Priyamani boards Rohit Shetty’s Golmaal 5 as shoot begins in Mumbai, reunites with Maidaan co-star Ajay Devgn: Report

Actress Priyamani has reportedly joined the cast of Golmaal 5, the latest instalment of Rohit Shetty’s popular comedy franchise. The development marks her reunion with Ajay Devgn after their collaboration in Maidaan. According to Variety India, the first shooting schedule is expected to span approximately a month. Filming for the film commenced on Monday, February 23, in Mumbai, with Ajay Devgn slated to join the sets on February 25. While details about Priyamani’s character are being kept under wraps, reports suggest that she has already begun shooting her portions. The Golmaal franchise remains one of Hindi cinema’s most commercially successful comedy series, known for its ensemble-driven storytelling and recurring characters. The fifth instalment will see the return of its core cast, including Ajay Devgn, Arshad Warsi, Tusshar Kapoor, Kunal Kemmu and Shreyas Talpade. Veteran performers Johnny Lever, Sanjay Mishra, Mukesh Tiwari and Ashwini Kalsekar are also set to reprise their po...

Bowie: The Final Act review – moving and enjoyable tribute to music legend’s last stand

Singer’s final decades can’t really be called his creative golden years but there are touching contributions from his collaborators

It feels like the Bowie nostalgia industry is getting out of hand, what with London’s V&A Storeroom opening its David Bowie Centre this year, comprehensive 2022 documentary Moonage Daydream and 2017 BBC show David Bowie: The Last Five Years, among others. So this new film covering Bowie’s final decades could be a tough sell for non-completists: the 90s and 00s were not, let’s be honest, the Bowie’s golden years, creatively or reputationally. After his perpetual self-reinvention during the 70s and early 80s, fans were somewhat baffled by his new band Tin Machine, which critic Jon Wilde dismissed as “glorified pub rock” in his scathing Melody Maker review (even Wilde shakes his head as he reads it out again here; the last line is: “You’re a fucking disgrace.”)

It’s not all doom and gloom, though, even if Bowie seemed to be following the zeitgeist rather than leading it - not least with his short-lived foray into drum & bass. The narrative almost acknowledges as much with frequent flashbacks to the halcyon days, and Bowie’s lifelong fascination with outer space the through-line. And there are enjoyable contributions from the likes of Tony Visconti, Rick Wakeman, Dana Gillespie, Hanif Kureishi, and guitarists Earl Slick and Reeves Gabrels.

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