Rocky Horror creator Richard O’Brien: ‘The Spice Girls couldn’t sing. But lovely girls’

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The actor, writer and musician on growing up on a sheep farm in New Zealand, being in Spice World and a lovely afternoon with Aretha Franklin Get our weekend culture and lifestyle email Strange Journey: The Story Of Rocky Horror is out to celebrate 50 years of The Rocky Horror Picture Show. What’s the strangest journey Rocky Horror has taken you on? I was at the 30th anniversary at Queen’s Theatre in Shaftesbury Avenue. After the show, I was in the downstairs bar, chatting to a couple of people. I turned around and going up the stairs was a man in such high heels – these fetish shoes – that he couldn’t walk in them. He had a leather thong up his arse, and I thought to myself: “I suppose I’m responsible for that, aren’t I?” Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning Continue reading... from Film | The Guardian https://ift.tt/MB3IwpX via IFTTT
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Limbo review – hardbitten outback noir with a compassionate heart

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Simon Baker plays a ruined cop investigating a cold-case murder in this tough, sandblasted thriller that coolly lays out the racism and discrimination the Indigenous population face

Indigenous Australian film-maker Ivan Sen brings to Berlin a terrific outback noir, a cold-case crime procedural that he has written and directed – and also shot in a stark monochrome, which makes the vast skies and cratered earth of South Australia’s abandoned opal mines look like another planet.

The setting is the town of Umoona, where a grizzled cop arrives, broodingly listening to a Christian talkshow on the car radio, and checking into a place unsubtly called the Limbo Motel, where his room is a bizarre stone grotto, apparently repurposed from one of the disused mines. This is detective Travis Hurley, played in careworn, weatherbeaten style by Simon Baker – very much resembling Bryan Cranston in Breaking Bad. Hurley is a former drug squad officer who has become addicted to heroin; his superiors have quite clearly given him this hopeless job in the middle of nowhere as a means of getting him out of the way. His ostensible task is to reopen a 20-year-old case: the unsolved disappearance of an Indigenous woman. This was casually and incompetently investigated by white officers at the time, who were concerned only in getting a confession from (any) Indigenous man.

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