Ek Din teaser out: Junaid Khan and Sai Pallavi promise quiet romance and real-life magic in this gentle love story, watch

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If it's about love, everything turns magical. Bringing an absolutely magical, gentle, and classic love story, the teaser of Aamir Khan Productions’ Ek Din has finally been revealed, featuring the cute, lovable, and fresh pairing of Sai Pallavi and Junaid Khan. While the poster had already kept us hooked and eager to witness more glimpses of this beautiful tale of love, the teaser is indeed an absolute treat. Beautifully coloured with the snowy canvas of winter, the teaser of Ek Din opens with a heartwarming dialogue and captivates the fervour of love with its soothing and melodious tune. Showcasing the enchanting chemistry of the fresh on-screen pair, Sai and Junaid, the teaser fills the soul with love and affection. It promises a love story that is rarely made in Bollywood today and beautifully brings back the charm of romance that has been missing from the big screen. South cinema queen, Sai Pallavi, who is making her much-anticipated Hindi film debut, brings her trademark grac...
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The Virgin Suicides review – Sofia Coppola’s debut rereleased with solemn trigger-warning

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Sunlit suburban calm masks the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie

Nearly a quarter of a century ago, Sofia Coppola made her feature directing debut with this adaptation of the literary sensation of its day: Jeffrey Eugenides’s novel about five teen sisters in 70s suburban Michigan who take their own lives. Now it is rereleased with a solemn trigger-warning disclaimer at the beginning about certain historic attitudes which might now cause offence; these are unspecified, but appears to mean the entire premise of the film, up there in the title, but which is treated more circumspectly nowadays in the context of new ideas around self-harm and “suicidal ideation”.

This was a movie which mystified as many as it entranced, and it would be honest of me to admit that I didn’t quite understand it back in 2000, and maybe don’t quite now. But I can perhaps appreciate with more clarity its artistry and poise and the confident way Coppola allows her film to be serenely mysterious and almost affectless in its sunlit suburban calm, a reticence which appears to mask the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie.

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