Archana Puran Singh reveals why she hid her marriage for 4 years

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Indian actress and television personality Archana Puran Singh has revealed that she kept her marriage to actor Parmeet Sethi a secret for nearly four years, citing industry pressures that once discouraged married women from pursuing acting careers. Archana, known for her work in several iconic Bollywood films, married Parmeet Sethi in 1992. However, she chose not to make the marriage public at the time. Speaking recently, the actress said that during that phase in the film industry, marriage was often seen as a setback for female actors, leading to fewer opportunities. She described this mindset as a “nonsense trend” and said it played a major role in her decision to keep her marital status private while continuing to work. She also shared that the secrecy around the marriage was influenced by several personal and social challenges. Parmeet was younger than her, which contributed to resistance from family members, and there was disapproval from both sides regarding the relationship. ...
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The Wrong Paris review – Netflix Bachelor romcom makes few right choices

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Miranda Cosgrove plays a woman involved in some reality show drama in another of the streamer’s many low-grade background watches

One could argue that The Bachelor, the ABC reality juggernaut that has reified Christian-lite dating norms for 27 seasons, should be considered scripted content. The connections can be genuine, and the feelings often real, but the situations are contrived and manipulated, a pioneering brand of deliberately saccharine, hokey and ridiculous in the name of love and for the sake of entertainment. Watching The Bachelor and its spinoffs, as I occasionally have over its two-plus-decade run, is to be baffled, frustrated, annoyed and ultimately hooked. The show, with its in-group rituals and shocking sincerity, casts a strange spell over its contestants and its viewers; if you stick through one episode, you’re liable to start caring about what happens.

No such spell exists for The Wrong Paris, Netflix’s latest attempt to build an in-house Hallmark Channel, in which Miranda Cosgrove plays a single woman who goes on a reality dating show for what Bachelor Nation would call “the wrong reasons”. No offense to the Hallmark Channel, which at its best can be laughably unserious fun. But The Wrong Paris, written by Nicole Henrich and directed by Janeen Damian, somehow serves the synthetic sugar of both The Bachelor and the Hallmark movie without any sweetness. The formula is there, but not the flavor, nor the drop of derangement – like, say, a hot snowman brought to life – required to beat the Netflix allegations of low-quality, lowest-common-denominator stuff.

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