Ayushmann Khurrana brings back the golden era of comedy with Pati Patni Aur Woh Do; says, “It’s a throwback to a time when storytelling was simple, clean, and genuinely funny”

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Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema. The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless. Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will al...
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Preemptive Listening review – artist’s film about sirens is buzzing with sonic ideas

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With its striking images and experimental soundtrack, artist Aura Satz’s film is an endurance test that might work better in a gallery

This film from the London-based artist Aura Satz is an exploration of sirens – as in the warning devices, not the mythical creatures that lure unsuspecting men to their doom. Really it’s an art film, and might have been more at home in a gallery where audiences would be able to engage with its striking images and experimental soundtrack for as long as the mood takes them. As a feature-film experience it becomes an endurance test, a battle to pay attention and concentrate for the whole thing.

It opens with a drone shot of a huge siren in the middle of what looks like a residential neighbourhood, ready to alert residents to heaven knows what threat. Over the top, a shrill, insinuating track from composer Laurie Spiegel buzzes with the nagging whine of an electronic mosquito. There are some interesting ideas here. British-Egyptian actor Khalid Abdalla muses on the role of sirens in the 2011 Arab spring protests, and we learn that in Palestine loudspeakers in mosque minarets sound a siren every year on Nakba day – one second for every year that has passed since Palestinians were displaced from their homeland after the creation of the state of Israel.

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