Sebastian review – journalist turned sex-worker aims to turn side-hustle into art

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Ruaridh Mollica is very good as Max, a freelance writer with a secret app life in prostitution, but Mikko Mäkelä’s film is not clear enough about his motivations Sex work as a window into human nature is a longstanding theme in cinema, from Kenji Mizoguchi’s Street of Shame to Chantal Akerman’s Jeanne Dielman, and onwards. It is intensified here by the fact that the protagonist Max (Ruaridh Mollica), who mines his side-hustle escort work for material, is also a writer. But this uneasy, self-regarding sophomore effort by Finnish-British director Mikko Mäkelä, never fully distancing itself from the narcissistic prism of artistic creation, only fleetingly makes contact with flesh-and-blood human truths. By day, Max is a freelance hotshot for London’s trendy Wall magazine; he has just bagged himself a sweet assignment to interview Bret Easton Ellis. By night he is “Sebastian”, a hot commodity on an app called DreamyGuys. Typically servicing the older gentleman, he turns his experiences...
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John Farnham: Finding the Voice review – a gushy account of Australian music history

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This eulogistic documentary has Farnham’s blessing, but we learn very little about the man himself as everyone else reflects on his career

The biggest question I had going into director Poppy Stockell’s documentary about the beloved Australian singer John Farnham is: how many times will it deploy that song? You know, the one reminding us that we’re all someone’s daughter, we’re all someone’s son. The song that arrived in 1986 and became seared on to the national psyche, to be played and replayed ad infinitum, and may God curse the swinish face of any so-called ‘Strayan who doesn’t like it.

Will You’re the Voice be played once? Twice? Will it be reserved for the last act? How long can we look at each other keep watching a Farnesy doco without hearing this amazingly catchy tune about standing up to injustice? The answer is: about halfway through the runtime. But even then we hear the song in pieces, as the story around it is recounted.

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