Hugh Grant says fourth Bridget Jones film will be ‘funny but very sad’

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Actor reprises character of Daniel Cleaver but says he won’t play role of ‘60-year-old wandering around looking at young girls’ It is a universally acknowledged truth that Bridget Jones films are packed with humour and comedic scenes that attract viewers in their droves. However, in a slight departure, Hugh Grant has revealed that the fourth film in the series will also be “very sad”. Continue reading... from Film | The Guardian https://ift.tt/ZJoB2VO via IFTTT
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Camera ready: how Agnès Varda turned her photographs into film

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Before she picked up a film camera, the revered director was a photographer. The seeds of her groundbreaking cinema lie in her earliest still images, says her daughter, Rosalie

Agnès Varda, at least in her later years, didn’t make a big deal about being taken seriously. For decades, the film-maker and artist was much respected as the pioneering feminist voice in French cinema and as the “godmother of the Nouvelle Vague” – New Wave – her work beating Jean-Luc Godard, François Truffaut et al to the big screen by several years. But she was also somewhat sidelined, eclipsed by her male peers, and it took until this century for her to be truly revered: last year, her 1962 classic Cléo from 5 to 7 was ranked No 14 in the Sight & Sound greatest films poll.

But by the time she had begun to be deified, Varda was prone to sending herself up. She would appear on her film posters and DVD boxes in cartoon form as a quizzical, rotund Mrs Pepperpot figure; she even appeared at the Venice Biennale dressed as a potato. The latter guise, she once said, was because she loved the circus as a child. “I thought I should do something to get attention.”

Nude, Paris, 1954.

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