Sharmila Tagore on missing out on Rocky Aur Rani Kii Prem Kahaani with Dharmendra, “I fell ill and couldn’t do the film”

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“We shared the same birthday. He was my co-star in seven films. I knew he was not keeping good health. But the news of his passing is still very saddening,” said Sharmila Tagore, who worked in films as far-ranging as Satyakam and Chupke Chupke with Dharmendra. She reflected on their screen togetherness. “We first worked together in Devar and then during the same year in Anupama. Two very serious subjects, followed by an out-and-out commercial film Mere Humdum Mere Dost. Shooting with him was a breeze. He was as effortless on screen as he was off it. He was never ‘The Star’ on the sets, always his natural self. There was nothing put-on about him.” Sharmila Tagore recalled her first meeting with Dharmendra. “Before we worked together, we met when I was shooting with Yash Chopra’s Waqt. I don’t know in what context he was there. But I remember he was dressed… how shall I put it… not like a star at all. When s...
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The Severed Sun review – folk-horror nightmare that harks back to The Crucible

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A widow with an ungodly secret challenges the patriarchal abuse of an oppressive religious community in Dean Puckett’s English chiller

Here is an atmospherically shot English folk horror from first-time director Dean Puckett set in some eerie time of the medieval past or post-apocalyptic future. It’s possibly a bit derivative: there’s a touch of silliness in the Donnie Darko-ish pagan beast-god rustling around in the foliage, and no prizes for guessing who its final victim is going to be. But there are some chills and bad-dream unease as well, effectively delivered by a good cast, well directed.

Among an oppressive religious community in the remote countryside, Magpie (Emma Appleton) is a young widow who is concealing the truth about her husband’s death from the congregation led by her stern father, the Pastor (a potent performance from Toby Stephens). She is increasingly resented as a disruptive influence when she challenges the patriarchy’s abuse, in the form of what she suffered at the hands of her late husband and the violence that she can sense is being perpetrated on a young neighbouring girl by her father, a violence ignored by the girl’s pious mother (Jodhi May). Concealment and hypocrisy are all about: she herself is having an affair with her stepson David (Lewis Gribben), and the Pastor has an unusually close relationship with zealot parishioner John (Barney Harris).

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