In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie

Julian Schnabel’s combustible mix of lowlife cynicism and high art – along with cameos from Martin Scorsese and Al Pacino – powers this outrageous black comedy revolving around Dante’s Divine Comedy The worlds of Renaissance manuscript scholarship and organised crime come together like a mix of Umberto Eco and George V Higgins in this flawed but fascinating reverie from director and co-writer Julian Schnabel. Switching between monochrome and colour, and freely adapted from the Nick Tosches novel of the same name, it is hilarious and shocking, at least at first, with a quite extraordinary tough-guy role for Gerard Butler. It is a mysterious, scabrous and bizarre adventure in violent larceny and spiritual crisis which unfortunately unwinds in the end into sentimental fantasy. In the Hand of Dante amounts to an epic and self-aware jeu d’ésprit with amazing cameos from Martin Scorsese, Al Pacino and Franco Nero, beckoning its audience over to peep into the fathomless abyss of heaven and ...

My Worst Enemy review – Iranian exile recreates torture and interrogation in study of regime power

Mehran Tamadon’s film about autocracy in Iran could have revealed more about methods of control, despite a star turn from Zar Amir Ebrahimi

Film-maker Mehran Tamadon is preoccupied with the question of conscience, especially in contexts of extreme power imbalance. An Iranian exiled in France, he has made documentaries about the most fervent supporters of the Islamic regime, starting with Bassidji in 2009.

In 2012, Tamadon was detained by Iranian authorities for hours of questioning, and though he was subsequently released, he became persona non grata in his home country. Now the director has turned to the tools of film-making to try to lay out a path for a return. He gathered a group of fellow exiles, with whom he re-created the lengthy interrogation sessions they once endured. His hope was that that final film would stir introspection, and even empathy, in the hearts of their former tormenters.

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