‘He’s a son of a bitch – but he’s usually right’: why did Seymour Hersh quit the film about his earth-shattering exposés?

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He is the prickly, hotheaded journalist who uncovered the My Lai massacre in Vietnam and torture at Abu Ghraib prison. Making Cover-Up, a film about his astonishing life and countless scoops, was never going to be easy One morning last month, Seymour Hersh set off to buy a newspaper. The reporter walked for 30 minutes, covered six blocks of his neighbourhood, Georgetown in Washington DC, and didn’t see a single sign of life. No newsstands on street corners selling the glossies and the dailies. No self-service kiosk where you can slide in a dollar and pull out a paper. “Finally, I found a drugstore that had two copies of the New York Times in the back,” Hersh recalls. He bought one for himself. He can’t help but wonder whether anybody bought the second. Hersh was born in Chicago in 1937, the year the Hindenburg airship blew up and the aviator Amelia Earhart disappeared over the Pacific. That makes him a man of hot metal, the media’s ancient mariner, with metaphorical newsprint on his ...
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Limbo review – hardbitten outback noir with a compassionate heart

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Simon Baker plays a ruined cop investigating a cold-case murder in this tough, sandblasted thriller that coolly lays out the racism and discrimination the Indigenous population face

Indigenous Australian film-maker Ivan Sen brings to Berlin a terrific outback noir, a cold-case crime procedural that he has written and directed – and also shot in a stark monochrome, which makes the vast skies and cratered earth of South Australia’s abandoned opal mines look like another planet.

The setting is the town of Umoona, where a grizzled cop arrives, broodingly listening to a Christian talkshow on the car radio, and checking into a place unsubtly called the Limbo Motel, where his room is a bizarre stone grotto, apparently repurposed from one of the disused mines. This is detective Travis Hurley, played in careworn, weatherbeaten style by Simon Baker – very much resembling Bryan Cranston in Breaking Bad. Hurley is a former drug squad officer who has become addicted to heroin; his superiors have quite clearly given him this hopeless job in the middle of nowhere as a means of getting him out of the way. His ostensible task is to reopen a 20-year-old case: the unsolved disappearance of an Indigenous woman. This was casually and incompetently investigated by white officers at the time, who were concerned only in getting a confession from (any) Indigenous man.

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