The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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Peter Watkins, Oscar-winning director of The War Game, dies aged 90

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Radical English director who clashed with the BBC over his ‘horrifying’ film about nuclear war, was forced to look abroad to continue working

Peter Watkins, the radical British film-maker who won an Oscar for his controversial drama-documentary The War Game, about a nuclear attack on Britain, has died aged 90. In a statement, his family said he had died in hospital on Thursday in Bourganeuf, close to the small town of Felletin in central France, where he had lived for 25 years. They added: “The world of cinema loses one of its most incisive, inventive, and unclassifiable voices. We would like to thank all those who supported him throughout this long and sometimes solitary struggle.”

Watkins was an uncompromising figure who clashed with the BBC after the latter failed to show The War Game on broadcast TV, and subsequently led a peripatetic film-making existence, looking overseas for backing. He was wary of the press. In a rare interview he spoke to the Guardian in 2000, saying he was “someone who has been working for 30 years to help shift the power balance between public and TV”. He added: “Had TV taken an alternative direction during the 1960s and 1970s and worked in a more open way, global society today would be vastly more humane and just.”

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