Salman Khan takes sarcastic dig at AR Murugadoss for saying he arrived at 8 PM on Sikandar sets: “Madharaasi is a bigger blockbuster”

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Actor Salman Khan, who’s currently hosting Bigg Boss 19, didn’t hold back as he addressed director AR Murugadoss’s recent comments accusing him of reporting late to the sets of their film Sikandar. The actor used the popular reality show’s Weekend Ka Vaar episode to respond with his trademark wit and characteristic candour. The Background: Murugadoss's Allegation Earlier, Sikandar director AR Murugadoss had told Valaipechu Voice that working with a major Bollywood star posed challenges. He claimed Salman would “arrive only by 8 PM,” forcing the crew to shoot even day scenes at night. Murugadoss described the schedule as chaotic, saying it affected child actors who had to film late into the night. Despite acknowledging his own creative shortcomings, the director hinted that the erratic timing contributed to the film’s underperformance. Salman’s Retort on Bigg Boss 19 Addressing the issue head-on during Bigg Boss 19, Salman responded to a question from comedian Ravi Gupta about film...
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The Thursday Murder Club review – Richard Osman bestseller provides solid, star-stuffed entertainment

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There’s much to enjoy in this adaptation of Osman’s ingenious book, with Helen Mirren, Ben Kingsley, Celia Imrie and Pierce Brosnan as the senior-citizen X-Men

Richard Osman’s phenomenal bestseller from 2020 was an ingenious, accessible, good-natured book, which helped rebrand the English detective novel as “cosy crime”, started a celeb-copycat publishing trend and, being about four elderly people in a retirement community rising above ageist condescension to solve crimes, spoke eloquently to the shut-in frustrations and escapist yearnings of the Covid age.

Now it has been adapted as a funny and likable, if slightly bland, comedy-drama for Netflix, which as one character amusingly and pre-emptively comments, feels just like a Sunday teatime TV crime drama. There is nothing new about these nostalgist leanings: Agatha Christie has after all been a solid film and TV export for more than half a century. Screenwriters Katy Brand and Suzanne Heathcote adapt the novel and director Chris Columbus robustly delivers the C-major chords of mainstream entertainment. The result is some undemanding enjoyment, even if the film does appear finally to be saying something rather bold, even controversial, on the subject of assisted dying.

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