How to Feed a Dictator review – what was on the menu for some of the world’s most evil men

Andrew Neel’s documentary contrasts the lavish dishes eaten by heads of repressive states – served by largely unrepentant staff – with the starvation faced by their citizens There are moments in this sly documentary that evoke regular food porn, with crisply lit footage of vegetables being chopped and simmered, meat getting grilled, fat bubbling and browning – all the culinary sizzle is on display. Then there are climactic money shots, obligatory overhead views of the finished product, elegantly garnished, accompanied by text identifying the dish as, say, a Chilean country stew, or a whole roast goat, made precisely to suit the taste of a very specific client. It’s just that the clients these chefs served were despots, including Pol Pot, Idi Amin, Saddam Hussein, Augusto Pinochet and Kim Jong-il. Charles Otonde Odera once prepared a human heart “perfectly” for Amin, though at the time he thought better than to ask where the raw offal came from. Director Andrew Neel and editor Brad Turn...

Is eco-terrorism now self-defence? Inside explosive film How to Blow Up a Pipeline

Peaceful protest hasn’t stopped the climate crisis, so what should happen next? The makers of a new nerve-jangling film about eight young saboteurs talk about oil, extreme action and morality

In the baking heat of the west Texas desert, a young man is making a bomb. Hands trembling, sweat fogging his goggles, he slowly assembles the explosive. A knife-blade of powder is painstakingly poured into a tiny tube. Wires are shakily glued together. With infinite care, the delicate, deadly contraption takes shape. Outside the tin shack where this is all unfolding, another young man paces, remembering his friend’s instructions: “Don’t come in unless I tell you to. Unless you see fire.” He looks as if he’s about to be sick. The audience knows how he feels.

This is the tense setup at the heart of How to Blow Up a Pipeline, a propulsive, nerve-jangling thriller about eight young people who want to send a message about the urgency of the climate crisis by sabotaging an oil pipeline. The film takes its cues from its heroes: aiming to excite audiences into action instead of hectoring them into submission. It is one hell of a ride. After its premiere at Toronto last year, the New York Times pronounced How to Blow Up a Pipeline “a cultural landmark” for its sympathetic take on eco-terrorism, while the Washington City Paper described its youthful cast as “a much more intense, combustible version of The Breakfast Club”.

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