The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

You Resemble Me review – portrait of the ‘female suicide bomber’ who wasn’t

Expertly blending fiction, news footage and interviews, this potent debut pieces together the events leading to Hasna Aït Boulahcen’s killing by French police

Dina Amer is a former Vice News journalist making a fierce feature debut with this vehement, focused and often disturbing movie, plausibly and sympathetically creating a backstory for a real-life case and finally aligning the fictionalised mise en scène, news footage and interviews with expert assurance and care.

You Resemble Me is an imagined response to the case of Hasna Aït Boulahcen, a young French woman of Moroccan descent who had been radicalised by Islamic State and was killed in 2015 during the raid on a Paris apartment building after the terrorist attacks on various targets, including the Bataclan theatre. The siege culminated in a shootout and an explosion; afterwards excitable media reporters claimed Aït Boulahcen was Europe’s “first female suicide bomber”, with much prurient commentary about her former troubled life as a “party girl”. In fact, forensic evidence showed the bomber was an unidentifiable man.

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