Bombay HC asks Shilpa Shetty, Raj Kundra to deposit Rs 60 crores for travel, and LOC relief

The Bombay High Court has directed actor Shilpa Shetty and her husband, businessman Raj Kundra, to deposit Rs 60 crore or provide a continuous bank guarantee from a nationalised bank before it will consider lifting a Lookout Circular (LOC) restricting their foreign travel. This order came during a hearing on their urgent plea to visit London for Kundra's ailing father, who is undergoing serious medical treatment. The bench of Justices AS Gadkari and RR Bhonsale emphasised the need to demonstrate bona fides amid doubts about their return to India. The LOC stems from a Rs 60.48 crore fraud complaint filed by Deepak Kothari, Director of UY Industries Pvt Ltd, alleging the couple induced him to invest in their now-defunct Best Deal TV Pvt Ltd between 2015 and 2023. Kothari claims the funds, provided as a loan with Shetty's personal guarantee, were misused amid heavy business losses, with no recovery despite repeated demands. The Economic Offences Wing (EOW) of Mumbai Police is inv...

‘The film industry is gone’: Jim Jarmusch on the his debut album, the death of filmmaking and the joy of mistakes

At 70, the outsider movie hero is releasing his first album. He muses on music, the demise of film and finding joy in mistakes

There are few film-makers quite as particular about music as Jim Jarmusch. Over the years, he’s enlisted Wu-Tang Clan’s RZA to score his hitman-meets-samurai flick Ghost Dog: The Way of the Samurai, had Tom Waits and Iggy Pop jacked up on caffeine and locking horns in a thick swirl of smoke in 2003’s Coffee and Cigarettes, and got Neil Young to let rip some improvised guitar for the soundtrack to Dead Man. Not to mention that his films feature acting turns by everyone from Joe Strummer to Screamin’ Jay Hawkins and he directed a documentary on the Stooges along the way.

“Music’s always been there,” he says, in his unmistakable deep baritone register, speaking from New York. “Since being a teenager, music has been something that shaped my life and the decisions I’ve made throughout it.” But for the last decade, Jarmusch has evolved from avid admirer and astute curator to making music for his own movies with producer and musician Carter Logan in their band Sqürl. Together they’ve composed scores for films such as his deadpan zombie romp The Dead Don’t Die and Paterson, a subtle yet poignant tale of a bus driver poet.

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