Judge orders pause on Paramount-Warner merger after challenge from 12 states

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$81bn merger halted for at least two weeks after US states sued to block deal, saying it would ‘extinguish competition’ A federal judge on Monday ordered Paramount and Warner Bros Discovery to halt their $81bn merger for at least two weeks, allowing states that are challenging the deal more time to see their case through in court. Twelve states, led by California , sued to block Paramount’s pending buyout of Warner last week – alleging that such a combination would “extinguish competition” in Hollywood and lead to fewer choices for consumers, particularly moviegoers and cable customers across the US. Continue reading... from Film | The Guardian https://ift.tt/M580hcA via IFTTT
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Regretting You review – sudsy Colleen Hoover adaptation is no It Ends with Us

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The second big screen take on one of the hugely successful author’s trauma dramas is a bland misfire and wastes Girls actor Allison Williams in the lead

It’s hard to remember now, nearly a year into the legal and reputational slugfest that is Justin Baldoni v Blake Lively, that It Ends With Us, the film at the heart of so much litigious mudslinging – predominantly and relentlessly, it should be noted, by Baldoni’s legal team – was a Hollywood success story.

The first big-screen adaptation of bestselling author Colleen Hoover, an initially self-published romance writer catapulted by BookTok to cult-figure status under the mononym CoHo, successfully elevated what many have dismissed as trauma porn fetishizing abuse into glossy, but effective and emotionally mature, adult theatrical fare. Lively, a Taylor Swift-adjacent style icon (to some) who excels at warm-hearted melodrama, was the perfect anchor for a film targeting what celebrity gossip columnist Elaine Lui termed the “minivan majority” (exurban/suburban, white, middle-class women); the film grossed $350m, against a $25m budget, making it one of the biggest hits of the summer.

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