Kartik Aaryan takes legal route to protect his identity, flags online misuse

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Actor Kartik Aaryan has approached the Bombay High Court, alleging unauthorised commercial use of his personality across multiple online platforms, in a move that underscores growing concerns over digital misuse of celebrity identities. According to reports, the actor has filed an intellectual property (IP) suit seeking protection of his name, image, likeness, and other identifiable attributes, which he claims are being used without consent. The plea targets several online platforms as well as unidentified individuals, often referred to as “John Doe” parties, accused of exploiting his persona for commercial gain. In his petition, Kartik has sought a permanent injunction to restrain entities from using his identity in advertisements, merchandise, or digital content. He has also urged the court to direct platforms to take down such material and disclose details of those responsible. The actor’s legal team has argued that the misuse extends to emerging digital formats, including manipul...
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‘The film industry is gone’: Jim Jarmusch on the his debut album, the death of filmmaking and the joy of mistakes

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At 70, the outsider movie hero is releasing his first album. He muses on music, the demise of film and finding joy in mistakes

There are few film-makers quite as particular about music as Jim Jarmusch. Over the years, he’s enlisted Wu-Tang Clan’s RZA to score his hitman-meets-samurai flick Ghost Dog: The Way of the Samurai, had Tom Waits and Iggy Pop jacked up on caffeine and locking horns in a thick swirl of smoke in 2003’s Coffee and Cigarettes, and got Neil Young to let rip some improvised guitar for the soundtrack to Dead Man. Not to mention that his films feature acting turns by everyone from Joe Strummer to Screamin’ Jay Hawkins and he directed a documentary on the Stooges along the way.

“Music’s always been there,” he says, in his unmistakable deep baritone register, speaking from New York. “Since being a teenager, music has been something that shaped my life and the decisions I’ve made throughout it.” But for the last decade, Jarmusch has evolved from avid admirer and astute curator to making music for his own movies with producer and musician Carter Logan in their band Sqürl. Together they’ve composed scores for films such as his deadpan zombie romp The Dead Don’t Die and Paterson, a subtle yet poignant tale of a bus driver poet.

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