Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

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With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT
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The Thursday Murder Club review – Richard Osman bestseller provides solid, star-stuffed entertainment

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There’s much to enjoy in this adaptation of Osman’s ingenious book, with Helen Mirren, Ben Kingsley, Celia Imrie and Pierce Brosnan as the senior-citizen X-Men

Richard Osman’s phenomenal bestseller from 2020 was an ingenious, accessible, good-natured book, which helped rebrand the English detective novel as “cosy crime”, started a celeb-copycat publishing trend and, being about four elderly people in a retirement community rising above ageist condescension to solve crimes, spoke eloquently to the shut-in frustrations and escapist yearnings of the Covid age.

Now it has been adapted as a funny and likable, if slightly bland, comedy-drama for Netflix, which as one character amusingly and pre-emptively comments, feels just like a Sunday teatime TV crime drama. There is nothing new about these nostalgist leanings: Agatha Christie has after all been a solid film and TV export for more than half a century. Screenwriters Katy Brand and Suzanne Heathcote adapt the novel and director Chris Columbus robustly delivers the C-major chords of mainstream entertainment. The result is some undemanding enjoyment, even if the film does appear finally to be saying something rather bold, even controversial, on the subject of assisted dying.

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