‘I was born without self-esteem’: Hannah Einbinder on Hacks, her buzzy queer horror – and being Hollywood’s most outspoken star

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The Hacks lead was cast in meta-slasher sensation Teenage Sex and Death at Camp Miasma for her ‘deranged physicality’ – but it’s a fitting role for an actor who has made a point of confronting shame and speaking her mind ‘God is good all the time,” laughs Hannah Einbinder. She’s fresh off a plane from Los Angeles and curled up barefoot in an armchair. This, she says, is “a crazy time in life. Starring in Teenage Sex and Death at Camp Miasma in the midst of Hacks ending … it’s definitely an embarrassment of riches.” Hacks is the HBO comedy that ended earlier this year; in May, Teenage Sex and Death at Camp Miasma, Jane Schoenbrun’s queer meta-horror, became the breakout hit of this year’s Cannes film festival. Continue reading... from Film | The Guardian https://ift.tt/EBR5uPv via IFTTT
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The Cow Who Sang a Song into the Future review – gripping tale sprinkled with animal magic

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Chilean director Francisca Alegría weaves together singing cows and family trauma in this thoughtful magical realist fable with an environmental message

First-time Chilean director Francisca Alegría turns up the arthouse dial past eleven right from the name of her debut feature. The Cow Who Sang a Song into the Future is a conspicuously poetic title that gives every impression that we’re in for a hardcore cine-patience tester. I have to admit that it made my heart sink. But while, yes, TCWSSF is a dreamy magical realist fable with an environmental message, Alegría weaves into her tale an emotionally satisfying, gripping family drama, with singing cows – and fish too.

It begins with the fish, dying by the shoal-load on the banks of a river, poisoned by pollution from a nearby factory. As the fish die, a woman gasps to the surface of the water. This is Magdalena (Mía Maestro), who drowned herself decades ago. Now she is back from the dead as if time stopped – still gorgeous, still dressed in the boilersuit she wore when she drove her motorbike deliberately into the river. Magdalena’s husband collapses when he spots her outside a mobile phone shop. Their adult daughter Cecilia (Leonor Varela) – just a girl when her mum died – drives from the city with her two kids to look after him at the family’s dairy farm.

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