Luke Hemsworth: ‘I have to be very specific about which brother I am. But it still gets confusing’

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The star on his famous acting family, wrestling Chris and Liam, the best advice from Anthony Hopkins and being traumatised by The Exorcist Get our weekend culture and lifestyle email In Beast, your new film about an MMA fighter, you play Gabriel: a dirtbag guy with a dirtbag goatee. Did you base him off any dirtbags you’ve met? Oh, that’s all me. I’m channelling my inner dirtbag. He has some inadequacy issues. He’s like a used car salesman; he looks fair and feels foul. But there are parts of me in him – I’m wearing my own snake skin boots for the whole film. I ended up actually keeping one of his suits, which I might have worn to a couple of premieres, which is pretty funny! [Laughs] Continue reading... from Film | The Guardian https://ift.tt/twlXANL via IFTTT
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Limbo review – hardbitten outback noir with a compassionate heart

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Simon Baker plays a ruined cop investigating a cold-case murder in this tough, sandblasted thriller that coolly lays out the racism and discrimination the Indigenous population face

Indigenous Australian film-maker Ivan Sen brings to Berlin a terrific outback noir, a cold-case crime procedural that he has written and directed – and also shot in a stark monochrome, which makes the vast skies and cratered earth of South Australia’s abandoned opal mines look like another planet.

The setting is the town of Umoona, where a grizzled cop arrives, broodingly listening to a Christian talkshow on the car radio, and checking into a place unsubtly called the Limbo Motel, where his room is a bizarre stone grotto, apparently repurposed from one of the disused mines. This is detective Travis Hurley, played in careworn, weatherbeaten style by Simon Baker – very much resembling Bryan Cranston in Breaking Bad. Hurley is a former drug squad officer who has become addicted to heroin; his superiors have quite clearly given him this hopeless job in the middle of nowhere as a means of getting him out of the way. His ostensible task is to reopen a 20-year-old case: the unsolved disappearance of an Indigenous woman. This was casually and incompetently investigated by white officers at the time, who were concerned only in getting a confession from (any) Indigenous man.

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