EXCLUSIVE: Shakti Shalini goes on floors in January 2026; Amar Kaushik explains how Aneet Padda came on board, “We saw Saiyaara and knew that she perfectly…”

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Before the audience sat down to watch the grand Diwali release, Thamma, they were treated to a 60-second-long announcement promo for Shakti Shalini. The film earlier starred Kiara Advani and there were reports that Aneet Padda of Saiyaara (2025) fame has replaced the former. The announcement teaser confirmed the speculations and also revealed that the next film of the Maddock Horror Comedy Universe will be out on December 24, 2026. In an exclusive interview with Bollywood Hungama, Amar Kaushik, the mentor of the universe and also the producer of Munjya (2024) and Thamma, opened up about this film. Earlier, the plan was to bring 2 more films of Maddock Horror Comedy Universe, namely Bhediya 2 and Chamunda, in cinemas in 2026. When asked if the plan remains or will Shakti Shalini be the sole release of the universe next year, Amar Kaushik said, “There might be just one film (from the universe in 2026). We feel that there should not be an overdose and we should not give too many films in...
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Bossing it! The makers of Springsteen: Deliver Me from Nowhere on turning Jeremy Allen White into the rock icon

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Springsteen’s 1982 lo-fi album Nebraska was recorded when the singer was battling with depression – but about to become a superstar. Now that pivotal period has been brought to the screen – with The Boss’s approval

Two years ago, film director Scott Cooper and writer Warren Zanes were summoned to Bruce Springsteen’s house in New Jersey. In a sense, the meeting was a surprise: as Cooper notes, Springsteen was known for “saying no to every overture about making a film of his life since 1986”. But something about the screenplay Cooper had written had clearly piqued his interest. It was based on Zanes’ book Deliver Me from Nowhere, not a traditional career-spanning biography, but a forensically researched history of Springsteen’s 1982 album Nebraska, which Zanes calls “the greatest left-turn performed by someone who is operating at the top of the charts in musical history”.

Released between Springsteen’s first US No 1 album, 1980’s The River, and the world-conquering Born in the USA in 1984, it was a stark, lo-fi collection of demo-quality home recordings made in the singer’s bedroom while he was battling depression. Its songs were haunted by the ghosts of the 1950s teenage serial killer Charles Starkweather and the Italian-American mobster Philip Testa, and by Springsteen’s strained relationship with his father, a remote, hard-drinking blue-collar worker, whose paranoid schizophrenia was only diagnosed later in his life.

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