Ellen DeGeneres’ Oscars selfie: was this the moment pop culture shattered into a billion pieces?

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When DeGeneres posted her A-list snap at the 2014 Academy Awards, it made a splash. But it was probably the end of monoculture – and now we’re all alone in our TikTok bubbles Name: The Oscars selfie. Age: Once upon a time (2 March 2014, to be precise), at the Oscars, the actor Bradley Cooper, who was nominated for best supporting actor, took a selfie with the host, Ellen DeGeneres, and a whole load of A-listers … Continue reading... from Film | The Guardian https://ift.tt/LPvBx0O via IFTTT
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Olivia review – unhurried, painterly fable about loss aims to expose the meaning of grief

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Argentinian director Sofía Petersen’s self-conscious film tries for the weight of slow cinema, but is formless, inert and hibernating within its own heavy unlit gloom

Argentinian director Sofía Petersen’s film is a mysterious depiction of loneliness and loss in the stark landscape of Tierra del Fuego; it is extended and unhurried, unfolding often to the sole accompaniment of a thin, desolate wind. It was well-received at last year’s Locarno film festival, but despite believing in the importance of slow cinema, I have to admit that this defeated me.

Often formless and inert, I found its still life painterly compositions shot on 16mm film, heavy on lingering closeups on old spoons and watch-faces, redundant and self-conscious. The film seemed to be hibernating within its own heavy unlit gloom and its central theme – the meaning of grief – was not really exposed.

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