SHOCKING: India is the ONLY country in the world to award an ‘A’ rating to The Devil Wears Prada 2

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Many viewers who ventured to watch The Devil Wears Prada 2 on Friday, May 1, and Saturday, May 2, expected an abundance of skin show, intimacy or violence. This is because the film has been certified ‘A’. However, all such fears were put to rest once patrons exited the theatre; after all, there’s nothing even remotely adult in the film, be it in terms of dialogues, scenes or even theme. Almost everyone is unanimous that The Devil Wears Prada 2 is a family-friendly flick and that the Central Board of Film Certification (CBFC) should have awarded it a U/A, if not a ‘U’, rating. Bollywood Hungama went through the ratings awarded by censor boards across various countries and found that India is the only country where The Devil Wears Prada 2 is restricted to audiences aged 18 and above. In Switzerland, the film is permitted for anyone above the age of 6. Finland, Denmark and Spain permit anyone over 7 to catch the comedy drama. In Ireland, one has to be above 8, while in Belgium and the Ne...
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Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

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Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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