Ranveer Singh turns 40: Arjun Rampal calls Dhurandhar co-star “Sher” in heartfelt birthday wish BTS montage

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Ranveer Singh is celebrating his 40th birthday on July 6, 2026, and has received warm wishes from friends, colleagues, and fans across social media. Among those celebrating the occasion is his Dhurandhar co-star Arjun Rampal, who shared a heartfelt birthday message accompanied by a special video montage that revisited memorable moments from the making of the Aditya Dhar-directed duology. The video featured a collection of fan artworks dedicated to Ranveer Singh along with behind-the-scenes glimpses from the sets of Dhurandhar. The montage was set to ‘Main Aur Tu,’ one of the popular tracks associated with the film, making it a nostalgic tribute for fans of the franchise. Sharing the video, Arjun wrote, "Happy Happy birthday Sher e, to more fabulous memories, performances, successes, love, ice baths, laughs, celebrations. Have a fabulous year ahead @ranveersingh big love and a huge hug." The post quickly caught the attention of fans, who flooded the comments section with birt...
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Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar

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Underground doors and regression therapy – it sounds like a can’t miss for the genre, but the knockout blow is never delivered

Though it features few recognisable faces, this Australian-shot, US-set indie horror displays a core competency that gets it some of the way to where it’s heading – only to collapse in the final reels into the usual hacky manoeuvres. Ten years after fleeing a fundamentalist branch of the Latter-day Saints, snub-nosed artist heroine Elise (Elizabeth Cullen) has started shunning the attentions of boyfriend Adam (John Kim), instead obsessively digging holes in the couple’s back garden and trashing the living room in the middle of the night. Could it have something to do with the grimy cellar door she feels compelled to paint, or the traumatic baptism we witness in a pre-title sequence? What are the chances?

For somewhere between half and two-thirds of its running time, we’re watching a diagnostic case study: Elise and close pals return to Mormon country – more specifically, the in-no-way ironically named hamlet of Haventon – to undergo a regression therapy involving an ayahuasca variant; this will strike anyone as ill-advised even before an actual cellar door is uncovered outside and everybody starts throwing up. (Cue the especially dreadful line: “She must have torn internally.”) Thereafter, flashbacks reveal what’s been suppressed or concealed: the younger Elise’s growing closeness to the bishop’s daughter Clara (Luca Sardelis) would seem to indicate our girl isn’t possessed, merely bisexual.

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