Hugh Grant says fourth Bridget Jones film will be ‘funny but very sad’

Actor reprises character of Daniel Cleaver but says he won’t play role of ‘60-year-old wandering around looking at young girls’ It is a universally acknowledged truth that Bridget Jones films are packed with humour and comedic scenes that attract viewers in their droves. However, in a slight departure, Hugh Grant has revealed that the fourth film in the series will also be “very sad”. Continue reading... from Film | The Guardian https://ift.tt/ZJoB2VO via IFTTT

The Last Kingdom: Seven Kings Must Die review – gripping spin-off from Netflix show

There’s a ton of plot packed into this standalone movie derived from the TV series, but the deluge of detail gets steadily more absorbing

Here is a standalone feature film and final capstone in Netflix’s British-made TV series The Last Kingdom, an epic in every sense of the word that’s based on novels by Bernard Cornwell and unfolds in the 10th century, just before the Norman invasion. Even if you’ve never seen a single episode from any of the show’s previous five seasons of dramatised yet highly researched British history, you’ll probably quite like to go back and start watching the whole saga from the beginning because it gets more gripping the more you surrender to it. This is largely down to the thoughtful way it tries to present a society composed of pagan Danes and Christian Saxons – and folks who are a bit of both – trying with some difficulty to all get along.

The main dude is one such mixed-heritage chap named Uhtred (Alexander Dreymon), who apparently was born a Saxon but raised by Vikings and believes in the Norse gods. A fearsome warrior wielding a sword with a chunk of amber on the hilt, and a mane of tangled hair shaved at the sides so he looks like a new age traveller from the 1990s, Uhtred is the leader of a community in Northumbria, eschewing the title king. His alliance with the royal family of Wessex to the south is tested when newly crowned King Aethelstan (Harry Gilby) comes to power and is persuaded by his closest adviser Ingilmundr (Laurie Davidson) (a fanatical convert to Christianity) to use this moment to seize control of all Britain’s kingdoms, from the Shetland and Orkney islands to Wessex. There are, as the title might imply, eight kings in all, but the wife of a friend of Uhtred’s with a history of making prophecies foretells that seven of them will die.

Continue reading...

from Film | The Guardian https://ift.tt/tP51nk4
via IFTTT

Comments

Popular posts from this blog

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

Elaha review – sex, patriarchy and second-generation identity

Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth