‘It was the moment I lost innocence’: how a childhood stop-and-search led to the British debut movie of the year

When Imran Perretta was young, he was abruptly pulled by police into a van for questioning. That experience, as well as the death of his mother, inspired him to make Ish, a coming-of-age tale set amongst the British Muslim community. He talks about trauma, designing toilets and making Luton look magnificent Imran Perretta always knew that the title of his debut feature film would be “Ish” – short for Ishmail, the name of the 12-year-old boy from Luton at the heart of his story. Only later did people point out the similarity to other coming-of-age films with three letters in the title: Kes by Ken Loach, and Satyajit Ray’s Apu trilogy. Now, as the reviews trickle in, the comparisons to Kes and Apu keep coming. Like them, Ish is a poetic film that grabs you by the heart and pulls you into a child’s perspective on the world. The response has been lovely, says Perretta, and a relief. “It’s nice that people have compared Ish to those films rather than Kidulthood. I did worry about that.” Why...

Ambush review – battle fatigued Nam actioner fights worn-out war tropes

This low-budget effort featuring phoned-in turns from Jonathan Rhys Meyers and Aaron Eckhart ticks off all the cliches while lacking a moral perspective

Jonathan Rhys Meyers and Aaron Eckhart, the big-name stars of this on-the-cheap Vietnam-war actioner, are definitely on a cushy number here. They live it up above ground as, respectively, an elite tracker and a no-nonsense general, while poor old Connor Paolo has to scurry around in the Củ Chi tunnel system for most of the running time. Hopefully his contract demanded access to a chiropractor.

Paolo plays US army engineer Ackermann, sent with his fellow “construction workers” into the netherworld to retrieve a stolen classified binder containing the names of south Vietnamese operatives undercover in the north. He’s got two hours to dodge the punji stake traps and get the job done – at which point, unknown to him, Eckhart’s expedient Gen Drummond is planning to blow the entire complex and the sensitive intel along with it. Up top, Miller (Rhys Meyers) and other special forces goons are patrolling the forest to make sure the “tunnel rats” don’t get any nasty surprises.

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