Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing

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Bitter Christmas, Late Fame and The Christophers all depict geniuses aware of their waning acclaim and terrified it will end

Entertainment culture is so preoccupied with nowness that last month we were inundated with speculation about how directors under 30 topping the box office would change the industry. The flipside of a youth obsession is the conviction that age will increase irrelevance, and this is something that a new crop of films about ageing artists is zeroing in on. Specifically, Bitter Christmas, Late Fame and The Christophers are films in which artists – all male – indulge in selfishness, vanity and spite, and egotistical behaviour and a loss of creative (and masculine) virility are part of the same phenomenon. None of them is dislikable – they might be catty, pathetic or abrasive, but they’re always entertaining – but they all bend to the ego whispering in their ear, believing it will shield them from the pain of their fading art.

It’s no surprise to discover that an artist is an egotist: in fact encountering a narcissistic creative type may be joyless in the moment but it’s also an affirming – if petty – way of feeling better about ourselves. Plenty of classic films give us a close-up view into what makes an egotist artist tick or self-destruct. But decades on from Sunset Boulevard, 8½ and All About Eve, a sadder, bitterer crop of films has emerged in which self-absorption flourishes to protect an ageing male artist from self-sabotaging fears of his mortality and legacy.

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