The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...
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Peter Watkins, Oscar-winning director of The War Game, dies aged 90

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Radical English director who clashed with the BBC over his ‘horrifying’ film about nuclear war, was forced to look abroad to continue working

Peter Watkins, the radical British film-maker who won an Oscar for his controversial drama-documentary The War Game, about a nuclear attack on Britain, has died aged 90. In a statement, his family said he had died in hospital on Thursday in Bourganeuf, close to the small town of Felletin in central France, where he had lived for 25 years. They added: “The world of cinema loses one of its most incisive, inventive, and unclassifiable voices. We would like to thank all those who supported him throughout this long and sometimes solitary struggle.”

Watkins was an uncompromising figure who clashed with the BBC after the latter failed to show The War Game on broadcast TV, and subsequently led a peripatetic film-making existence, looking overseas for backing. He was wary of the press. In a rare interview he spoke to the Guardian in 2000, saying he was “someone who has been working for 30 years to help shift the power balance between public and TV”. He added: “Had TV taken an alternative direction during the 1960s and 1970s and worked in a more open way, global society today would be vastly more humane and just.”

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