Siddhant Chaturvedi’s Netflix film Ramree, backed by Ajay Devgn, shelved due to budget constraints: Report

After earning acclaim for his performance in Dhadak 2, Siddhant Chaturvedi seemed set to continue his momentum with Ramree, a two-hero OTT project backed by Ajay Devgn. However, the ambitious period drama has now reportedly been shelved before going on floors. According to a report by Mid-Day, Ramree was conceived as a large-scale film set in 1945. The project, which had been under development for over a year, aimed to blend historical events with cinematic storytelling. However, given its elaborate setting and production requirements, the film’s mounting budget became a major hurdle. A source close to the development told the publication, “For an OTT film, this would have set a benchmark in scale and imagination, but budget constraints caught up with it. Even though the platform heads were excited about the story, there was too much at stake financially. So, they decided not to move forward with it.” Another insider offered a different perspective, suggesting that Ramree never reac...

The Cow Who Sang a Song into the Future review – gripping tale sprinkled with animal magic

Chilean director Francisca Alegría weaves together singing cows and family trauma in this thoughtful magical realist fable with an environmental message

First-time Chilean director Francisca Alegría turns up the arthouse dial past eleven right from the name of her debut feature. The Cow Who Sang a Song into the Future is a conspicuously poetic title that gives every impression that we’re in for a hardcore cine-patience tester. I have to admit that it made my heart sink. But while, yes, TCWSSF is a dreamy magical realist fable with an environmental message, Alegría weaves into her tale an emotionally satisfying, gripping family drama, with singing cows – and fish too.

It begins with the fish, dying by the shoal-load on the banks of a river, poisoned by pollution from a nearby factory. As the fish die, a woman gasps to the surface of the water. This is Magdalena (Mía Maestro), who drowned herself decades ago. Now she is back from the dead as if time stopped – still gorgeous, still dressed in the boilersuit she wore when she drove her motorbike deliberately into the river. Magdalena’s husband collapses when he spots her outside a mobile phone shop. Their adult daughter Cecilia (Leonor Varela) – just a girl when her mum died – drives from the city with her two kids to look after him at the family’s dairy farm.

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