EXCLUSIVE: CBFC replaces 'bachhi' with 'ladki' in Mardaani 3; modifies slapping visuals

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After the success of Mardaani (2014) and Mardaani 2 (2019), Rani Mukerji is back as the fiery inspector, Shivani Shivaji Roy, with Mardaani 3. The film, produced by Yash Raj Films (YRF), was originally scheduled to be released on February 27. Earlier this month, it was preponed and now it’ll arrive in cinemas in less than a week, on January 30. Accordingly, the makers completed the censor process in time. In this article, Bollywood Hungama will exclusively focus on the cuts suffered by the action thriller. To begin with, the Central Board of Film Certification (CBFC) asked the makers to insert drug disclaimers. The word 'bachhi' was replaced with 'ladki'. Since the scene in question involved sexual violence, the makers had to submit age proof of the actor to clarify that she was not a minor. Then, visuals of a girl being slapped were modified. The word 'wh**e' was replaced with 'trader' in the English subtitles. A derogatory reference towards mother wa...
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Limbo review – hardbitten outback noir with a compassionate heart

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Simon Baker plays a ruined cop investigating a cold-case murder in this tough, sandblasted thriller that coolly lays out the racism and discrimination the Indigenous population face

Indigenous Australian film-maker Ivan Sen brings to Berlin a terrific outback noir, a cold-case crime procedural that he has written and directed – and also shot in a stark monochrome, which makes the vast skies and cratered earth of South Australia’s abandoned opal mines look like another planet.

The setting is the town of Umoona, where a grizzled cop arrives, broodingly listening to a Christian talkshow on the car radio, and checking into a place unsubtly called the Limbo Motel, where his room is a bizarre stone grotto, apparently repurposed from one of the disused mines. This is detective Travis Hurley, played in careworn, weatherbeaten style by Simon Baker – very much resembling Bryan Cranston in Breaking Bad. Hurley is a former drug squad officer who has become addicted to heroin; his superiors have quite clearly given him this hopeless job in the middle of nowhere as a means of getting him out of the way. His ostensible task is to reopen a 20-year-old case: the unsolved disappearance of an Indigenous woman. This was casually and incompetently investigated by white officers at the time, who were concerned only in getting a confession from (any) Indigenous man.

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