SCOOP: Sanjay Dutt-starrer Aakhri Sawal unlikely to release in cinemas on May 8 due to censor issues; makers eye May 15 release

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Bollywood Hungama has exclusively learned that Aakhri Sawal, which was all set to release in cinemas on May 8, is unlikely to make it to theatres on the scheduled date due to censor certification issues. We were the first ones to report last week that even the trailer has not yet been cleared by the Central Board of Film Certification (CBFC). The trailer, like the film, is still awaiting clearance from the Censor Board. A source told Bollywood Hungama, “The nature of the film and its plot is such that the CBFC members are being cautious. The makers have explained to the CBFC committee that their film is based on historical events and records and hence, deserves to be released. The discussions between the makers and the CBFC have taken a lot of time. Hence, the producers of Aakhri Sawal felt that it would be wise to push the film to a later date.” The source continued, “At present, the makers are considering releasing their film on May 15. Of course, this will be subject to receiving t...
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‘The dream is to be a standup, but everyone who knows me says: Please don’t’ – Riz Ahmed on chaos, comedy, and defying categorisation

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His multi-hyphenate career has made him one of Britain’s most versatile recognisable stars – but hasn’t stopped him facing some seriously awkward moments…

Riz Ahmed was multitasking. It was February in London, and the actor was doing an interview with a men’s magazine en route to collect his kid from school. So far, so starry. “Here’s the reality,” says Ahmed today, palms slamming down hard on the table. “I’m late for the school run. I’m stuck in traffic. I’m meant to be at my laptop, but I’m having to do it on my phone, in my car. I’m double parked on a double yellow line, doing the interview, looking over my shoulder. The traffic warden’s coming, it’s rush hour. He tries to move me along. I try to get out of there while I’m talking on the phone to this guy.”

Distracted, Ahmed hit another car. The driver jumped out of his vehicle, incensed. “He’s like, ‘What the fuck are you doing?!’” says Ahmed, who had been attempting to continue the interview. “I’m now going off video, like, ‘Oh, my signal’s a bit bad!’ while going on and off mute negotiating car insurance details. On the phone, I’m going, ‘Absolutely, it was just such an honour getting to tell my story with these amazing collaborators,’” he says, his voice lowering an octave and turning smooth.

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