Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

Voicemails for Isabelle review – Netflix romcom picks creepy over cute

Zoey Deutch and Nick Robinson stumble in this mushy, overlong story of a woman leaving voicemails for her dead sister

There’s a fine line between romantic comedy and creepy thriller, and while redefining the genre’s lovelorn leads as often incredibly oddball stalkers is nothing new (see the Sleepless in Seattle trailer recut as a horror movie 20 years ago), an online deluge of memes and thinkpieces have elevated post-movie bar jokes to commonly accepted theory. Some film-makers have slowly tried to catch up and capitalise – last year’s dark comedy I Love You Forever showed how epic acts of romance can be rooted in manipulation while a great deal of what makes current box office record-breaker Obsession so effective is its horror movie perversion of the day-to-day realities of all-consuming true love.

Netflix’s latest romcom Voicemails for Isabelle is made with some awareness of how unsettling its premise is, as if it was originally written in the 2000s and then dusted off and tweaked for the 2020s (the film was originally set to star Hailee Steinfeld back in the 2010s). It’s the story of Jill (Zoey Deutch) who, in the throes of grief for her late sister, starts leaving voicemails on her old phone as a way to feel like she’s still a part of her life. But the number now belongs to a stranger, Wes (Nick Robinson), who decides to not only listen to them but to use the information to track Jill down and insert himself into her life, eventually winning her heart while refusing to be honest about why they’ve met.

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