Kangana Ranaut defends Aishwarya Rai Bachchan amid Cannes criticism: “She is not here to please you”

Actor Kangana Ranaut has come out in support of Aishwarya Rai Bachchan after the latter faced criticism on social media over her appearance at the Cannes Film Festival 2026. Responding to the online discourse surrounding Aishwarya’s fashion choices, Kangana shared a strongly worded note defending the actor and speaking about individuality, self-expression, and the scrutiny faced by women in the public eye. Taking to her Instagram Stories, Kangana posted a photo from Aishwarya’s first Cannes red carpet appearance this year, where the actor was seen wearing a striking blue gown. Sharing her thoughts on the criticism, Kangana wrote, “Fashion and style is a self expression, it is one's own interpretation of life and their attitude, no woman owes anything to anyone, Ash looks great!!” The actor further criticised those judging Aishwarya’s appearance and questioned the unrealistic standards often imposed on women, especially senior actresses. “Those of you who want to see her any other ...

Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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