Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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At the Sea review – Amy Adams plays it overly straight in insufferable upper-middle-class drama

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Shame, healing and personal growth are the order of the day in this humourless, self-adoring and vapid exploration of an artistic and narcissistic Cape Cod family

Here is a quite unbearable curation of first-world problems starring Amy Adams from screenwriter Kata Wéber and her husband, director Kornél Mundruczó. They are film-makers who have given us challenging and interesting material in the past; now they pivot to a solemn, narcissistic tale, couched in self-forgiving, self-adoring rhetoric, all about upper-middle-class artistic folk in the US, yearning for wellness and recovery in their lovely Cape Cod home. It’s a movie which invites its audience to believe in the alleged talent and importance of its artistic characters, and also extend submissive empathy to their inter-generational psychic wounds.

Adams plays Laura, the grownup daughter of a supposedly brilliant dance company director, now dead and remembered in epiphanic childhood memory-glimpses, a genius who had close-cropped grey hair, a black polo neck and functioning alcoholism. Laura inherited his dance passion and his boozing, and now runs his world-renowned company with an uncertain hand; she has just returned from rehab after drunk-driving and crashing while her young son Felix (Redding Munsell) was in the car. Thank heavens they weren’t hurt! You can spend the entire film expecting a flashback to this dramatic event which might show Laura in a bad light – or an interesting one. But no.

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