‘Outrageous’: Rebel Wilson denies she was behind Snapchat leak of actor’s nude photo, court hears

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The Pitch Perfect star is being sued for defamation by Charlotte MacInnes, the lead actor of Wilson’s directorial debut, The Deb Follow our Australia news live blog for latest updates Get our breaking news email , free app or daily news podcast Hollywood star Rebel Wilson has slammed as “outrageous” an accusation she directed a cyber attack on her co-star’s social media account that led to a nude photo leak. The Pitch Perfect star is being sued for defamation by Charlotte MacInnes, the 27-year-old lead actor of the musical comedy The Deb, which is Wilson’s directorial debut. In Australia, support is available at Full Stop Australia (1800 385 578). In the UK, Rape Crisis offers support on 0808 500 2222. In the US, Rainn offers support on 800-656-4673. Other international helplines can be found at ibiblio.org/rcip/internl.html Continue reading... from Film | The Guardian https://ift.tt/4ZaVG1y via IFTTT
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Bowie: The Final Act review – moving and enjoyable tribute to music legend’s last stand

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Singer’s final decades can’t really be called his creative golden years but there are touching contributions from his collaborators

It feels like the Bowie nostalgia industry is getting out of hand, what with London’s V&A Storeroom opening its David Bowie Centre this year, comprehensive 2022 documentary Moonage Daydream and 2017 BBC show David Bowie: The Last Five Years, among others. So this new film covering Bowie’s final decades could be a tough sell for non-completists: the 90s and 00s were not, let’s be honest, the Bowie’s golden years, creatively or reputationally. After his perpetual self-reinvention during the 70s and early 80s, fans were somewhat baffled by his new band Tin Machine, which critic Jon Wilde dismissed as “glorified pub rock” in his scathing Melody Maker review (even Wilde shakes his head as he reads it out again here; the last line is: “You’re a fucking disgrace.”)

It’s not all doom and gloom, though, even if Bowie seemed to be following the zeitgeist rather than leading it - not least with his short-lived foray into drum & bass. The narrative almost acknowledges as much with frequent flashbacks to the halcyon days, and Bowie’s lifelong fascination with outer space the through-line. And there are enjoyable contributions from the likes of Tony Visconti, Rick Wakeman, Dana Gillespie, Hanif Kureishi, and guitarists Earl Slick and Reeves Gabrels.

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