Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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I won’t apologise for The Lost King – Leicester University’s treatment of Philippa Langley is a profound injustice | Steve Coogan

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I was sued over my film that gave a voice to the committed ‘amateur’ whose pivotal role in the search for the remains of Richard III was drowned out by louder voices in academia

About 15 years ago, Philippa Langley set out on a mission to find the remains of King Richard III, the last Plantagenet king of England. Almost everyone regarded this as an impossible task. His remains had gone undiscovered for more than 500 years. It was a folly, a fool’s errand. She was out of her depth, an amateur. No letters after her name.

But Philippa diligently did the work and did her research. She had an inner conviction that she would find him, and she did. It was a staggering achievement, and yet when the news broke of this startling discovery, and it was beamed round the world, there was little to no mention of her.

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