Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper

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The leads are the most watchable thing in this raucous period yarn about a grimy pair of status-obsessed nobles Black-belt performances from Claire Foy and Richard E Grant put some vim and vigour into this haranguingly one-note and unidirectional period romp of the raucously bewigged and be-poxed 18th century. It’s written and directed by American film-maker Peter Glanz, who gives us candlelit interiors like a knockoff Barry Lyndon, and periodic deafening orchestral stabs with a touch of Amadeus as furious people in costume storm down corridors. But Grant and Foy are always there, selling it hard and there are one or two nice lines. They play Sir Chauncey and Lady Savage, who are living in a vast crumbling country estate: he’s a parvenu, an adventurer, a lover of the new Hanover dispensation who loathes Jacobites, but fundamentally a social alpinist who married for money and took his wife’s noble name. She was entranced by his roguish ways and she forgave him everything but is, however...
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Limbo review – hardbitten outback noir with a compassionate heart

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Simon Baker plays a ruined cop investigating a cold-case murder in this tough, sandblasted thriller that coolly lays out the racism and discrimination the Indigenous population face

Indigenous Australian film-maker Ivan Sen brings to Berlin a terrific outback noir, a cold-case crime procedural that he has written and directed – and also shot in a stark monochrome, which makes the vast skies and cratered earth of South Australia’s abandoned opal mines look like another planet.

The setting is the town of Umoona, where a grizzled cop arrives, broodingly listening to a Christian talkshow on the car radio, and checking into a place unsubtly called the Limbo Motel, where his room is a bizarre stone grotto, apparently repurposed from one of the disused mines. This is detective Travis Hurley, played in careworn, weatherbeaten style by Simon Baker – very much resembling Bryan Cranston in Breaking Bad. Hurley is a former drug squad officer who has become addicted to heroin; his superiors have quite clearly given him this hopeless job in the middle of nowhere as a means of getting him out of the way. His ostensible task is to reopen a 20-year-old case: the unsolved disappearance of an Indigenous woman. This was casually and incompetently investigated by white officers at the time, who were concerned only in getting a confession from (any) Indigenous man.

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