Alia Bhatt’s former assistant accused of leaking confidential production house data to foreign entity

The investigation into the financial fraud case involving Alia Bhatt’s former personal assistant, Archana Shetty, has taken a serious turn with fresh allegations surfacing. Sources within the Juhu Police have confirmed that Shetty allegedly leaked confidential information related to Bhatt’s production house, Eternal Sunshine Productions, to an unidentified individual based in the United States. According to officers familiar with the probe, the data leak is believed to have involved sensitive business documents, financial reports, and potentially unreleased project details. The motive behind the leak is currently being examined, with authorities suspecting it may be linked to financial gains or the exploitation of proprietary content. In parallel, Shetty is also accused of transferring large sums of money from Alia Bhatt’s personal and company-linked accounts into those belonging to multiple individuals. Among the recipients named in the preliminary investigation are Satvik Sahu, Sim...

Dreaming an Island review – an eerie tour of planet Earth’s depopulated future

This documentary about a small Japanese island, a once thriving mining outpost that now has only 100 residents, lightens its existential concerns with a focus on human connection

In his second full-length documentary, Swiss director Andrea Pellerani gives us a guided tour of what a post-industrial, post-growth, or even an eerily post-human future might look like. We are on the south-western Japanese island of Ikeshima. Once a thriving mining outpost that was home to 8,000 people, since the facility’s closure in 2001 it has been reduced to just 100 mostly elderly holdouts. As the residents fish the grey sea off abandoned wharves, inspect pregnant cats and loiter around derelict lots, there is a sense they inhabit the set of a long-shuttered stage play, and are awaiting new lines.

Though it begins with long tracking shots of greenery choking empty apartment blocks, Dreaming an Island isn’t exactly ruin porn. Pellerani is more interested in the vestiges of human activity, and milks a distinct absurdity from the stalwart locals. One collects “fun” beach flotsam, there are guides waiting rather optimistically for an upswing in coal-mining tourism, while Ikeshima’s sole restaurateur hopes for a customer. “Is there anything interesting to see?” asks one who finally turns up. “In what sense interesting?” she replies.

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