Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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The Breadwinner review – Nate Bargatze’s dated dad comedy loses us entirely

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The comedian makes an unconvincing bid for movie stardom in a largely unfunny and old-fashioned feature-length sitcom episode

The popular standup comedian Nate Bargatze uses his appealingly deadpan demeanor to convey relatable, family-friendly jokes about his own middle-class doofiness. Funny as he can be, his affect doesn’t seem ideal for performing with others. Back in the 90s, an American sitcom would have been built around him anyway; today, the form isn’t quite so ubiquitous, and sold-out standup tickets have remained his bread and butter. Yet Bargatze has done surprisingly well as a two-time Saturday Night Live host, especially for more writerly pieces that other celebrities might not so perfectly underplay.

For his film debut The Breadwinner, Bargatze takes cues from an earlier SNL player – specifically and unfortunately, the suburban dregs of Adam Sandler’s late-2000s/early-2010s middle period. As in vaguely sour-spirited Sandler vehicles like Grown Ups or Jack & Jill, Bargatze co-writes a movie for himself where he plays a suburban dad married to a woman who seems way out of his league – in this case, Katie (Mandy Moore, occupying territory held by previous Sandman love interests Katie Holmes, Salma Hayek and Jessica Biel). And just like in those films, the movie tries to make up the deficit by assuring us the husband figure is beloved and successful, in a field that happens to allow for maximum product placement (here for Toyota, who employs Bargatze’s character as a top salesman). Following the spirit of the aforementioned 90s sitcoms, Bargatze’s character is also named Nate.

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