Boney Kapoor adds Mercedes-Benz V-Class worth up to Rs 1.7 crore to his garage

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Film producer Boney Kapoor has expanded his garage with the addition of a premium new vehicle, the Mercedes-Benz V-Class, a model widely known for its emphasis on comfort, space and chauffeur-driven luxury. The acquisition reflects a growing preference among film personalities for high-end multi-purpose vehicles designed to double as mobile work and relaxation spaces. A luxury MPV designed for comfort and privacy The Mercedes-Benz V-Class is often described as a private lounge on wheels because of its spacious cabin layout and executive-focused interiors. It is especially popular among celebrities and business leaders who rely on chauffeur-driven travel and require both comfort and discretion during commutes. In India, the vehicle is available in multiple variants, with prices typically ranging between Rs 1.4 crore and Rs 1.7 crore depending on specifications and customization options. Premium interiors with executive seating One of the defining highlights of the V-Class is its six-s...
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Bowie: The Final Act review – moving and enjoyable tribute to music legend’s last stand

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Singer’s final decades can’t really be called his creative golden years but there are touching contributions from his collaborators

It feels like the Bowie nostalgia industry is getting out of hand, what with London’s V&A Storeroom opening its David Bowie Centre this year, comprehensive 2022 documentary Moonage Daydream and 2017 BBC show David Bowie: The Last Five Years, among others. So this new film covering Bowie’s final decades could be a tough sell for non-completists: the 90s and 00s were not, let’s be honest, the Bowie’s golden years, creatively or reputationally. After his perpetual self-reinvention during the 70s and early 80s, fans were somewhat baffled by his new band Tin Machine, which critic Jon Wilde dismissed as “glorified pub rock” in his scathing Melody Maker review (even Wilde shakes his head as he reads it out again here; the last line is: “You’re a fucking disgrace.”)

It’s not all doom and gloom, though, even if Bowie seemed to be following the zeitgeist rather than leading it - not least with his short-lived foray into drum & bass. The narrative almost acknowledges as much with frequent flashbacks to the halcyon days, and Bowie’s lifelong fascination with outer space the through-line. And there are enjoyable contributions from the likes of Tony Visconti, Rick Wakeman, Dana Gillespie, Hanif Kureishi, and guitarists Earl Slick and Reeves Gabrels.

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