Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai

A sex worker and a call centre employee forge an ambiguous relationship in a film of strong feelings In a tiny crumbling Mumbai apartment two women move around each other, squeezing into the kitchen to cook, or past one another in the hallway. The cramped space hems them in – just as society limits their choices. That is surely the point first-time director Anuparna Roy is making in a gentle drama set mostly in the apartment about the closeness that develops between the two women. One of the roommates is Thooya (Naaz Shaikh), an actor and part-time sex worker. The apartment belongs to a client, Nitin (Bushan Shimpi), an arrangement that outrages the neighbours. Thooya doesn’t care what they think, and has rented the second bedroom to a stranger, Shweta (Sumi Baghel), who works from home for an IT call centre. There is an awkwardness between them at first that develops into … what exactly? Romance? It looks that way, although the film’s final scene is ambiguous. Continue reading... f...

Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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