arjun's dual role in AA22 x A6, we have the most exclusive and inside scoop on the film. Reliable sources have confirmed to Bollywood Hungama that Allu Arjun has 4 different roles in A6. "Allu is playing the entire family tree in Atlee's next film. He will be seen as a grandfather, father, and two sons in the film, making it a quadruple role for Allu. This would mark the first multiple role film of his career," a source told Bollywood Hungama. We hear that Atl...
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The Virgin Suicides review – Sofia Coppola’s debut rereleased with solemn trigger-warning

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Sunlit suburban calm masks the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie

Nearly a quarter of a century ago, Sofia Coppola made her feature directing debut with this adaptation of the literary sensation of its day: Jeffrey Eugenides’s novel about five teen sisters in 70s suburban Michigan who take their own lives. Now it is rereleased with a solemn trigger-warning disclaimer at the beginning about certain historic attitudes which might now cause offence; these are unspecified, but appears to mean the entire premise of the film, up there in the title, but which is treated more circumspectly nowadays in the context of new ideas around self-harm and “suicidal ideation”.

This was a movie which mystified as many as it entranced, and it would be honest of me to admit that I didn’t quite understand it back in 2000, and maybe don’t quite now. But I can perhaps appreciate with more clarity its artistry and poise and the confident way Coppola allows her film to be serenely mysterious and almost affectless in its sunlit suburban calm, a reticence which appears to mask the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie.

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