The making of Fargo at 30: ‘Man, you don’t give me this role, I’m gonna shoot your dog’

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As the Oscar-winning Coen brothers classic reaches its three decade anniversary, stars of the film discuss the stories behind its production William H Macy was originally slated for the modest role of a detective in Fargo . Then the film’s directors, Joel and Ethan Coen, asked if he would like to read for the lead part of Jerry Lundegaard. “I said: ‘Boy, do I!’,” recalls Macy. He memorised the script that night and impressed the Coens but needed to seal the deal. Macy heard the pair were in New York, got his “jolly ass” on a plane and deployed some Coen-esque dark humour. “I said, I’m worried you’re gonna screw up your movie by casting someone else . I knew Ethan had just gotten a little puppy and I said: ‘Man, you don’t give me this role, I’m gonna shoot your dog.’” Continue reading... from Film | The Guardian https://ift.tt/QkEhpox via IFTTT
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Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

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Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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