SCOOP: Salman Khan’s look in Dil Raju’s next gets the Dhurandhar touch; Preetisheel Singh joins the project

Salman Khan is back, and all focused on making a solid comeback, lining up back-to-back exciting projects. The superstar is currently shooting for producer Dil Raju's next film, directed by Vamshi Paidipally in Mumbai. Bollywood Hungama has exclusively learnt that Dil Raju and team are leaving no stone unturned to deliver an honest and solid theatrical experience for the audience. According to reliable sources, Dil Raju and Vamshi Paidipally have roped in Preetisheel Singh to do the make-up for Salman Khan in the film. "Salman Khan sports multiple looks in the film, and they have been designed to perfection by Preetisheel under the guidance of Vamshi Paidipally. Singh has previously worked on Dhurandhar with Aditya Dhar, which won acclaim all across for its authentic prosthetics and make-up. She has created a never-before-seen look for Salman." The source further informs that Salman too is very happy with the makeover given to his aura, and is all charged up to lead this...

At the Sea review – Amy Adams plays it overly straight in insufferable upper-middle-class drama

Shame, healing and personal growth are the order of the day in this humourless, self-adoring and vapid exploration of an artistic and narcissistic Cape Cod family

Here is a quite unbearable curation of first-world problems starring Amy Adams from screenwriter Kata Wéber and her husband, director Kornél Mundruczó. They are film-makers who have given us challenging and interesting material in the past; now they pivot to a solemn, narcissistic tale, couched in self-forgiving, self-adoring rhetoric, all about upper-middle-class artistic folk in the US, yearning for wellness and recovery in their lovely Cape Cod home. It’s a movie which invites its audience to believe in the alleged talent and importance of its artistic characters, and also extend submissive empathy to their inter-generational psychic wounds.

Adams plays Laura, the grownup daughter of a supposedly brilliant dance company director, now dead and remembered in epiphanic childhood memory-glimpses, a genius who had close-cropped grey hair, a black polo neck and functioning alcoholism. Laura inherited his dance passion and his boozing, and now runs his world-renowned company with an uncertain hand; she has just returned from rehab after drunk-driving and crashing while her young son Felix (Redding Munsell) was in the car. Thank heavens they weren’t hurt! You can spend the entire film expecting a flashback to this dramatic event which might show Laura in a bad light – or an interesting one. But no.

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