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Sophie Hyde’s semi-autobiographical tale about sexual identity and intergenerational dynamics falls flat, but is buoyed by Colman and Lithgow’s committed performances Sophie Hyde has directed an earnestly intended but very indulgent film, somewhere between autobiography and autofiction; it blandly congratulates itself on its sensitivity and cathartic honesty, but is without the spark of her 2019 quarterlifecrisis comedy Animals . When the teen female lead takes soulful photos on a hipstery disposable roll-film camera instead of on a smartphone like anyone else, it is frankly a little bit insufferable. Yet there are focused and committed performances from Olivia Colman and John Lithgow. Adelaide-based film-maker Hannah (Colman), based on Hyde, goes on a trip to Amsterdam with her smiley husband and non-binary child Frances, played by Hyde’s own child Aud Mason-Hyde; this is to visit Hannah’s charismatic, brilliant and impossibly life-affirming father, Jim (Lithgow), adorably calledJimpa...

The legal tussle involving Aditya Dhar’s Dhurandhar The Revenge has, for the time being, reached a resolution after the Bombay High Court disposed of a defamation case. The development came after filmmaker Santosh Kumar formally apologised for his earlier public remarks. The dispute traces back to March 2026, when Kumar accused Dhar of lifting the storyline for Dhurandhar The Revenge from his own script titled D-Saheb. He claimed that his script had been officially registered with the Screenwriters Association in 2023. These allegations were made during a press conference, following which Dhar approached the High Court, arguing that the statements were defamatory and had harmed his professional reputation. As reported by Live Law, the matter was heard by a single-judge bench presided over by Justice Arif Doctor, who ultimately closed the case after Kumar issued an unconditional apology in court. The official order recorded that Kumar’s counsel submitted the apology for statements made...

Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema. The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless. Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will al...

With its striking images and experimental soundtrack, artist Aura Satz’s film is an endurance test that might work better in a gallery This film from the London-based artist Aura Satz is an exploration of sirens – as in the warning devices, not the mythical creatures that lure unsuspecting men to their doom. Really it’s an art film, and might have been more at home in a gallery where audiences would be able to engage with its striking images and experimental soundtrack for as long as the mood takes them. As a feature-film experience it becomes an endurance test, a battle to pay attention and concentrate for the whole thing. It opens with a drone shot of a huge siren in the middle of what looks like a residential neighbourhood, ready to alert residents to heaven knows what threat. Over the top, a shrill, insinuating track from composer Laurie Spiegel buzzes with the nagging whine of an electronic mosquito. There are some interesting ideas here. British-Egyptian actor Khalid Abdalla muse...

Bollywood actor Ameesha Patel has shared her travel troubles after being stuck at Dubai airport for several hours due to flight delays. The actor took to social media to express her ordeal as she waited to return home to Mumbai. In a post shared on X, Ameesha described the long and tiring wait at the airport, writing, “Been hours n hours at DUBAI airport !! And the wait continues …. Can’t wait to get home to MUMBAI ❤️❤️❤️.” Her post quickly caught the attention of fans, many of whom sympathised with her situation and shared similar travel experiences. Flight delays have become an issue at busy international hubs like Dubai and several other airports in the Middle East due to the ongoing tensions in the region, as per latest reports. Been hours n hours at DUBAI airport !! And the wait continues …. Can’t wait to get home to MUMBAI ❤️❤️❤️ pic.twitter.com/Kcmrro3fyf — ameesha patel (@ameesha_patel) May 5, 2026 Ameesha’s tweet highlighted the inconvenience faced by travellers when schedul...

Settlement details were not revealed in the agreement that put an end to a highly anticipated trial before it began Sign up for the Breaking News US newsletter email Blake Lively and Justin Baldoni have settled their legal dispute from the acrimonious production of their 2024 film It Ends With Us, just weeks before a highly anticipated scheduled trial. In a joint statement on Monday, legal representatives of both parties said: “The end product – the movie It Ends With Us – is a source of pride to all of us who worked to bring it to life. Raising awareness, and making a meaningful impact in the lives of domestic violence survivors – and all survivors – is a goal that we stand behind.” Continue reading... from Film | The Guardian https://ift.tt/Dv3XfCF via IFTTT

An Oxford theology student and a middle-aged fisher are drawn together despite their many differences in an ambitious first film from Max Morgan This evocative debut feature from Max Morgan is a film of many contrasts. One is the May-December attraction between Otto (Daniel McNamee), a theology student and aspiring violinist, and John (Shaun Paul McGrath), a middle-aged fisher with a shadowy past. The worlds that they inhabit seem poles apart. Compared with the storm-ravaged Suffolk coast that curves around John’s rugged village, the imposing halls of Otto’s college at Oxford are at once grand and isolating. Despite their differences in age, the two men are bound by shared trauma and turmoil: both struggle with their sexuality and the loss of a loved one. The highly textured cinematography renders these inner conflicts strikingly tactile. The camera at times stays uncomfortably close to the main characters, highlighting the gnawing anxiety of not belonging. From the demands of a frustr...

Christian Mortensen takes up arms as the 14th-century kingmaker Timur but could do with a stronger force behind him and a better beard in front The western-produced Greco-Judeo-Roman epic has been with us since early cinema, while the Chinese film industry kept the eastern end up with a string of recent historical pictures. But what about the lands in between? Apart from a smattering of pictures about Genghis Khan, including John Wayne’s regrettable appearance in 1956’s The Conqueror , the Mongol hordes have not exactly ravaged the box office. So it’s refreshing to see Rise of the Conqueror sally forth, with Christian Mortensen in the saddle as the 14th-century Turkic-Mongol chieftain Timur . This is basically Gladiator with added throat-singing. Man-at-arms Timur is a kingmaker caught between his native Barlas tribe, which includes his testy brother-in-law Hussayn (Mahesh Jadu) who’s eager to reclaim his family’s rule in Samarkand; on the other side is occupying Mongol warmonger Tuglu...

Awarapan (2007) underperformed at the box office during its theatrical run but went on to achieve cult status over the years, thanks to its unforgettable soundtrack, touching storyline, memorable dramatic and action moments and, of course, Emraan Hashmi in an intense, never-seen-before avatar. As a result, the trade and industry are confident about the prospects of Awarapan 2. Last week, some of the biggest distributors in the Hindi film industry were seen at the Vishesh Films office, keen to acquire the film’s all-India theatrical rights. A trade source told Bollywood Hungama, “You name it and that distributor was seen at the Vishesh Films office last week – be it Zee Studios, Anil Thadani’s AA Films, Pen Marudhar, Jio Studios, Star Studio18, Cinepolis, etc. That’s not all. Dharma Productions, which now has its own distribution arm, also met Mukesh Bhatt. Lastly, Ananya Birla’s Birla Studios plans to not only produce but also distribute films in the future. Their representative also ...

Actor Janhvi Kapoor recently found herself at the centre of online speculation after a segment from her appearance on Raj Shamani’s podcast was circulated out of context. The edited clips led to misleading assumptions that the actress was speaking from personal experience about alcohol addiction. Addressing the growing confusion, mental health organisation Amaha, in collaboration with Off The Rocks, issued an official clarification regarding Kapoor’s role in the conversation. The statement firmly refuted claims that the actress had any personal history of addiction. “We at Off The Rocks & Amaha have noticed certain media pages misrepresenting content associated with this initiative and Janhvi Kapoor. This is deeply concerning. We want to be clear, Janhvi Kapoor is part of this conversation as a caregiver and ally, not as someone who has had any personal experience of addiction or alcohol dependence”, the statement read. It further emphasised the impact of such misinformation, addi...