King becomes a REUNION bonanza: Shah Rukh Khan to share screen with Anil Kapoor after 31 years, Rani Mukerji after 20 years and Jackie Shroff after 12 years

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It’s been almost six months since the first look teaser of King was unveiled on the occasion of Shah Rukh Khan’s 60th birthday. Yet, the excitement around the film has remained constant, even though its release is still nearly seven months away. Recently, we came across a tweet by an SRK fan that made an interesting observation – the superstar is collaborating with several members of King’s ensemble cast after a very long gap. While he is reuniting with some after a decade, others are sharing screen space with him after nearly 20 or even 30 years. In this article, Bollywood Hungama takes a closer look at this nostalgic reunion factor. Anil Kapoor will feature in a crucial role in King and he was last seen with Shah Rukh Khan in Trimurti (1995), which was released 31 years ago. This is the only film that featured both actors. With Saurabh Shukla, SRK has worked thrice — in Baadshah (1999), Hey Ram (2000) and Mohabbatein (2000). Hence, both will be seen together in a film after 26 years...
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Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar

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Underground doors and regression therapy – it sounds like a can’t miss for the genre, but the knockout blow is never delivered

Though it features few recognisable faces, this Australian-shot, US-set indie horror displays a core competency that gets it some of the way to where it’s heading – only to collapse in the final reels into the usual hacky manoeuvres. Ten years after fleeing a fundamentalist branch of the Latter-day Saints, snub-nosed artist heroine Elise (Elizabeth Cullen) has started shunning the attentions of boyfriend Adam (John Kim), instead obsessively digging holes in the couple’s back garden and trashing the living room in the middle of the night. Could it have something to do with the grimy cellar door she feels compelled to paint, or the traumatic baptism we witness in a pre-title sequence? What are the chances?

For somewhere between half and two-thirds of its running time, we’re watching a diagnostic case study: Elise and close pals return to Mormon country – more specifically, the in-no-way ironically named hamlet of Haventon – to undergo a regression therapy involving an ayahuasca variant; this will strike anyone as ill-advised even before an actual cellar door is uncovered outside and everybody starts throwing up. (Cue the especially dreadful line: “She must have torn internally.”) Thereafter, flashbacks reveal what’s been suppressed or concealed: the younger Elise’s growing closeness to the bishop’s daughter Clara (Luca Sardelis) would seem to indicate our girl isn’t possessed, merely bisexual.

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