Post your questions for Halle Bailey

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Ahead of the release of her new film You, Me & Tuscany, the singer and actor will be taking your questions on everything from working with Beyoncé to The Little Mermaid backlash You’ll probably know Halle Bailey best for two things: her role as Ariel in Disney’s 2023 live-action remake of The Little Mermaid , and appearing in the visual album for Lemonade by Beyoncé , who she also supported on tour as part of musical sister duo Chloe x Halle . The pair first found an audience on YouTube, and have since been nominated for five Grammys. Bailey was only 19 when she was cast in The Little Mermaid, thanks due what director Rob Marshall described as her “otherworldly sensibility”. Of course the internet quickly found something to complain about, with much of the backlash going beyond the absence of cartoony bright red hair. “I expected it, honestly,” she told the Guardian . “We’re all human beings, so of course it’s going to hurt or sting a little bit, especially remarks like those.” ...
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Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

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Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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