Kriti Sanon no longer CCO of Hyphen, skincare brand confirms decision

Actor-entrepreneur Kriti Sanon is no longer serving as the Chief Customer Officer of her skincare brand Hyphen, the company confirmed in a recent statement. The development comes nearly three years after the brand’s launch in 2023, during which Kriti had been closely associated with its positioning and outreach. The announcement was made through Hyphen’s official social media handle on April 24. In its statement, the brand acknowledged the significance of the decision and described it as part of a broader transition. “This is not a statement we make lightly. After careful study, we believe that this should be addressed honestly. The road ahead represents a tremendous transition. Certain painful but important decisions were taken. With that, we publicly announce that Kriti Sanon is no longer functioning as our Chief Customer Officer,” the statement read. The update quickly gained traction online, with users expressing a mix of surprise and curiosity about the move. Given Kriti Sanon’s...

Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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