Karan Deol calls Sunny Deol “my first hero” on Father's Day 2026 note; shares glimpses from Batwara 1947 ahead of release

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After creating a strong impact with its gripping motion poster, Batwara 1947 has now unveiled a compelling series of character posters that reflect courage, innocence, resilience, and unwavering determination. Presented by Aamir Khan Productions, the film promises a deeply emotional story of sacrifice, hope, and the indomitable human spirit. As excitement for the film continues to build, Karan Deol, son of Sunny Deol, who will be sharing screen space with his father for the first time in Batwara 1947, penned a heartfelt note on Father's Day. Taking to social media, Karan Deol shared some adorable stills from the film and expressed his love and admiration for his father, Sunny Deol. While the duo is set to share screen space in Batwara 1947, Karan conveyed his immense affection and respect for his father through an emotional message. He also shared the caption: "There are moments that feel destined. Telling Papa once on his set about my dream of acting with him was one of them...
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At the Sea review – Amy Adams plays it overly straight in insufferable upper-middle-class drama

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Shame, healing and personal growth are the order of the day in this humourless, self-adoring and vapid exploration of an artistic and narcissistic Cape Cod family

Here is a quite unbearable curation of first-world problems starring Amy Adams from screenwriter Kata Wéber and her husband, director Kornél Mundruczó. They are film-makers who have given us challenging and interesting material in the past; now they pivot to a solemn, narcissistic tale, couched in self-forgiving, self-adoring rhetoric, all about upper-middle-class artistic folk in the US, yearning for wellness and recovery in their lovely Cape Cod home. It’s a movie which invites its audience to believe in the alleged talent and importance of its artistic characters, and also extend submissive empathy to their inter-generational psychic wounds.

Adams plays Laura, the grownup daughter of a supposedly brilliant dance company director, now dead and remembered in epiphanic childhood memory-glimpses, a genius who had close-cropped grey hair, a black polo neck and functioning alcoholism. Laura inherited his dance passion and his boozing, and now runs his world-renowned company with an uncertain hand; she has just returned from rehab after drunk-driving and crashing while her young son Felix (Redding Munsell) was in the car. Thank heavens they weren’t hurt! You can spend the entire film expecting a flashback to this dramatic event which might show Laura in a bad light – or an interesting one. But no.

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