State of Statelessness review – Dalai Lama presides over intimate dramas about Tibetans’ life of exile

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Tibetan directors, who all live outside Tibet, deliver a quartet of films that explore the pain of separation and migration The wrench of exile is the theme of this quartet of short films from Tibetan directors, who themselves all live outside Tibet. Their intimate, emotional family dramas tell stories of separation and migration. In two of them, the 90-year-old Dalai Lama smiles out from photographs on shrines, a reminder of the precariousness of Tibet’s future. As a character in one of the films puts it bluntly: will there be anything to stop China erasing Tibetan identity when its rock-star spiritual leader is no longer around? In the first film a Tibetan man lives in a kind of complicated happiness in Vietnam. He loves his wife, and they both adore their sunny-natured little daughter, but he has mournful eyes. Home is a town on the banks of the Mekong River, which has its source in Tibet. The river is a constant reminder of the region – and of Chinese might too, since Chinese hyd...
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Limbo review – hardbitten outback noir with a compassionate heart

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Simon Baker plays a ruined cop investigating a cold-case murder in this tough, sandblasted thriller that coolly lays out the racism and discrimination the Indigenous population face

Indigenous Australian film-maker Ivan Sen brings to Berlin a terrific outback noir, a cold-case crime procedural that he has written and directed – and also shot in a stark monochrome, which makes the vast skies and cratered earth of South Australia’s abandoned opal mines look like another planet.

The setting is the town of Umoona, where a grizzled cop arrives, broodingly listening to a Christian talkshow on the car radio, and checking into a place unsubtly called the Limbo Motel, where his room is a bizarre stone grotto, apparently repurposed from one of the disused mines. This is detective Travis Hurley, played in careworn, weatherbeaten style by Simon Baker – very much resembling Bryan Cranston in Breaking Bad. Hurley is a former drug squad officer who has become addicted to heroin; his superiors have quite clearly given him this hopeless job in the middle of nowhere as a means of getting him out of the way. His ostensible task is to reopen a 20-year-old case: the unsolved disappearance of an Indigenous woman. This was casually and incompetently investigated by white officers at the time, who were concerned only in getting a confession from (any) Indigenous man.

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