Abhishek and Aishwarya Rai Bachchan file Rs 4 crores lawsuit against Google, YouTube over deepfakes: Report

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Abhishek Bachchan and Aishwarya Rai Bachchan have taken legal action against Google and YouTube, filing a Rs 4 crores lawsuit over the alleged misuse of their images and videos through AI-generated deepfakes. The Bollywood couple, who had earlier asserted their personality rights, have accused the platforms of allowing manipulated content to spread unchecked. According to a Reuters report, the Bachchans have raised concerns over YouTube’s content moderation and third-party training policies, claiming they create space for abuse. The court filings reportedly stated, “Such content being used to train AI models has the potential to multiply the instances of use of any infringing content — first being uploaded on YouTube and viewed by the public, and then also being used to train.” The legal complaint highlights “egregious” and “sexually explicit” deepfake videos that have been circulated online. One such channel, AI Bollywood Ishq, is said to host more than 250 manipulated clips featuri...
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Springsteen: Deliver Me from Nowhere review – solid biopic both embraces and avoids cliche

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New York film festival: Jeremy Allen White is a convincingly tortured rock star in this smartly narrow and specific look at a particular chapter of music history

The genre of the musical biopic is one that, as Timothée Chalamet acknowledged while accepting a Sag award for playing Bob Dylan earlier this year, “could be perhaps tired”. The beats of the genre – the initial obstacles, the double-edged sword of success, the actors’ pursuit of industry awards for spirited impersonation – are by now so familiar that you’re almost expected to enter with more than a bit of skepticism, even when the artist at hand is one as widely beloved as Bruce Springsteen.

Like A Complete Unknown, in which Chalamet portrayed Dylan from 1961 until his pivot to electric in 1965, Deliver Me from Nowhere, Springsteen’s authorized biopic starring Jeremy Allen White, tries to thread a difficult needle between offering the standard treats and subverting expectations, between narrativizing genius and resisting hagiography. This may be an impossible task, given that the magic and cliches of popular music often go hand in hand, and Deliver Me from Nowhere certainly has its spoof-worthy moments. I went in braced for success montages, leaden flashbacks and capital-R Realizations, and at times met them. (Though to be clear, the expected treat of watching White, of the Bear and Calvin Klein underwear ad fame, tear up the stage as The Boss is still exactly that.) But more often I was won over by its diversions in form – its specificities, its smallness and its portrait of mental fragility.

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