Ikkis starring Dharmendra, Agastya Nanda and Jaideep Ahlawat to hit theatres on December 25

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Filmmaker Sriram Raghavan's highly anticipated war drama, Ikkis, has completed filming and is now officially slated for a theatrical release on December 25, 2025. Produced by Dinesh Vijan under his banner Maddock Films, the movie is a biographical tribute to Second Lieutenant Arun Khetarpal, India's youngest recipient of the Param Vir Chakra, who was martyred during the 1971 Indo-Pak war. The film, whose title Ikkis alludes to Khetarpal's age at the time of his sacrifice, stars Agastya Nanda in his big-screen debut as the young war hero. Veteran actor Dharmendra plays a pivotal emotional role as Arun Khetarpal's father, and the cast also features Jaideep Ahlawat and Sikandar Kher in key roles. Ikkis marks a significant departure for National Award-winning director Sriram Raghavan, known for his mastery of noir thrillers and crime dramas like Andhadhun and Badlapur. Raghavan described the project as a welcome break from his us...
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The Thursday Murder Club review – Richard Osman bestseller provides solid, star-stuffed entertainment

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There’s much to enjoy in this adaptation of Osman’s ingenious book, with Helen Mirren, Ben Kingsley, Celia Imrie and Pierce Brosnan as the senior-citizen X-Men

Richard Osman’s phenomenal bestseller from 2020 was an ingenious, accessible, good-natured book, which helped rebrand the English detective novel as “cosy crime”, started a celeb-copycat publishing trend and, being about four elderly people in a retirement community rising above ageist condescension to solve crimes, spoke eloquently to the shut-in frustrations and escapist yearnings of the Covid age.

Now it has been adapted as a funny and likable, if slightly bland, comedy-drama for Netflix, which as one character amusingly and pre-emptively comments, feels just like a Sunday teatime TV crime drama. There is nothing new about these nostalgist leanings: Agatha Christie has after all been a solid film and TV export for more than half a century. Screenwriters Katy Brand and Suzanne Heathcote adapt the novel and director Chris Columbus robustly delivers the C-major chords of mainstream entertainment. The result is some undemanding enjoyment, even if the film does appear finally to be saying something rather bold, even controversial, on the subject of assisted dying.

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