Paresh Rawal reacts to legal row over Hera Pheri 3 exit: “My lawyer has sent an appropriate response”

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Veteran actor Paresh Rawal has opened up about the ongoing legal tussle with Cape of Good Films following his sudden exit from Hera Pheri 3 on social media. The response comes in the wake of escalating legal tensions between Rawal and the production team, which includes actor-producer Akshay Kumar. The fallout has caused significant buzz, especially considering Rawal's iconic role as Babu Bhaiya in the much-loved Hera Pheri franchise. Taking to X (formerly Twitter) on Sunday, the actor wrote, “My lawyer, Ameet Naik, has sent an appropriate response regarding my rightful termination and exit. Once they read my response all issues will be laid to rest.” My lawyer, Ameet Naik, has sent an appropriate response regarding my rightful termination and exit. Once they read my response all issues will be laid to rest. — Paresh Rawal (@SirPareshRawal) May 25, 2025 Earlier, addressing the ongoing controversy, a source informed Bollywood Hungama that Rawal has not only exited the project but...
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The Cow Who Sang a Song into the Future review – gripping tale sprinkled with animal magic

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Chilean director Francisca Alegría weaves together singing cows and family trauma in this thoughtful magical realist fable with an environmental message

First-time Chilean director Francisca Alegría turns up the arthouse dial past eleven right from the name of her debut feature. The Cow Who Sang a Song into the Future is a conspicuously poetic title that gives every impression that we’re in for a hardcore cine-patience tester. I have to admit that it made my heart sink. But while, yes, TCWSSF is a dreamy magical realist fable with an environmental message, Alegría weaves into her tale an emotionally satisfying, gripping family drama, with singing cows – and fish too.

It begins with the fish, dying by the shoal-load on the banks of a river, poisoned by pollution from a nearby factory. As the fish die, a woman gasps to the surface of the water. This is Magdalena (Mía Maestro), who drowned herself decades ago. Now she is back from the dead as if time stopped – still gorgeous, still dressed in the boilersuit she wore when she drove her motorbike deliberately into the river. Magdalena’s husband collapses when he spots her outside a mobile phone shop. Their adult daughter Cecilia (Leonor Varela) – just a girl when her mum died – drives from the city with her two kids to look after him at the family’s dairy farm.

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