Arijit Singh to get into politics post announcing retirement from singing

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If sources are to be believed, Arijit Singh has decided to take the precarious plunge into politics. There are conflicting rumours on his political plans, though. According to a source very close to the singer, “He feels very close to West Bengal. He is going into politics for sure. But he hasn’t decided whether to start his own party, or join Mamata Banerjee, whom he is very close to. But yes, he is very keen to work for the betterment of the grassroots sections. For this, he thinks politics is the right platform.” Arijit’s friend describes the singer as a “saint”. “He has earned millions and millions. But he doesn’t spend a penny on himself. He uses his wealth to quietly help the needy.” Arijit Singh is one of the most admired singers to have emerged from the Indian entertainment industry after he entered the music scene in 2011. His popularity and liking goes beyond the borders of India. The celebrated singer shocked his fans earlier this week both in India and out...
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The Virgin Suicides review – Sofia Coppola’s debut rereleased with solemn trigger-warning

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Sunlit suburban calm masks the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie

Nearly a quarter of a century ago, Sofia Coppola made her feature directing debut with this adaptation of the literary sensation of its day: Jeffrey Eugenides’s novel about five teen sisters in 70s suburban Michigan who take their own lives. Now it is rereleased with a solemn trigger-warning disclaimer at the beginning about certain historic attitudes which might now cause offence; these are unspecified, but appears to mean the entire premise of the film, up there in the title, but which is treated more circumspectly nowadays in the context of new ideas around self-harm and “suicidal ideation”.

This was a movie which mystified as many as it entranced, and it would be honest of me to admit that I didn’t quite understand it back in 2000, and maybe don’t quite now. But I can perhaps appreciate with more clarity its artistry and poise and the confident way Coppola allows her film to be serenely mysterious and almost affectless in its sunlit suburban calm, a reticence which appears to mask the shocking nature of the story itself: a horrendous tragedy in the guise of a teenage coming-of-age movie.

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