Sharmila Tagore on missing out on Rocky Aur Rani Kii Prem Kahaani with Dharmendra, “I fell ill and couldn’t do the film”

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“We shared the same birthday. He was my co-star in seven films. I knew he was not keeping good health. But the news of his passing is still very saddening,” said Sharmila Tagore, who worked in films as far-ranging as Satyakam and Chupke Chupke with Dharmendra. She reflected on their screen togetherness. “We first worked together in Devar and then during the same year in Anupama. Two very serious subjects, followed by an out-and-out commercial film Mere Humdum Mere Dost. Shooting with him was a breeze. He was as effortless on screen as he was off it. He was never ‘The Star’ on the sets, always his natural self. There was nothing put-on about him.” Sharmila Tagore recalled her first meeting with Dharmendra. “Before we worked together, we met when I was shooting with Yash Chopra’s Waqt. I don’t know in what context he was there. But I remember he was dressed… how shall I put it… not like a star at all. When s...
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Rage, Maga and the Kardashians: the teen who filmed 3,000 hours of Kanye West’s life

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At the age of 18, Nico Ballesteros was given permission to film the falling star for six years, now packaged into an unsettling new documentary

If you were to go back and rewatch any of Kanye West’s controversial moments from the last seven years – I’m not sure why you would, as Ye’s devolution from hallowed icon to cultural pariah has been one of the sadder pop culture stories of the decade, but let’s say you did – you would spot, lingering in the background, a kid with a camera.

He’s easy to miss – scrawny, often wearing Calabasas-sized sunglasses, usually holding an iPhone or iPad, he’s nearly indistinguishable from the many fans and associates that often trail the Chicago-born rapper now legally known as Ye wherever he goes. But he’s always there. In the Oval Office meeting where Ye pledged his fealty to Donald Trump, at his infamous “white lives matter” Paris fashion show, at any of his messianic “Sunday Service” worship sessions – there he is, impassive, camera trained on Ye.

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