‘I was born without self-esteem’: Hannah Einbinder on Hacks, her buzzy queer horror – and being Hollywood’s most outspoken star

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The Hacks lead was cast in meta-slasher sensation Teenage Sex and Death at Camp Miasma for her ‘deranged physicality’ – but it’s a fitting role for an actor who has made a point of confronting shame and speaking her mind ‘God is good all the time,” laughs Hannah Einbinder. She’s fresh off a plane from Los Angeles and curled up barefoot in an armchair. This, she says, is “a crazy time in life. Starring in Teenage Sex and Death at Camp Miasma in the midst of Hacks ending … it’s definitely an embarrassment of riches.” Hacks is the HBO comedy that ended earlier this year; in May, Teenage Sex and Death at Camp Miasma, Jane Schoenbrun’s queer meta-horror, became the breakout hit of this year’s Cannes film festival. Continue reading... from Film | The Guardian https://ift.tt/EBR5uPv via IFTTT
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Oppenheimer review – Nolan’s atom bomb epic is flawed but extraordinary

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Christopher Nolan’s account of the physicist who led the Manhattan Project captures the most agonising of success stories

The wartime Soviet intelligence services had a codename for the Manhattan Project, the US’s plan to build an atom bomb: Enormoz. Christopher Nolan’s new film about it is absolutely Enormoz, maybe his most enormoz so far: a gigantic, post-detonation study, a PTSD narrative procedure filling the giant screen with a million agonised fragments that are the shattered dreams and memories of the project’s haunted, complex driving force, J Robert Oppenheimer, a brilliant physicist with the temperament of an artist who gave humanity the means of its own destruction.

The main event is that terrifying first demonstration: the Trinity nuclear test in the New Mexico desert in July 1945, when Oppenheimer is said to have silently pondered (and later intoned on TV) Vishnu’s lines from the Hindu scripture, the Bhagavad-Gita: “Now I am become Death, the destroyer of worlds …”

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