Breakwater review – troubled souls cross class and age barriers in nicely judged debut feature

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An Oxford theology student and a middle-aged fisher are drawn together despite their many differences in an ambitious first film from Max Morgan

This evocative debut feature from Max Morgan is a film of many contrasts. One is the May-December attraction between Otto (Daniel McNamee), a theology student and aspiring violinist, and John (Shaun Paul McGrath), a middle-aged fisher with a shadowy past. The worlds that they inhabit seem poles apart. Compared with the storm-ravaged Suffolk coast that curves around John’s rugged village, the imposing halls of Otto’s college at Oxford are at once grand and isolating. Despite their differences in age, the two men are bound by shared trauma and turmoil: both struggle with their sexuality and the loss of a loved one.

The highly textured cinematography renders these inner conflicts strikingly tactile. The camera at times stays uncomfortably close to the main characters, highlighting the gnawing anxiety of not belonging. From the demands of a frustrated girlfriend to the prying gaze of close-minded townsfolk, the film stacks these moments of unease to breaking point. Much emphasis is placed on minute gestures – a panicked gaze, a gentle touch of the hands – to communicate the gradual bonding of two unmoored souls.

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