Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

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With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT
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‘The old white patriarchy isn’t knocking on my door!’ Sandra Oh on joy, despair – and going viral with a euphoric dance

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In her apocalyptic new film, everything’s sorted – but you have to die at the age of 50. The actor talks about tech shocks, doomscrolling and the agent who told her to go back to Canada

This summer, Sandra Oh stood behind a lectern at a graduation ceremony in New Hampshire, preparing to give university-leavers words of hope at a time of permacrisis. She rose to the challenge, opening up about her past battles with depression and anxiety, before making a heartfelt case for embracing discomfort and kindness “so we can meet cruelty again and again and not lose our humanity”. This was increasingly important, she explained, when many world leaders “claim power through fear and oppression”. And then came the moment that would go viral. Oh instructed everyone to stand up and do something Cristina Yang, her career-making character on Grey’s Anatomy, used to do when times got tough. “Dance it out!” she exhorted as David Guetta’s Titanium washed over the crowd. “Remember this feeling!”

“I was very, very, very nervous about it,” says Oh. “I worked really hard.” She had been putting herself into the mindset of 20-year-olds not just worried about their own futures but about the larger picture. “The world is burning!” she says, imagining their dark thoughts. “There’s wars all over! My heart is so heavy, so all I’m going to do is doomscroll.” But, crucially, Oh wanted her audience to find their way to joy – thus the dancing. “Sitting there trying to bear the pain in the world,” she says, neatly summing up the philosophy she shared that day, “will help you figure out how to be in the world.”

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