Ranveer Singh to collaborate with Birla Studios for the adaptation of Amish Tripathi’s The Immortals of Meluha trilogy: Report

Amish Tripathi’s bestselling novel The Immortals of Meluha has remained one of the most sought-after Indian mythology adaptations for years, with several filmmakers reportedly expressing interest in bringing the epic saga to the big screen. Now, the project appears to have finally found its leading man and production backing. As per recent reports, Ranveer Singh has shown keen interest in adapting the fantasy novel under his production banner Maa Kasam Films. The actor has reportedly joined hands with Ananya Birla’s Birla Studios to develop the ambitious trilogy, which will include The Immortals of Meluha, The Secret of the Nagas, and The Oath of the Vayuputras. According to sources close to the development, the adaptation is currently in its early stages, with the team focusing heavily on writing and world-building. “Ranveer has been passionate about bringing Meluha to the big screen for a long time now. The acquisition happened recently, and the project is now officially under devel...

The Virgin Suicides review – Sofia Coppola’s debut rereleased with solemn trigger-warning

Sunlit suburban calm masks the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie

Nearly a quarter of a century ago, Sofia Coppola made her feature directing debut with this adaptation of the literary sensation of its day: Jeffrey Eugenides’s novel about five teen sisters in 70s suburban Michigan who take their own lives. Now it is rereleased with a solemn trigger-warning disclaimer at the beginning about certain historic attitudes which might now cause offence; these are unspecified, but appears to mean the entire premise of the film, up there in the title, but which is treated more circumspectly nowadays in the context of new ideas around self-harm and “suicidal ideation”.

This was a movie which mystified as many as it entranced, and it would be honest of me to admit that I didn’t quite understand it back in 2000, and maybe don’t quite now. But I can perhaps appreciate with more clarity its artistry and poise and the confident way Coppola allows her film to be serenely mysterious and almost affectless in its sunlit suburban calm, a reticence which appears to mask the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie.

Continue reading...

from Film | The Guardian https://ift.tt/SKskdiC
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”