Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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The Wrong Paris review – Netflix Bachelor romcom makes few right choices

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Miranda Cosgrove plays a woman involved in some reality show drama in another of the streamer’s many low-grade background watches

One could argue that The Bachelor, the ABC reality juggernaut that has reified Christian-lite dating norms for 27 seasons, should be considered scripted content. The connections can be genuine, and the feelings often real, but the situations are contrived and manipulated, a pioneering brand of deliberately saccharine, hokey and ridiculous in the name of love and for the sake of entertainment. Watching The Bachelor and its spinoffs, as I occasionally have over its two-plus-decade run, is to be baffled, frustrated, annoyed and ultimately hooked. The show, with its in-group rituals and shocking sincerity, casts a strange spell over its contestants and its viewers; if you stick through one episode, you’re liable to start caring about what happens.

No such spell exists for The Wrong Paris, Netflix’s latest attempt to build an in-house Hallmark Channel, in which Miranda Cosgrove plays a single woman who goes on a reality dating show for what Bachelor Nation would call “the wrong reasons”. No offense to the Hallmark Channel, which at its best can be laughably unserious fun. But The Wrong Paris, written by Nicole Henrich and directed by Janeen Damian, somehow serves the synthetic sugar of both The Bachelor and the Hallmark movie without any sweetness. The formula is there, but not the flavor, nor the drop of derangement – like, say, a hot snowman brought to life – required to beat the Netflix allegations of low-quality, lowest-common-denominator stuff.

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