Skip to main content

Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

EXCLUSIVE: Bhai Tera Star Hai targets 900–1000 screens despite Spider-Man: Brand New Day CLASH; Vivek B Agarwal says, “There was NO other viable weekend until February 2027-end”

The trailer of Bhai Tera Star Hai has caught attention thanks to its quirky content and Raghav Juyal’s promising performance. Interestingly, it’ll release on July 30 and thus clash with Spider-Man: Brand New Day. In an exclusive interview with Bollywood Hungama, producer-director Vivek B Agarwal explained the strategy behind the release.

Vivek B Agarwal said, “Honestly speaking, there’s no strategy. I did my homework. After the July 30 weekend, I don’t know if I’ll get another opportunity to release my film until the end of February 2027. There are either a couple of big Bollywood films, a solo monster film or a combination of Bollywood and pan-India South films. There’s something happening every week or every second week.”

He added, “Moreover, I realized that apart from Dhamaal 4 in July, there was no substantial Hindi release until the middle of August. It was either a choice of clashing with a big Hindi film or releasing alongside Spider-Man. Hence, this was the only viable option. I felt that since there was no Hindi film releasing for nearly a month, I’d rather release my film in the middle of this dry period and attract audiences who might prefer watching a Hindi film over an English one.”

When asked about the screen count, Vivek replied, “PVR Inox Pictures is distributing the film in India. We are targeting 900 to 1000 screens.”

Bhai Tera Star Hai’s promo reminds one of the small-budget-high-concept films that production houses like UTV and Phantom (that Vivek B Agarwal was a part of) regularly churned out in the 2000s and early 2010s. Moreover, such films can surprise with theatrical performance, as proven by Main Vaapas Aaunga, a film which was probably seen as a digital film before it surprised at the box office. Hence, how important was it for Vivek to give Bhai Tera Star Hai a theatrical release instead of going straight to OTT?

Vivek B Agarwal explained, “I kind of agree with you that there has been a change of mindset. At the end of the day, if the film is good, people do come to the theatres. Raghav and I were very keen that Bhai Tera Star Hai should have a theatrical release. We decided to go all out and indulge in a marketing campaign where he’s interacting with people and asking them to watch the film in theatres. Accordingly, he’s been doing city tours continuously and communicating with the potential audience.”

He continued, “Also, at the end of the day, the content has to work. People have to like the trailers and songs and then decide whether or not they want to see it in cinemas. I think we are achieving that balance. People are liking the trailer and humour quotient. It’s rare to have a film of this kind with such humour and ensemble cast.”

He added, “Moreover, I feel that people are tired of sitting at home and watching dark, serious thrillers, which make up nearly 80% of OTT content. Aisa nahin hai ki OTT pe bhasad comedy ban rahi hai. Majorly, sirf dark, serious aur toxic content hi ban raha hai. Hence, if a film offers them something fresh, I feel that they would love to give it a chance.”

Also Read: EXCLUSIVE: “Salman Khan called Raghav Juyal and told him, ‘I saw Bhai Tera Star Hai trailer TWICE and the Kisi Ka Bhai Kisi Ki Jaan joke was FABULOUS’” – Vivek B Agarwal



from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/xOz6nNk
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...

Omen (Augure) review – Baloji offers secrets and sorcery in Congolese homecoming

Musician and film-maker’s story about a Belgian-Congolese man who takes his white wife to DRC to meet the family is complex, risky and bold Congolese-born rapper, musician and film-maker Baloji (né Serge Baloji Tshiani) was a prizewinner at Cannes last year with this feature directing debut: a dynamic, teemingly populated, multistranded and tonally elusive picture which I initially thought would benefit from comparisons with Jordan Peele’s horror classic Get Out. In fact, it’s more complicated than that. Koffi (Marc Zinga) is a Congolese man living in Belgium and married to a white woman, Alice (Lucie Debay). They are about to have twins and Koffi feels that he cannot put it off any further: whatever his family will think, the couple must journey back to the Democratic Republic of the Congo to let them see Alice and let them get used to the idea. It particularly means propitiating his fiercely conservative mother Mujila (Yves-Marina Gnahoua). He takes care to shave off his westernis...

REVEALED: Karan Johar’s Dharma Productions merges Dharmatic Entertainment to simplify operations

Dharmatic Entertainment, the digital arm of Dharma Productions, has now officially merged with its parent company, as per a recent article in The Economic Times. The story says that the move is part of Dharma’s plan “to consolidate operations amid the changing entertainment landscape”. It also said that the merger application was fast-tracked and has already been approved by both companies’ shareholders and creditors, according to official filings. This is one of Dharma Productions’ first big steps since entrepreneur Adar Poonawalla bought a 50% stake in the company for Rs. 1,000 crores last year, valuing Dharma at Rs. 2,000 crores. Another significant decision taken by Dharma head-honcho after the merger was to start a distribution arm. In a recent interview with Komal Nahta, KJo confessed that the partnership with Adar Poonawalla gave him the impetus to get into distribution. The Economic Times article further revealed that the amalgamation of Dharmatic Entertainment and Dharma Pro...