Ameesha Patel stuck at Dubai airport amid flight cancellations: “Can’t wait to get home to Mumbai”

Bollywood actor Ameesha Patel has shared her travel troubles after being stuck at Dubai airport for several hours due to flight delays. The actor took to social media to express her ordeal as she waited to return home to Mumbai. In a post shared on X, Ameesha described the long and tiring wait at the airport, writing, “Been hours n hours at DUBAI airport !! And the wait continues …. Can’t wait to get home to MUMBAI ❤️❤️❤️.” Her post quickly caught the attention of fans, many of whom sympathised with her situation and shared similar travel experiences. Flight delays have become an issue at busy international hubs like Dubai and several other airports in the Middle East due to the ongoing tensions in the region, as per latest reports. Been hours n hours at DUBAI airport !! And the wait continues …. Can’t wait to get home to MUMBAI ❤️❤️❤️ pic.twitter.com/Kcmrro3fyf — ameesha patel (@ameesha_patel) May 5, 2026 Ameesha’s tweet highlighted the inconvenience faced by travellers when schedul...

Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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