EXCLUSIVE: Anupria Goenka to make her Cannes debut with Bombay Stories; reveals, "Proud of War and Tiger Zinda Hai; thoroughly enjoyed shooting for them…Dhurandhar was a fabulous film"

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May is a significant month for Anupria Goenka. Her film, IIZ: Indian Institute Of Zombies, was released on May 15, marking her first theatrical outing after four years. She’ll end the month on a celebratory note as she rings in her birthday on May 29. That’s not all. She has another reason to celebrate this month – the talented and gorgeous actress will make her debut at the Cannes Film Festival this year. Anupria Goenka exclusively told Bollywood Hungama, “I am going to Cannes for the premiere of the film called Bombay Stories. It’s being screened at the market section; it’s not in the official selection. Nevertheless, this will be my first visit to Cannes.” She continued, “After that, I plan to travel around. I haven’t explored Europe much; I have only been to the United Kingdom. So, this birthday, I want to break my pattern and visit other countries (smiles).” She also revealed, “I am leaving for Cannes on May 18, after IIZ: Indian Institute Of Zombies releases on May 15. Wish me l...
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Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

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Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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