Delhi High Court restrains Ilaiyaraaja from streaming songs from 134 films in copyright case filed by Saregama

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In a significant development in a long-running copyright dispute, the Delhi High Court has passed an interim order in favour of music label Saregama India Ltd., restraining legendary composer Ilaiyaraaja from broadcasting or communicating songs from 134 films until further orders. The order was passed by Justice Tushar Rao Gedela, who observed that while Ilaiyaraaja continues to hold rights over his original musical compositions, those rights do not automatically extend to the sound recordings incorporated into cinematograph films. According to the court, the copyright in such sound recordings rests with the producer and, where assigned, with Saregama. As per the court's observations, Ilaiyaraaja's rights under the Copyright Act are limited to the musical work itself, which refers to the composition independent of the lyrics and the sound recording. The court noted that these rights cannot be interpreted as ownership over the complete film soundtrack. The dispute arose after S...
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Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

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Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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