Hugh Grant says fourth Bridget Jones film will be ‘funny but very sad’

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Actor reprises character of Daniel Cleaver but says he won’t play role of ‘60-year-old wandering around looking at young girls’ It is a universally acknowledged truth that Bridget Jones films are packed with humour and comedic scenes that attract viewers in their droves. However, in a slight departure, Hugh Grant has revealed that the fourth film in the series will also be “very sad”. Continue reading... from Film | The Guardian https://ift.tt/ZJoB2VO via IFTTT
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Missing review – Searching sequel offers more laptop-based thrills

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Euphoria’s Storm Reid makes for a compelling detective in an inventive, if increasingly far-fetched and overly sentimental, follow-up to the 2018 mystery

It seemed, for a brief moment, that film-makers had crafted an entirely new way of watching a thriller back in the mid-2010s. After the found footage boom had started to lose audiences and all sense of logic (if you didn’t scream “why the hell are you still filming?” at a screen in that era then you really didn’t live), an even cheaper-to-produce subgenre emerged, replacing a shaky cam with one that never even moves at all. Films such as Unfriended, Open Windows and The Den took place entirely on someone’s laptop screen, a cyber-horror update that was supposed to resonate with an audience whose lives also did the same.

But it wasn’t until a few years later, in 2018, when Aneesh Chaganty’s nifty debut Searching truly maximised the new medium, focusing less on demons and more on detectives. His film saw a single dad, played by John Cho, desperately search for help online to track down his missing daughter. A mystery was solved in ways that we often solve lesser mysteries ourselves, with internet assistance. It was a deserved hit but five years later, when we’re even further from what ended up being less a big new trend and more a tiny blip, a spin-off/sequel lands in cinemas, audience interest to be determined.

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