EXCLUSIVE: Before Shah Rukh Khan's King, Arshad Warsi works with son Aryan Khan; to feature in a crucial role in The Ba***ds Of Bollywood

Earlier this year, there was a lot of excitement generated over Arshad Warsi signing King, one of the most awaited films of Bollywood. It features Shah Rukh Khan in a leading role along with several other prominent actors. It also marks the first time Arshad is working in a film fronted by SRK. Bollywood Hungama has learned that recently, Arshad Warsi worked with Shah Rukh’s son Aryan as well. A source told Bollywood Hungama, “Arshad Warsi is a part of The Ba***ds Of Bollywood, the maiden web series of Aryan Khan. His role has been well-guarded until now. And it's not a cameo or a blink and miss appearance. He has a crucial part in the web show.” The source continued, “The Ba***ds Of Bollywood is keenly awaited not just because of the Aryan Khan connection or its well-received promo but also because it has a lot of surprises and special appearances. A few of them are out, but there are many more actors whose glimpse hasn’t been given or even talked about. Arshad is one of them. T...

Omen (Augure) review – Baloji offers secrets and sorcery in Congolese homecoming

Musician and film-maker’s story about a Belgian-Congolese man who takes his white wife to DRC to meet the family is complex, risky and bold

Congolese-born rapper, musician and film-maker Baloji (né Serge Baloji Tshiani) was a prizewinner at Cannes last year with this feature directing debut: a dynamic, teemingly populated, multistranded and tonally elusive picture which I initially thought would benefit from comparisons with Jordan Peele’s horror classic Get Out. In fact, it’s more complicated than that.

Koffi (Marc Zinga) is a Congolese man living in Belgium and married to a white woman, Alice (Lucie Debay). They are about to have twins and Koffi feels that he cannot put it off any further: whatever his family will think, the couple must journey back to the Democratic Republic of the Congo to let them see Alice and let them get used to the idea. It particularly means propitiating his fiercely conservative mother Mujila (Yves-Marina Gnahoua). He takes care to shave off his westernised afro, and even brings them a financial tribute, or “dowry”, of thousands of euros.

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