Pratibha Ranta not a part of Kartik Aaryan’s Naagzilla; confirms source

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Rumours suggested that Pratibha Ranta might be the “frontrunner” for Kartik Aaryan’s Naagzilla. However, a source close to the film has clarified that the Laapataa Ladies actress has not been approached for the project. As per the source, “There’s no truth to the speculation. Pratibha Ranta has not been approached for Naagzilla. Currently, she's reading a lot of scripts and is busy working on her next big project.” Pratibha Ranta may be reading plenty of scripts, but sources confirm that Naagzilla isn’t one of them. Instead, she’s eagerly awaiting The Revolutionaries, her most ambitious upcoming project. The recently unveiled first look highlights turbulent moments of the Indian freedom struggle while shedding light on lesser-known stories. Pratibha will star alongside Rohit Saraf, Bhuvan Bam, Gurfateh Pirzada, and Jason Shah. Directed by Nikkhil Advani, The Revolutionaries is slated for release on Amazon Prime Video in 2026. She also has another exciting project lined up with K...
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Dreaming an Island review – an eerie tour of planet Earth’s depopulated future

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This documentary about a small Japanese island, a once thriving mining outpost that now has only 100 residents, lightens its existential concerns with a focus on human connection

In his second full-length documentary, Swiss director Andrea Pellerani gives us a guided tour of what a post-industrial, post-growth, or even an eerily post-human future might look like. We are on the south-western Japanese island of Ikeshima. Once a thriving mining outpost that was home to 8,000 people, since the facility’s closure in 2001 it has been reduced to just 100 mostly elderly holdouts. As the residents fish the grey sea off abandoned wharves, inspect pregnant cats and loiter around derelict lots, there is a sense they inhabit the set of a long-shuttered stage play, and are awaiting new lines.

Though it begins with long tracking shots of greenery choking empty apartment blocks, Dreaming an Island isn’t exactly ruin porn. Pellerani is more interested in the vestiges of human activity, and milks a distinct absurdity from the stalwart locals. One collects “fun” beach flotsam, there are guides waiting rather optimistically for an upswing in coal-mining tourism, while Ikeshima’s sole restaurateur hopes for a customer. “Is there anything interesting to see?” asks one who finally turns up. “In what sense interesting?” she replies.

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