‘Nobody would forgive me if I told the truth’: new film about pacifist turned Nazi collaborator divides France

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In Les Rayons et les Ombres, Jean Dujardin plays a real-life press baron partying during the horrors of the second world war. Director Xavier Giannoli discusses bringing this still sensitive topic to light Xavier Giannoli’s new film Les Rayons et les Ombres (Rays and Shadows) is told from the postwar perspective of Corinne Luchaire, a French actor who was once hailed as “the new Garbo” but grew too close to the Nazis during the German occupation years. As Luchaire records her thoughts on a borrowed tape recorder, she struggles to reconcile her unfaltering devotion to her father, the once-powerful press baron Jean, with his 1946 execution for treason. Her wilful blindness collapses as the Jewish director who helped launch her career visits her cramped flat. When Corinne, played by newcomer Nastya Golubeva Carax, enquires after his sister, he reveals that she died in a concentration camp. “I didn’t know,” murmurs Corinne, only to be met with the devastating reply: “Did you even try to ...
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‘The emotion you get from the game is insane’: the Roy Keane bust-up film leading a new type of football movie

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Saipan, about Keane’s infamous World Cup row with manager Mick McCarthy, has become a hit film in its native Ireland – as it opens in the UK screenwriter Paul Frasier explains how he aimed to avoid the mistakes of the past

The best bit of football action in Saipan happens on a tennis court. The forthcoming movie about the schism between Mick McCarthy and Roy Keane that led to the latter departing the 2002 World Cup before it started does not attempt to recreate any of the action from the tournament. In fact, it largely takes place in a decrepit hotel. But we do get one exception: Keane, played by Éanna Hardwicke, practising alone in the grounds. At the back of a court, the sullen, spartan athlete stands as a ball is fired up and over the net towards him. He tracks it with his eyes, opens up his right foot, takes the ball on his instep and kills it dead. And with that, his sporting bona fides are confirmed.

Saipan is a movie about masculinity, about men and their egos. It’s also about an era in Irish history; the roaring of the Celtic tiger, where questions of national identity came to the fore. What it’s not, really, is a movie about football. Which might be a canny choice, because while the world’s most popular sport only continues to grow its audience, football’s track record on the big screen is, how shall we say, like Manchester United after Sir Alex.

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