REVEALED: Haunted – Echoes Of The Past got NCLT nod for June 12 release; makers directed to deposit all revenues in separate bank account

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On June 10, the National Company Law Tribunal (NCLT), Mumbai Bench III, permitted the release of Vikram Bhatt's horror film Haunted – Echoes Of The Past on June 12, even as the project remains embroiled in an insolvency-related legal dispute. However, the Tribunal has imposed strict conditions to safeguard the interests of the ongoing Corporate Insolvency Resolution Process (CIRP). The order was passed in connection with proceedings involving K Sera Sera & Vikram Bhatt Studiovirtual World Pvt. Ltd. and Hare Krishna Media Tech Pvt. Ltd. While hearing the matter, the NCLT noted that the Resolution Professional (RP) had sought to restrain the film's release and prevent the creation of third-party rights in the movie. The Tribunal also allowed the RP to implead four additional respondents in the matter and directed them to file their replies before the next hearing. A Resolution Professional is an insolvency professional appointed by the NCLT to manage the affairs of a company...
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No Time for Goodbye review – well intentioned drama about the loneliness of the asylum-seeker

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Journalist Don Ng’s debut feature raises interesting questions about the asylum experience – but his film is too sentimental and superficial to truly answer them

This is a film made with the best of intentions – and it has some good insights into the loneliness and isolation of seeking asylum in the UK. But there are a few too many sentimental moments to properly work as social-realism, or anything close to convincing drama, which is disappointing given its creator, Don Ng, is a journalist-turned-director making his feature debut. It’s set in London, where Bosco (a sensitive performance by Yiu-Sing Lam) has arrived from Hong Kong fleeing the government’s crackdown on political freedom, though he doesn’t really talk much about the situation back home.

Bosco is sent to live with other asylum seekers on a military base while his application is processed. Some of the best scenes turn out to be gentle observations of his sense of dislocation: walking around the local corner shop, for example, with its aisles of unfamiliar food. At a bus stop he meets Yasmin (Tsz Wing Kitty Yu), another asylum seeker, who writes letters to her student doctor boyfriend in Hong Kong, in prison for giving first aid to anti-government protesters. Bosco and Yasmin hang out together, though it’s obvious that for him the friendship feels like something more.

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