Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

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Following every dizzying spin of Chalamet’s table tennis hustler, Josh Safdie’s whip-crack comedy serves sensational shots – and a smart return by Gwyneth Paltrow This new film from Josh Safdie has the fanatical energy of a 149-minute ping pong rally carried out by a single player running round and round the table. It’s a marathon sprint of gonzo calamities and uproar, a sociopath-screwball nightmare like something by Mel Brooks – only in place of gags, there are detonations of bad taste, cinephile allusions, alpha cameos, frantic deal-making, racism and antisemitism, sentimental yearning and erotic adventures. It’s a farcical race against time where no one needs to eat or sleep. Timothée Chalamet plays Marty Mauser, a spindly motormouth with the glasses of an intellectual, the moustache of a movie star and the physique of a tiny cartoon character (though that could just be the initials). He’s loosely inspired by Marty “The Needle” Reisman, a real-life US table tennis champ from the ...
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Peter Watkins, Oscar-winning director of The War Game, dies aged 90

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Radical English director who clashed with the BBC over his ‘horrifying’ film about nuclear war, was forced to look abroad to continue working

Peter Watkins, the radical British film-maker who won an Oscar for his controversial drama-documentary The War Game, about a nuclear attack on Britain, has died aged 90. In a statement, his family said he had died in hospital on Thursday in Bourganeuf, close to the small town of Felletin in central France, where he had lived for 25 years. They added: “The world of cinema loses one of its most incisive, inventive, and unclassifiable voices. We would like to thank all those who supported him throughout this long and sometimes solitary struggle.”

Watkins was an uncompromising figure who clashed with the BBC after the latter failed to show The War Game on broadcast TV, and subsequently led a peripatetic film-making existence, looking overseas for backing. He was wary of the press. In a rare interview he spoke to the Guardian in 2000, saying he was “someone who has been working for 30 years to help shift the power balance between public and TV”. He added: “Had TV taken an alternative direction during the 1960s and 1970s and worked in a more open way, global society today would be vastly more humane and just.”

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